LYRIC

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[ The Lyric Club, Piccadilly and Barnes. ] Original photographic print of an interior at the 'Lyric Club', with a newsaper cutting reporting that the New Lyric Club is 'starting on its career with every prospect of a brilliant success'.`

Author: 
The Lyric Club, Piccadilly East and Barnes, late-Victorian venue for 'smoking concerts'
Publication details: 
[ The New Lyric Club, Coventry Street, London. ] Circa 1889.
£35.00

The sepia photographic print is 15.5 x 11.5 cm, and shows a sumptuous domestic interior, showing paintings around an ornately carved wooden doorframe, into another room, with hangings draped footstool, piano, and other accoutrements of high Victorian interior decoration. In pencil on reverse: 'The Lyric Club'. The cutting is 12 cm and forty-five lines long. It begins 'The new Lyric Club is starting on its career with every propsect of a brilliant success.

[ Peter Brook, English director. ] Typed prompt copy of his 1949 production of 'Dark of the Moon', with autograph and typed stage directions and typed pages of new text, including a new ending. With programmes of both London productions.

Author: 
Peter Brook (b.1925), English theatre and film director [ Howard Richardson and William Berney ]
Publication details: 
Hart Stenographic Bureau, 156 West 44th St, New York 18. Undated [ circa 1945 ]. In manuscript on first page: 'The property of The Company of Four [ Tennent Productions ], Lyric Theatre, Hammersmith, W.6.' [ For 1949 production. ]
£1,500.00

Brook's 1949 production of 'Dark of the Moon' was praised by the critics, and favourably compared with a rival production of 'Oaklahoma!' 'I'm not sure', Brook wrote, 'whether it's a good thing to be original in the theatre. The critics slated my Romeo and Juliet for being too original, but they applaud the quality in Dark of the Moon.' J. C. Trewin, in his 1971 biography of Brook, states that the play had attracted Brook's attention 'when he saw pictures in an American magazine and observed with rapture that there were witches in the cast.

[Sir Nigel Playfair, actor-manager of the Lyric Theatre, Hammersmith.] Autograph signature.

Author: 
Sir Nigel Playfair (1874-1934), British actor-manager of the Lyric Theatre, Hammersmith
Publication details: 
Place and date not stated.
£15.00

On one side of a piece of 2.5 x 8 cm thin card. In good condition, lightly aged and worn, with slight creasing (not affecting text). Possibly in response to a request for an autograph. Reads: 'Nigel Playfair'.

Autograph Note Signed ('Anneliese'), to 'liebe Liesel', on reverse of photographic portrait postcard.

Author: 
Anneliese Rothenberger (born 1924), German operatic lyric soprano
Publication details: 
1956
£28.00

Dimensions roughly 14 x 9 cm. Very good. The photograph, captioned 'Anneliese Rothenberger', is a head and shoulders shot of a smiling Rothenberger. The note on the reverse, in green ink, reads 'dir, liebe Liesel, alles ! | diese | [signed] Anneliese | 1956'.

one autograph letter signed to [?] Murray,

Author: 
Charles Wyndham
Publication details: 
5 October 1892, Balmoral Hotel, Edinburgh, on deleted letterhead of the Criterion Theatre, Piccadilly.
£40.00

English actor-manager (1837-1919), knighted in 1902. 2 pp, 8vo. An interesting letter relating to the Lyric Theatre, Hammersmith. "I suppose your plans are definitely arranged with regard to the much lamented & 'Lyric' If not, or you think we could turn it into a Theatre - size - a little larger than the Criterion, I would be ready either to take a lease of it or even put money into it - and I fancy it would pay the starters.

Typed letter signed to the playwright Richard Pryce,

Author: 
Nigel Playfair
Publication details: 
6 November 1922, on letterhead of the Lyric Theatre, Hammersmith.
£45.00

English actor-manager and director (1874-1934), knighted in 1928. He thanks him for his letter about the play "The Immortal Hour" (1907) by Fiona Macleod (William Sharp). "I am delighted that you liked it so much, and I think that gradually the public is beginning to find it out. / It will amuse you to hear that the night before last I saw a performance, at my little boys' school, of "The Dumb Cake"; a pirated version revised from memory.

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