MUSIC

1p., 12mo. In good condition, lightly-aged. He asks him 'to forward these Cards immediately (I have sent one to Mr. Doane) as many have call'd asking if they are to be engaged'. He expresses his regret for 'the mistake in the Name card', but it is too late to alter it. The 'sole cause' of the error was his 'constantly thinking of the state of poor Walker'.

On one side of pink 10.5 x 13.5 cm leaf removed from autograph album. Reads 'Julian Bream | 19/10/65'. A magazine photograph of Bream has been laid down in the bottom left-hand corner of the leaf.

On one side of 13 x 18.5 cm leaf removed from a 1930s album. In a good large hand, it reads: 'Souvenir | from Ania Dorfmann'.

The two signatures are on a reproduction of a drawing of Robeson, on a 15 x 11 cm piece of shiny art paper, cut from a programme from Robeson's 1934 tour of Britain. In good condition, lightly-aged. The head and shoulders portrait shows a moody Robeson in collar and tie. The two signature are at the foot of the image, with Robeson's, in blue ink, slanting downwards, and Brown's, in green ink, slanting upwards, around the line of Robeson's lapels.

2pp., 4to. In fair condition, lightly aged and creased. After beginning 'Dear Popie / | How are you?' she asks what the 'immediate prospects' are for her to 'get a book and a series in the paper running', as she has 'scanned a tremendous amount of George's material' since moving to 'The Lawns'. In a postscript she describes the material as a 'wonderful story for T.V. too to say nothing about the films!', adding that she has 'got G. to record a lot of his old & recent material ready!' Macqueen-Pope was an admirer of Robey's, as his 'The Melodies Linger On: The Story of Music Hall' makes clear.

2pp., 4to. In good condition, lightly-aged. Unsigned copy of typed letter., with one autograph emendation. Addressed to 'My dear Harry'. He begins by explaining that he is in Eastbourne recuperating from the flu. 'As I did not rise until Monday last I missed the Sunday papers including alas, the Referee. [ amended in autograph from 'the Rat' ] | A cutting, however (from the Ref) reached me here today containing an article of yours, wherein you place me among your Hebrew musical collaborators.

In good condition, on loose leaves, with light signs of age and wear. ONE: 'Green Roomers by the Rags Wags.' A large collection of original jokes. Around 140pp., mostly 8vo. On different papers, including letterheads of 212 Finchley Road, London, the Burlington in Folkestone, and the Hermitage Hotel, Le Touquet. Hundreds of unconnected gags, each of them framed as a rhetorical question, mostly relating to the London entertainment world. The humour is now mostly impenetrable. Individuals referred to include: C. B. Cochran, H. G.

Letter: 1p., 8vo. In fair condition, lightly creased and aged. With a few autograph emendations. In a characteristically eccentric letter he writes that their common friend Jimmy Linton has told Bowman that Duncan 'may be able to give me some particulars and perhaps a photo of Edith LORAINE who played Godiva in F. B. Woulfe's Company, presenting the famous historical play by Max Goldberg, (John F. Preston.) He refers to Mabelle F. Barlow, Lady Astor and his own play 'Divorce or Dishonour'. As a boy he was greatly impressed by Loraine's performance, and it 'started my interest in Coventry.

1p., 12mo. In good condition, on lightly-aged paper. The seven signatures are on top of one another, with the fifth in pencil and the others in ink. They read: 'Teddy Gwenn | [ ditto ] Michael | Lawrence | Sevier | Tommy Shale | Jan Hurst. | Patersen Story'. From the papers of Herman Finck (1872-1939), with whom Jan Hurst was connected. According to one authority: 'In 1929 [Hurst] secured the all year round post of Musical Director to the Brighton Corporation and as such, he was in charge of their Municipal Orchestra.?>

Bold Signatures of Nicolas Orloff and Mary Jarred on detached album leaf, c.17 x 11cm, good condition.

Signature on detached page of album, 17.5 x 11, faintly marked, mainly good condition.

Signature on detached album leaf, 18 x 13cm, good condition

ONE: The earlier of the two drafts, titled 'It Was Top of the Bill | The Story of Music Hall. | by | W. Macqueen-Pope.' 14pp., 4to. Paginated 1-12, with two further pages carrying material to be inserted. With a few autograph emendations, including an addition to the ending. Macqueen-Pope writes knowledgeably and with a passion for his theme, which is that 'Music Hall reflected public taste even more accurately than did the "legitimate" Theatre because it was created by the people themselves. The basis of the Drama of the Theatre - was religion.

Page detached from an autograph album, 17.5 x 11cm, good condition. On the recto the autograph signature of Harry Lauder with the trademark sketch of himself with bonnet and pipe. On the verso, the following by Logan "To | Archie | Many Happy memories | of Lauder and | Jimmy Logan [his signature] | Stonehaven | 1987." Note: [Logan] "His one-man musical based on the life of Scottish entertainer Sir Harry Lauder, was called Lauder (1976).[5] Logan collected Lauder memorabilia, which is now housed in the Scottish Theatre Archive at the University of Glasgow.".

Card, c. 14 x 9cm, blue, vestiges of laying down process on reverse, good condition otherwise. "My dear Yonty, Thank you for your letter & exquisite roses - Can you come to tea on Saturday at 4.30 - Perhaps you can telephone me- With my love | Myra |"

Card,11 x 9cm, rounded corners, very minor marking, card sl. dulled. Image on website inventory.

Album page, c. 18 x 11cm, white, one edge rough (from extraction), good condition, signature and date slanting, small photograph of Moiseivitch cut from newspaper.

Letters, total 5pp., 12mo; Lists, total 6pp., 12mo (List of Musical PLays concluded by Autograph Note Signed by Burroughs (dated 29 July 1858). One has spike-hole with loss of , one sl. grubby, all legible, closely-written in a small neat hand. LETTER ONE (25 July 1858): "I have a great number of M.S.S. of the Surrey & late Coburg, as well as of other original Dramas & Farces never acted which I have purchased from time to time but have never produced.

Collier was the author of a number of melodramas and farces in the period between the Boer War and the Great War, including one written in conjunction with F. H. Dudley, but little is to be discovered about him, with no mention of these three titles. All three items in fair condition, on aged paper, in aged and worn bindings. ONE: '"In the Hands of the Mormons" Or "The Mormon Peril" A Drama in FOUR acts written by Hal Collier'. [1] + 45pp., 4to. Stitched into grey paper wraps. With pencil emendations throughout, including extensive deletions.

[1] + 19pp., 4to. Unbound, on leaves attached with a brass stud. Title-page reads: 'LIFE'S LITTLE LAUGHS. | BY | HERMAN FINCK.' In good condition, on lightly aged and creased paper. The introduction reads: 'Laugh, and the world laughs with you. Cry, and the world laughs at you. Here then let me set down some things of humour that I remember, some of my own which have appealed to my friends, some of my friends' which have appealed to me.

242pp., 8vo. With autograph emendations throughout. Unbound and stapled into chapters. In good condition, with light aging and rusting of staples. Typed title-page, with the book said to be written 'By Richard Hearne. Assisted (and sometimes hindered) by interpolations from "Mr.

102pp., 4to. Typed on rectos only, and bound with pink string in grey card wraps with white paper label. Internally in good condition, on lightly-aged paper, in worn wraps. Extensive manuscript emendations throughout, and with a manuscript passage (1p., 4to) on leaf loosely inserted, for adding to p.21. The title-page of the play is revised, with the typed title 'Nature is so Coarse' replaced by the manuscript 'Plain Clothes', and the author's name 'M. Willson Disher' replaced by 'All the Worst Authors'.

An interesting sidelight into a neglected area of Joachim scholarship, the 'Joseph Joachim - biography and research' website containing no references at all to Macirone. Joachim's acquaintance with England (where his elder brother Henry settled) had begun while he was still a child, when his teacher Felix Mendelson (himself a prodigy) had brought him to the country, where his playing caused a sensation. 14 letters, in fair condition, on aged and worn paper. The combined letters total 34pp. in 8vo and 12mo, with Joseph Joachim's eleven letters consisting of 25pp. of this amount, of which 15pp.

The two signatures are on one side of a 14 x 18cm leaf of cream paper removed from an album. In good condition, lightly aged and worn, with laid down. Good clear examples. Beecham's signature 'Thomas Beecham' is above that of 'Ethel Frank'. Probably given on Franks first visit to Britain in 1921. Small magazine cutting of photograph of three musicians laid down on reverse.

75pp., 12mo. Internally in good condition, on lightly aged paper with 1860 watermark, and some leaves torn out. In worn red leather half-binding, marbled boards, with damage and loss to spine and front free endpaper torn away. The illustrations cover 19pp in the middle of the volume. Those on 15pp are in black ink, with the rest in pencil, one of them coloured. The butt of many of the jokes is music teacher 'Mr [Jack] Hardie'.

4pp., 12mo. Bifolium. In acceptable condition, aged and somewhat grubby. He thanks him for sending his article in the 'Musical Gazette', and comments that it is 'certainly curious about the Purcell Catch & the coincidence of the four notes, but it is difficult to say whether it was done purposely or by accident'.

On a 4to leaf extracted from a diary, at the page for the entries for 25 and 26 February.; with printed sheet music on reverse. In good condition, on lightly-aged paper. The signature 'Leonard Borwick' is written above that of 'Nina Balfour'. Balfour does not appear to have performed music in public, but she is listed as 'Reader' in a concert of 1919.

On 13.5 x 16.5 cm piece of light-pink paper removed from autograph album. In very good condition. Reads: 'yours truly | I J Paderewski | 23/XI 1912'.

Carefully signed along the horizon line of a 3 x 9.5 black and white photograph of the Atlantic City Steel Pier, the location of a "residency" of Sousa's. Laid down on 13.5 x 16.5 cm piece of light-pink paper removed from autograph album. In very good condition. Reads: 'John Philip Sousa | 1911'.

124pp., 8vo., with numerous other lists and other matter loosely inserted on pieces of paper. In shaken binding and on aged paper, but with the contents clear and legible. Accompanying the entry for January 1885 is the following note: 'These written in red ink were played on the Harmonium while the organ was being repaired.' The entries are arranged with the 'No. of Barrel in Organ', the date, and the name (omitted in later entries) and number of the hymn played.