Music and Theatre

Card,11 x 9cm, rounded corners, very minor marking, card sl. dulled. Image on website inventory.

Collier was the author of a number of melodramas and farces in the period between the Boer War and the Great War, including one written in conjunction with F. H. Dudley, but little is to be discovered about him, with no mention of these three titles. All three items in fair condition, on aged paper, in aged and worn bindings. ONE: '"In the Hands of the Mormons" Or "The Mormon Peril" A Drama in FOUR acts written by Hal Collier'. [1] + 45pp., 4to. Stitched into grey paper wraps. With pencil emendations throughout, including extensive deletions.

Two pages, 8vo, fold marks, good condition. "I have a letter from Mr. Milner - whoi tells me you want my advice on some musical matter - I shall be down here for a fortnight and then go to the sea - but you will let me know when you're likely to be in town. I will try and get up to meet you somewhere."

Between 1916 and circa 1966. 'Chu Chin Chow' was a hugely-popular extravaganza based on 'Ali Baba and the Forty Thieves', which, produced and directed by the Australian actor-manager Oscar Asche (1871-1936), premièred in London in 1916, and ran for five years and 2238 performances (more than twice as many as any previous piece), followed by numerous productions and revivals worldwide, as well as two British feature films. The phenomenal success of the piece may be gauged from the fact that it earned Asche alone £200,000.

Black and white photographic print, 21 x 14 cm. Creased and stained, with short closed tear at head and slight loss to one corner. Robeson's inscription, in the bottom left-hand corner, reads: 'To "Dora" | With all good wishes and all good fortune. | Paul Robeson | "Show Boat" | London 1929'. The image is a head and shoulders shot of an assured Robeson in jacket, shirt and tie.

1862 Diary of Sergeant Browne, principal flautist in the Royal Artillery band, Woolwich, Over 425 pages. Played at the opening ceremony of the International Exhibition under Costa, having been at the rehearsal attended by Meyerbeer - good descriptions of both events - and at the Horticultural Gardens next door throughout the length of the exhibition and elsewhere (Crystal Palace, Willis's Rooms, private houses, Lord Mayor's Show "nonsensical custom").

The collection is in good condition, on lightly aged and worn paper, and can be grouped into three sections. ONE: Complete typewritten draft ([3] + 44pp., 4to) of Sussman's unpublished monograph on Bloch is contained in a large brown envelope, with the following note by Sussman on the front: '2ND COPY (without illustrations) of "Ernest Bloch - Music's Prophet" | JS'. It includes the contents, list of illustrations, introduction, and two-page 'Key and Bibliography'.

Six items, in good condition, on lightly-aged paper. In addition to manuscript scores by Sussman of five parts (soprano, tenor, bass, alto and conductor) of 'Hatikvah' (the five parts totalling 6pp., 4to, with staves also drawn out in manuscript), there is a duplicated typescript of an English translation of 'Hatikvah', titled 'Men Awake!' ('Workers all!

4pp., 8vo. 102 lines of neatly and closely written text. With original envelope addressed by Leeper to 'E. Martin Browne Esq | 99 Claremont Avenue | New York 27 | U.S.A.' Leeper begins by expressing her pleasure that Browne is 'going to do the first American performance of Noye's Fludde', which she describes as 'a great work - big & simple & satisfying, & very moving'.

Piece of paper, 11 x 7com, tipped on to larger piece of paper. "En attendant les plaisirs recus [?] Mademoiselle les sinceres salutations de votre [serv[an]t?] devoue" (or soenthoing like that, hand difficult).

Piece of paper,cut from a larger one, 17.5 x 6.5, good condition.

SCORE: [4] + 75pp., 4to. In printed wraps with decorative cover and advertisements. A fair copy, on aged paper, in worn and chipped wraps repaired at the spine. Unusually positive and forward-looking for its period, on the subject of women in the workplace. Note on reverse of title: 'The writer of the Libretto wishes to acknowledge his obligations to "Work and how to do it," by Mrs.

Both items in good condition, on lightly-aged paper. ONE (letter): 1p., 12mo. In a neat and elegant hand, it reads: 'Tuesday Night | Dear Laura | I send the tickets; as Goldsmith sent the portion of Lord Clare's haunch of venison to Sir Joshua - | "To paint it or eat it, whichever he pleased" | I am glad you like the Philharmonia | Your affecte. Friend | John Hullah'. TWO (cutting of sheet music): Written in pencil on one side of a 6.5 x 15 cm piece of paper, docketted 'Written by John Hullah 1861 | for

'. With a few words in Hullah's hand at head.

[4] + 43pp., 12mo. Stabbed as issued. An attractive and elegantly-printed little book. Internally very good, on lightly-aged paper, loose in worn light-brown calf binding, marbled endpapers, all edges gilt, back hinge sprung. Stamped in gilt on the front cover: 'ACIS & GALATAEA | A PIECE OF OXFORD EXTRAVAGANCE | BY | T. F. PLOWMAN'. Inscribed on fly-leaf: 'H. W. Chapman, Esq. | with the author's sincerest regards. | 1869.' A scarce item: only three copies on COPAC, at Oxford, Cambridge and the British Library, all three of which attribute this anonymous work to Plowman.

1p., 8vo. With mourning border. In fair condition, on aged and lightly-ruckled paper. After exclaiming 'How kind of you!' Pinero explains that he has been 'inoculated regularly since the autumn, and it has done me no good'. He continues: 'No, I won't say that; I might have been worse but for the injections.' He concludes by stating that he will show Shore's letter to his doctor, 'to prick his conscience'.

Two pages, 12mo, large hand, accepting an invitation on behalf of her niece and herself and asking acceptance of a "[posie?] that I have just received from the country." Note: Catherine Stephens became Countess of Essex in 1838. Note added on her identity in another hand.

24pp., cr. 8vo, grey printed paper wraps, partially detached, creased and and worn, with two stains on front cover, largest 3/4"dia, contents aged but good. Tow copies listed on COPAC/WorldCat (both BL), i.e. very scarce.

The two uniform stapled pamphlets, both 32pp., 12mo, in illustrated wraps printed in green, and both printed on newsprint. Both items uncommon, with no copies of either on COPAC. ONE: 'Irish Songs Old and New.' In fair condition, on worn and toned paper, with crease to front cover. Contains the lyrics to 34 songs, from 'Angels Whisper' and 'Ballinamona Oro' to 'Young Kate of Kilcummer'. TWO: 'Songs of the Gael'. In good condition, toned and lightly worn. Contains the lyrics of 28 songs from 'Awake and Lie Dreaming No More' to 'Where is the Slave so Lowly?'

The eight images are arranged in four pairs, each on the central pages of an 8vo bifolium. Dimensions of page: 24.5 x 16cm. Dimensions of image: 9 x 14cm. In fair condition, on lightly-aged and creased paper. Irving is shown in five roles, including Lear, Shylock, and Becket. Also present are two portraits of Irving out of character, and a picture of the exterior of a dilapidated building. Presumably intended for an early twentieth-century biography.

3pp., 12mo. Bifolium. In good condition. In envelope addressed to 'Laurence W. Hodson | Compton Hall | near Wolverhampton'. The letter begins: 'I beg that when you are in London you will let me see you. I have a little story to tell you about the beautiful little unfinished ('Psyche') picture of Sir Edwards [i.e. Burne-Jones] that you possess. Perhaps when you have heard it you will think more kindly of my wish to buy it from you - Please let me call on you - I will use no wiles!

3pp., 16mo. 25 lines of text. Bifolium. Good, on lightly-aged paper, with slight traces of mount adhering to the blank reverse of the second leaf. The letter begins: 'Dear Miss Paget | Miss Martin has just forwarded me your note so I will send you a few lines to-night. I am very pleased you are singing my song on the 27th., & will be pleased to go over the song with you before the concert.' She gives details of her movements over the next few days before concluding: 'I hope it will not trouble you much to come out here -.

Both items in good condition, on aged paper. ONE: Letter of 10 September 1891. 2pp., 12mo. Bifolium. He begins by thanking her for a photo of Henry Irving, before turning to his mother, Ellen Terry. 'Mother &

taken at Window &

gb3pp., 12mo. Bifolium on mourning paper. Very good, on lightly-aged paper. He thanks her for the 'kind idea': 'My own dear girl is a talented & modest student: and some day may have to turn this to account. She is full of Music, and tho only 18 is the most reliable critic I know: always comes to a true & high conclusion.' He asks her to lend the girl her collection of sheet music, 'and then allow me to pass it on to some one else, when I meet with a fit recipient.' He was 'sorry to "lose" you in my lectures. I have a tolerable Cl I & a very good Cl II -'.

1p., 12mo. On aged and worn wove paper. Headed with the royal crest and title 'The Patriot's Hymn.' Twenty-one lines arranged in three verses, numbered I to III. Printer's slug beneath swelled short rule at foot of page. The printer is possibly the Edward Bayley stated by BBTI to have been active in Macclesfield between 1788 and 1825. The absence of the long s, and the use of wove paper, suggest nineteenth-century publication before 1830, and probably during the Regency period.

1p., 4to. In fair condition, on aged and worn paper. He thanks him 'for the valuable additions to our theatrical wardrobe which you have been so kind as to send us this morning', adding that he can assure Guy 'that we shall make good use of them and will remember with gratitude the source from which they came, for Madame Albani was one of the best beloved friends of the College since its earliest days'.

Programme, [20]pp., 4to, illus. printed wraps (partly in red). Directed by David Thacker, including excerpts from "The Golden Years", "Focus", "Death of a Salesman", Miller's adaptation of "An Enemy of the People", etc., etc. Programme signed by Arthur Miller himself ("For Esther | Arthur MIller). Enclosed Menu for dinner on 14 May 1989 at the Arthur Miller Centre for American Studies, signed "Warren Mitchell". This item derives from the Papers of Sally Worboyes who organised writing courses involving well-know TV personnel, actors, singers and writers as tutors at Fen Farm nr.

2pp., 12mo. In envelope addressed by Stirling to 'C Lonsdale Esqre. | Bond Street'. In fair condition, on aged and worn paper. 'Mrs. Stirling does not know how to thank Mr. Londsdale for his great kindness - not only now but always shewn to her by him. Mrs. Stirling remembers that she has the full store of the Midsummer Nights' [sic] Dream belonging to Mr. Lonsdale but she is warned by Mr. Lonsdale's Messenger that she must not now stop to thank Mr. Lonsdale fully, as she would wish.'

3pp., 12mo. On bifolium with mourning border. In good condition, on aged paper. Her letter to him is 'the essence of sweetness': it has 'touched me deeply and will not soon be forgotten'. He supposes that she is unaware that 'Parratt and I travelled down to Windsor in the same train with you - indeed in the same carriage'.

1p., 12mo. Good, on lightly aged and worn paper. The note reads: 'Mercredi. | Merci mille fois, mon cher Maitre, si vous êtes content, me voilà ravie! | Encore merci | Réjane'. In a postscript she states that she has profited from his criticisms.

27pp., 4to, good condition, attractively illustrated stiff paper covers (cover illustration colour drawing by Baron Arild Rosenkrantz), good quality production including poems by Keats and Shelley, illustrations, and reference to music specially written for the show by the likes of Coleridge Taylor. With enclosure, handbill headed "Keats Relics at Hampstead". No copy traced but a copy on WorldCat tried to show its face but ultimately failed.