VON

4pp., 4to. Bifolium. In fair condition, on aged and worn paper, with creases unobtrusively repaired with archival tape. A long letter, addressed to an unnamed English recipient (perhaps the editor of an literary journal) interested in news of Austrian literary culture. The letter contains references to: 'the polyglott Georgian', 'the new litterary [sic] gazette', 'Mr.

3 + [1]pp., 12mo. Bifoliate pamphlet. In good condition, on lightly-aged paper. Evans's book on 'The Shaft Graves and Bee-hive Tombs of Mycenae' had been published by Macmillans in 1929, and Evans writes that the present item 'has been prepared in view of the considered opinion concerning the author's important discovery expressed by Professor Friedrich von Duhn, the distinguished German archaeologist, a little before his death'. This opinion of Duhn ('the "Grand Old Man" of German Archaeology') was 'addressed to the Author a little before his death'.

1p., 8vo. On cheap paper stock. Aged, and with chipping and closed tears to extremities. Stamped on the reverse by the Paris bookseller C. F. Labarre (fl. 1970). Printed in the bottom left-hand corner: 'No. 6012.' 37 lines of text.

Three examples of the same bookplate: on green, blue and cream paper. All three in very good condition, lightly-aged. Paper dimensions: 4.5 x 5.5 cm. Illustration dimensions: 3 x 4 cm. The image, reproducing an eighteenth-century engraving, depicts two children seated at a table and studying, with a globe on the floor between them. Beneath the image: 'KINDERBUCH-SAMMLUNG | VON WALTER SCHATZKI'. Accompanied by slip of paper with manuscript note regarding reproduction 'in Photo-Litho', after 'permission received O.K. from Walter's'.

3pp., 4to. Bifolium. In fair condition, aged and worn. Almost certainly in Montagu's own hand. Headed 'Copy' and ending '(signed) Montagu | Chairman Sub. Com. | Abbotsford Subn.' Addressed to 'His Excellency Monsr. le Baron Ompteda'. Acknowledging receipt of a letter from Ompteda wnich informed him of 'the very handsome Subscription from Hanover of £170. 10/ to which their Royal Highnesses the Duke & Duchess of Cambridge and Langravine of Hesse Homburg have contributed so liberally'.

viii + [1] + 77pp., 8vo. In purple cloth binding, gilt. Internally good, on aged paper, in worn binding, with dulled gilt title on spine. Inscribed on flyleaf 'To | G. A. R. FitzGerald Esq | With the kind regards of | Theodore Martin | 3d April 1886.' Above this the ownership signature of 'R G E Sandbach', whose bookplate is on the front pastedown.

[2] + 99pp., 8vo. The leaves in fair condition, on lightly-aged paper, but with signatures detached, and creasing to the last couple of leaves. In worn and chipped printed wraps, with front cover detached. With the blind stamp of the 1846 Prussian-British Convention on Copyright (which all books imported from Prussia had to bear). Scarce: no copies on COPAC, and six runs on OCLC WorldCat all at American institutions.

118pp., 12mo. In original embossed black morocco leather binding, with marbled endpapers and edges. In good condition, lightly aged, in worn binding. Attributed in pencil on first page to 'H. G. S. de Zoete'.

A Fellow of the Royal Society, Marlborough's main scientific interest was astronomy, a subject on which he corresponded with von Brühl. The four items in good condition, with light signs of age and wear. They are accompanied by a typewritten (1960s?) report (3pp., folio), whose purpose is to disprove any connection between them and 'the name of Henry Cavendish and his work on the barometer'.

In very good condition, on lightly-aged paper. The poem (24 lines in six stanzas) is written out on the letterhead 'Leam, | Leamington'. 1p., 12mo, with the blank second leaf of the bifolium tipped-in onto an 8vo leaf.

Three items, all typed. In good condition, lightly aged. ONE: Covering note, probably by Peskett. 1p., 12mo. Headed 'Ribbentrop's Speech on the Occupation of Norway 1940'. Beneath the heading is an eight-line quotation from Low's 'Years of Wrath', followed by: 'The document herewith, issued by the German Foreign Office, is the Italian ambassador's copy of a number issued to those present on the occasion of Ribbentrop's speech to the Heads of Foreign Missions and members of the German and foreign press in Berlin in 1940.

A significant letter, filling gaps in the provenance of Bellini's Crucifixion, now in the Louvre. All that has been known hitherto about the painting's provenance is that at the beginning of the twentieth century it was in the Paris collection of the banker Rodolphe Kann, and that before the Second World War it was owned by the Florentine dealer Alessandro Contini Bonacossi, from whose heirs it was acquired by the Louvre in 1970.

In addition to his pioneering cinematographic work, Herkomer was a theatrical innovator. As Lynda Nead points out in her 'The Haunted Gallery' (Yale, 2007), it was shortly after the opening of his art school that 'he and his students created an auditorium, modelled on Wagner's Festspielhaus in Bayreuth, for public performances of plays, written, directed and, indeed, performed by Herkomer'. See also M. A. K. Taylor, 'The New Stagecraft' (1953); J. Stokes, 'Resistible Theatres' (1972); and L. M. Edwards, 'Herkomer: A Victorian Artist' (1999). These five items all relate to the project.

1p., 16mo. Good, on lightly-aged paper. The note reads: 'My dear Sir! | I am very sorry that, being commanded by the Queen to attend one of her Balls, it is not possible to accept your friendly invitation for the 24th May. Every faithfully your | von Raumer | L. 17th. May 36'. Von Raumer was in England from 1835 to 1836.

1p., 12mo. Very good, on lightly-aged paper. In worn envelope, with stamp and postmark, addressed by Hayward to 'J. T. Baron Esq. | Witton | Blackburn'. The letter reads: 'Dear Sir | Messrs Longman are the publishers of my Biographical & Critical Essays & my Translation of Faust. But any bookseller will get them for you, with the exception of the First Series of my Essays, which is out of print. | faithfully yours | A. Hayward'.

The card is 4.5 x 7.5 cm, with 'Le Comte Moltke | Grand Veneur du Roi.' engraved in copperplate. In fair condition, aged and with slight staining from previous mounting on the reverse. The Moltke family originated in Mecklenburg, and by the eighteenth century members were prominent figures in the Danish court. Friedrich Philip Victor von Moltke settled in Holstein in 1805, and was left impoverished when the French army plundered his town house in Lübeck, and burned his country house. On 2 January 1819 the Journal de Paris carried a report from Berlin that on 22 December 1818 'M.

The signature, cut from a letter is on a strip of paper roughly 1.5 x 10 cm, laid down on a piece of paper, 7 x 11.5 cm. Lindpaintner's signature ('Js. Lindpaintner') is bold and florid; a small part at the head has been trimmed away in cutting the strip. In fair condition, on lightly-aged paper, with one pinhole at head of mount, and traces of grey paper on reverse. The mount is neatly captioned 'Autograph of Lindpaintner, composer of "The Standard Bearer" | &c. &c. &c. | Recd. from Wessel & Co - 1859'.

The four prints are in good condition, on aged paper. Each of the four engravings is on india paper, laid down on a piece of good thick laid paper of dimensions 19.5 x 28 cm. Printed beneath each image is 'Photogravure R.

16mo, 4 pp. 64 lines. Text clear and complete. Hutton was a friend of both de Vere and his correspondent, and 'this will always remain a link between us; for no one who ever knew him can forget him; & no one who remembers him can ever cease to honour him'.

All items good, on aged paper, with Lady Rose-Innes' letter in its envelope. Bower and Rose-Innes had worked together when the former was Imperial secretary to the High Commissioners for Southern Africa at the time of the Jameson Raid. Rose-Innes three letters are dated 17 October 1935 (12mo, 4 pp), 9 July 1936 (12mo, 4 pp) and 13 April 1939 (12mo, 4 pp). All are closely and neatly written. In the first letter Rose-Innes describes a journey 'through the S.

12mo, 1 p. Thirteen lines. Text clear and complete. On aged and foxed paper with some fraying to edges (not affecting text). He would like to show Taylor 'something of interest with reference to Sir Herbert Taylor [sometime soldier and Private Secretary to teh KIng]' and suggests meeting that night. 'It seems rather late, but I shall be at von Herkomer's till then'.

8vo: 120 pp. Unbound. In original grey printed wraps. Lightly foxed, with wraps grubby and creased. Ownership inscription at head of front wrap. 'Published under arrangement with the Author', with a six-page preface by the translator, dated October 1866. The Codex Sinaiticus, now in the British Library, was found by Constantin von Tischendorf on his third visit to the Monastery of Saint Catherine, at the foot of Mount Sinai in Egypt, in 1859. 'I would rather', he writes here, 'have discovered this Sinaitic manuscript than the Koh-i-noor of the Queen off England.'

Dimensions 14 centimeters by 9 centimeters. In good condition, although grubby and with creasing to one corner and ink from postmark along one edge. Sepia photograph of airborne balloon with a tangle of guyropes and mass of people beneath it. Hangars in background. The airship pioneer August von Parseval (1861-1942) worked in partnership with the engineer Hans Bartsch von Sigsfeld and the businessman August Riedinge. The "Dragonballoons" (Drachenballone), which he designed for military observation, are predecessors of the present-day blimp.

Not published. Cyclostyled on the rectos only. 8vo: 165 pp followed by 28 pages of 'figures'. Contained in a buff 'Apex Vertical Filing Folder'. Very good, on aged paper. Complete and clear. Stamped 'UNCLASSIFIED' on front cover, with manuscript reference 'GVC/54T'. Preface reads 'The present work is the English rendering of a partly revised German manuscript which the Author prepared for the Leipzig publishers Bibliographisches Institut to be published as volume 49 of their series Meyers kleine Handbücher.

4to: 3 pp. A bifolium. Good, on lightly-aged and creased paper. Thin strip of brown paper mount still adhering in inner margin of reverse of second leaf. Forty-six lines of text, clear and complete. A small square of paper, bearing Von Bulow's red wax seal (with clear impression) has been cut away from the second leaf and neatly placed beneath the signature. Address, with circular Hull postmark in black ink, on reverse of second leaf.

4to (leaf dimensions roughly 27 x 21.5 cm): 1 p. Fifteen lines of text. On the recto of the first leaf of a bifolium, with the address on the reverse of the second leaf. Text complete and legible, on aged paper, grubby, worn and creased paper. An unusual and interesting letter of introduction, pointing out the international links in the European booktrade of the early nineteenth century.

12mo (leaf and plate dimensions 115 x 80 mm): [ii] + 247 pp + 6 hand-coloured engravings. Good, on lightly aged and spotted paper, in heavily worn original boards, with ink stain on back board. The plays included are: [1] Das Urtheil des Paris; [2] Die Tochter Pharaonis; [3] Ruebezahl; [4] Incognito; [5] Die Uhr und die Mandeltorte; [6] Sultan Bimbambum. Engraved title and six whimsical hand-coloured engravings by Mueller from the designs of the Frankfurt artist G. M.

On piece of paper roughly 6.5 x 13 cm. Good, on creased and lightly aged paper. Reads '<...> | yours very sincerely | H. Bismark'. On reverse '<...> looking forward immensely to my visit to you. I have just been asked to lunch with a very old lady <...>'.

The sepia photograph, 10 x 7 cm, shows Korff's head and torso. He is dressed in the costume of a flying ace, with leather coat, gloves, googles and scarf, and is striking a match while staring moodily at the viewer. It is mounted on a leaf of cream paper (24 x 20 cm) removed from an album. In very good condition and attractively mounted, with a piece of nicely-patterned paper (12 x 8.5 cm) beneath the photograph acting as a frame. Korff's large, bold signature runs across the page beneath the phtograph, reading 'Arnold Korff | Wien 25. Oct. 1923'.

Dimensions roughly 14 x 9 cm. Very good. The photograph, captioned 'Anneliese Rothenberger', is a head and shoulders shot of a smiling Rothenberger. The note on the reverse, in green ink, reads 'dir, liebe Liesel, alles ! | diese | [signed] Anneliese | 1956'.