NIN

Piece of wove paper, 27 x 21 cm, blank but for letterhead 'henry miller 18 villa seurat paris XIVe'. Modern-looking, with 'henry miller', 'villa' and 'paris' in bold. Aged, worn, and creased. Having stayed with the writer Michael Fraenkel at Villa Seurat in 1931, Miller moved into the top-floor studio at No. 18 in September 1934, remaining there until May 1939. The rent was negotiated by Anaïs Nin, who briefly shared the apartment. An evocative artifact, redolent of the creative potentiality of the Paris of the American expatriate literary community 'entre deux guerres'.

12mo, 36 pp. In wraps, with art paper flyleaves. Very good. Number 26 in the signed edition of fifty copies, which, according to a note by the publisher, 'contains a second photograph of Mamie and Elmer Gertz, rather than the single photograph which is contained in the Trade Edition [of two hundred copies]'.

8vo: paginated 3-38. Four full-page reproductions of Miller's paintings. In original yellow printed wraps. On brittle, aged paper, with the body of the book detached from the wraps, which are worn and with one corner at front creased. Title taken from front wrap. One of 950 numbered copies, signed by the publisher on the final page (beneath 'Publisher's Addendum') 'Bern Porter | 25 South St | Houlton Maine | Copy # 296'. Shifreen &Jackson A37a. Uncommon. Apart from the British Library, COPAC only lists copies at Cambridge, Manchester, Oxford and Bristol.

Jackson/Ashley A272. Unpublished. 43 pages in A4 (unpaginated title and pages 1-42). Perfect bound with black cloth spine in light-green wraps with title duplicated on front wrap. Very good, with top corner of front wrap slightly dogeared. With four photocopied A4 pages of typescript loosely inserted: the first carrying 'The Naked Tongue' by Diane Miller; the second 'Religious Views of Life'; the third, headed 'Remembering Henry Miller: A Collage', giving details of cast and crew; the fourth headed 'Celebrating Henry Miller: A Collage includes selections from the following:'. Scarce.