BASS

3pp., 12mo. Bifolium. In good condition, on lightly-aged and worn paper, with slight show-through on first leaf. Expressing, 'on behalf of the Eagle Committee', a 'joint sense' of Powell's 'kindly interest in the magazine', whose 'circulation, hitherto, has been restricted to members of the College'. Powell's 'helpful offer' will be considered that week, when his letter is laid before the committee, who are desirous of inserting, 'more systematically, intelligence respecting members of the College in London'.

Programme: 12mo, 4 pp. Bifolium. Printed in green on orange paper. Text clear and complete. On lightly-aged paper with slight wear to extremities. Dargavel's signature is in pencil in the top left-hand corner of the second page: 'Best Wishes, | Bruce Dargavel'.

On piece of light-blue paper, removed from an autograph album. Firm signature. In good condition. Reads 'Robert Easton.'

Page detached from album, stained but writing clear and complete. The plain signature of Jean Vallier, French Bass, is followed by the title Ave Maria followed by two or so bars from the song, with words (A-ve Ma-ri-a gra-ti-a ple-na), itself followed by Best wishes from | Percy B. Kahn Stoke Jan 21st 1921. Note: His most noted composition was the song Ave Maria with accompaniment by piano, and violin obbligato.

Page detached from an album, 17 x 14cm, slightly foxed, mainly good condition, inscribed Every good wish | Paul Robeson | [Mar?] 1930 | Lawrence Brown. Note from wikipedia: Robeson and his accompanist and arranger Lawrence Brown were the first to bring spirituals to the concert stage; their association lasted through four decades.