JEAN

On 18 x 16 cm leaf removed from an album. In good condition, lightly-aged. Headed '"Carnival" July 1945' and with the following signatures: 'Stanley Haynes (Director) | Guy Green . (Camera) | Sally Gray | Stanley Holloway (actor) | Catherine Lacey | Michael Clarke | Hazel Court. | Michael Wilding | Jean Kent | <?> (stills)'. The recipient was the daughter of a cameraman at Twickenham Film Studios.

[1] + 11, 16mo. In good condition, lightly-aged, no wraps, disbound, with slight damage to spine. The only copy on COPAC at the British Library. There is a copy in the Bibliothèque Nationale.

2pp., 4to. 36 closely-written lines of text. Bifolium. In good condition, lightly aged and worn. Addressed, with 'NISMES' postmark, on reverse of second leaf, to 'Monsieur L'abbé Pourret | membre de plusieurs academies | à Narbonne'. The letter begins: 'il est bien tems me direz vous mon cher collegue que je vous donne de mes nouvelles, et surtout des plantes que que j'ai reçues de votre part'. He proceeds to give a detailed report, naming several specimens.

80 + [1]pp., 8vo. Unstitched signatures with brown paper wraps and grey boards, both with text in red. In plain black paper-covered slipcase. On reverse of half-title: 'Il a été tiré de cet ouvrage, imprimé sur Vélin de Rives, 110 exemplaires numérotés de 1 à 110, réservés aux Membres de la Société des Bibliophiles et Graveurs d'Aujourd'hui. | En outre, dix exemplaires numérotés de I à X ont été réservés à l'artiste et aux divers collaborateurs de l'édition. | Exemplaire No 35 imprimé pour M. Jacques Le Désert'.

On leaf of 4to paper. In fair condition, aged and lightly-creased. The purpose of the illustration is unclear, although it may be a proof or letterhead. The attractive engraving is in black ink, and 7 x 20cm. It shows two flagpoles, with a tightrope between them and apparatus to the right and left. Beneath the illustration are fourteen lines of text in two columns, under the head, 'Explanations', the left-hand column reading: 'From A to B, 600 English feet. | From C to D, 420 English feet. | From Mast to Mast, 300 English feet. | From E to F, 100 English feet.

2pp., 12mo. Written lengthwise across the paper, so that the letterhead runs up the left-hand margin of the first page. She thanks him for his letter and 'the Cocteau profile (most interesting and infuriating - splendid misunderstanding - written down with such authority.)', as well as '"The Holy Terrors" notices'. She has been delayed in sending him the script of 'The Confidential Clerk' as she had to go to King's Lynn. She is sending the script now, and asks for it to be returned 'fairly soon, as it is Henry Sherek's and he may suddenly scream for it!' (Sherek was the play's producer.)

1p., 8vo, and 1p., 12mo. A bifolium, with the first page (in 12mo) on the recto of the first leaf, and the second page (in 8vo) lengthwise across the verso of the first leaf and the recto of the second. In fair condition, on aged and lightly-ruckled paper. With envelope addressed by Perregaux to 'Monsieur le Général P. Markow | Aide de camp général de S. M. le Roi des Bulgares. | Sophia | Bulgarie'. On monogrammed letterhead, addressed to 'Mon cher Markow', and signed 'J de Perregaux'. Perregaux begins by stating that he was agreeably surprised by Markow's telegram 'de Gare Yamboli'.

Circa 20 items, two printed, others typescript and manuscript, various formats including: a. Autograph Letter en francais Signed "Jean Cocteau", 19 Dec. 1952, one page, c.20 x 30cm, to [Edward O. Marsh, translator and adapter], presumably a response to e. below, partly about translation and translators; b.

1p., 4to. In fair condition, on lightly-aged paper, with a few short closed tears along fold lines. He apologises for replying with 'un retard inqualifiable!' He apologises profoundly for 'ce contretemps' which has not allowed him to thank Mansfield properly 'pour l'Admiration que vous avez bien voulu me temoigner - sans doute à l'occasion de l'un des derniers Salons à Paris'. He is sending a photograph, with his autograph.

2pp., folio (approximately 41 x 21.5 cm), in double column. Fair, on aged paper, creased and with outer margin trimmed. Tipped-in onto leaf removed from album. The first column introduces the problem, and is followed by a 'Lettre de M. DUPIN ainé, au Prince Président de la République', dated 'Paris, ce 23 Janvier, 1852'. This is in turn followed by a letter 'Au Prince-Président de la République', Paris, 26 January 1852 by five 'Les executeurs testamentaires du feu Roi Louis Phillippe'. They are: Dupin, Duc de Montmorency, Comte de Montalivet, Laplagne-Barris, Scribe.

4pp., 12mo. Good, on lightly-aged paper. Ingelow begins by asking Mrs Oliver to thank 'the Professor' for her. 'I am much interested in his singular reproduction of the curious relics of ornament'. She would like to lunch with the Olivers, but 'We have some cousins coming to stay with us next Monday till the end of the week & I do not see how it can be done as they will like me to go about, with them to the exhibitions &c They live not many miles from Kew [where Professor Oliver was Keeper of the Herbarium and Library] & it would not interest them to go there again'.

3pp., 12mo. Fair, on aged paper with slight wear to extremities. She begins: 'Dear Mr Planch

Five manuscript items, all in the same pencil hand. The name and address of Jean B. Maclachlan written twice on Item One indicates the identity of the notetaker. All texts clear and complete. Fair, on aged paper (but see slight damage to Item Two). Item One: Manuscript notebook. 12mo, 61 pp. Stapled. In original blue wraps, 'SUPPLIED FOR THE PUBLIC SERVICE'. Repeatedly and untidily stamped in red ink on front cover 'PLYMOUTH', with 'CAPTAIN, R.M. | ASSISTANT PAYMASTER' and 'ROYAL MARINES | PLYMOUTH'.

4to, 5 pp. Text clear and complete. Good, on aged and folded paper. An highly interesting and significant letter, responding thoughtfully and in detail to questions posed by Gilbert (author, according to Allan, of the 'special study, "Children and Reading"'). Begins by responding to the question 'Why do I write for children?' Considers that children's books 'are at least a minor form of art [...] I am a professional author. I have published more than eighty books, all but one for young people. But every book I have written has been written because I wanted to write it, for myself.

Page detached from album, stained but writing clear and complete. The plain signature of Jean Vallier, French Bass, is followed by the title Ave Maria followed by two or so bars from the song, with words (A-ve Ma-ri-a gra-ti-a ple-na), itself followed by Best wishes from | Percy B. Kahn Stoke Jan 21st 1921. Note: His most noted composition was the song Ave Maria with accompaniment by piano, and violin obbligato.

Folio, 2 pp. 31 lines. Text clear and complete. On aged paper, chipped at extremities. The elaborate letterhead features a circular engraving by Heuer of two classical female figures in front of a press.

4to, 2 pp. 46 lines. Clear and complete. Good, on aged paper. He thanks her for putting the commission of 'Mr Proger' his way, discussing the circumstances. 'Just 3 days before I received his letter, while Molly & I were making some sort of order in the Augean Stable which is my lower studio, workshop & general storage place I came across this little panel (a view of Burleigh) which I had thrown asside [sic] as a dud.

4to, 1 p. Fourteen lines, in pencil. Text clear and complete. Good, on aged paper. In envelope addressed by Holloway to Inglis. He apologises for his 'rudeness' in not answering earlier: 'I plead rush of work'. He would be delighted to sit for her, but 'the trouble is that I may have to leave town on Monday to produce a play in the country and then on to S[tratford]-on-A[von] for the 7 weeks Festival'. Suggests a later meeting.

Landscape 12mo. 12 lines. Text clear and complete. Good, on aged paper, in envelope addressed by Lamb to Inglis. On 'seeing the picture after that long interval' he was 'not ashamed of it', but 'when it was new my friends used to rag me about my "Morgue" pictures', there being 'a few others of similar gruesome import'. Now that he is 'far past youth' he is 'painting mostly scenes of sweetness & serenity'. He is sorry that she is 'denied the priviledge [sic] I have enjoyed all these sinister times', that of being able to paint.

Letter One: 12mo, 2 pp. Good on lightly-aged paper. The 'delightful drawing' she left for him is a 'wonderful surprise'. He has been 'trying some life drawing direct with the brush' and is surprised that she was able 'to put it down like that!' Letter Two: 4to, 2 pp. Fair, on lightly-aged and creased paper. He apologizes for the delay in answering her letter and thanking her for sending one on by 'Bloggins'. He is 'an abominable letter writer though that does not mean a change of feelings to one's old friends'. He has received a letter f'rom C. B. himself about the Academy'.

Foolscap (leaf dimensions 42 x 26.5 cm), 1 p. Clear and complete. On the recto of the first leaf of a bifolium. Both leaves with the small neat ownership stamp of the 'Collections Louis Leguay, à Paris [series A, number 382]'. Good, on lightly-aged watermarked laid paper. Written in French. Addressed 'A Monsieur le Secretaire general des hopitaux et hospices de Paris'.

All the items except the cut-out and the last card (in which he gives the price of a painting) are damp-stained, with part of the text of the letter illegible. One card in French. The first card, from 1982, thanks Ives for payment for 'watercolors'. The cut-out, in red paper, is roughly 10 x 10 cm. Intricately-cut, it depicts a long-leaved plant in a basket on legs. Although found with the other items, there is no indication that it is by Duramel. Ives made the news in 2000, when his extensive collection of paintings by L. S. Lowry was put up for sale.

12mo, 1 p. Ten lines of text. Good, on aged paper with slight wear to extremities. In a bifolium, with address and four circular postmarks (two in black and two in blue ink) on verso of second leaf. He is 'a la fin de l'impression d'un ouvrage qui doit être pret pour la rentrée et qui depuis longtemps absorbe tous mes instants'. It is impossible for him to write the requested articles. He is 'tellement fatigué' that he awaits with impatience the end of the printing, so that he can take 'un peu de repos'.

On japon paper, roughly 260 x 330 mm. Dimensions of image roughly 140 x 225 mm. The impression has a metallic sheen. An impressively-executed engraving, a clear and crisp representation of Meissonier's celebrated painting, with a remarque of a horse at the foot. To the right of the remarque is the engraver's signature in pencil, ''. Klackner's copyright details run along the head of the engraving. Good, in crude card mount. A light smudge in the top left-hand corner of the margin, and a little damage to the bottom right-hand corner of the margin.

All three letters 12mo. The letter to Jalabert (with a mourning border) is 2 pp, the others 1 p each. All three in good condition. The Jalabert letter (18 lines) mentions his wife and 'M. Goupil'. The Duvivier letter (6 lines) is a letter of introduction to a 'Monsieur Pietsch, artiste distingue de Berlin'. Asks him to give the artist 'toutes les facilités pour visiter l'Hémicycle de Delaroche et la galérie des Plâtres'. The letter to the woman (11 lines). His return has been delayed by the death of the King of Portugal.

Both items 4to,1 p. Both items good, on lightly aged and foxed paper. Both bifoliums, with the second item addressed, with broken wafer, on verso of second leaf. Both docketed in pencil in a nineteenth-century hand. Letter One (nineteen lines of text): He is grateful to Grenier for sending 'le procès verbal de l'installation de votre Cour'. Grenier was right to think that Jaubert would be interested in 'l'historique d'une cérémonie qui rend aux Cours la dignité convenable à la magistrature, et qui vous touche particulièrement'.

On both sides of a folio leaf (dimensions 42 x 26.5 cm). On aged and lightly creased and spotted paper. Proposing to raise 'CAPITAL, £50,000, in 5,000 SHARES of £10 each.' Details of Directors; Bankers; Auditors; Brokers; Solicitors; Secretary, (pro tem.); and Offices left blank.

12mo bifolium: 4 pp. Printed on grey paper. Very good. Small print.

4to: 42 + [i] pp. Disbound. On foxed paper with occasional light staining. 'No. 16.' in manuscript at head of title-page, which also carries a signed inscription from Barres with some loss due to the trimming of the outer margin: 'Á Mr. Olma<...> | de la port de l'<...> | [signed] Barres'. On the title-page Barres is described as 'Bachelier ès lettres de l'Académie de Bordeaux; ancien élève de l'Hôtel-Dieu Saint-André de la même ville, etc.' This is the only work by Barres in the Bibliothèque Nationale catalogue.

12mo, 2 pp, 32 lines. Good. Docketed in a nineteenth-century hand in pencil in top left-hand corner 'Lacretelle (Charles) à Lenormand, réd. du J. de Saone & Loire à Mâcon' and in another hand 'Acad. Fr'. Asks to be verbally informed of the news of 'Mr. Ochier, à supposer qu'il vous eut enfin révélé le motif de son long silence au milieu des prodiges qui s'opérent aujourd'hui pour les moyens de communication entre les deux hémisphères, je n'aurais jamais pensé que celle de Mâcon et de Cluny, présentassent de telles difficultés'.