MARIA

1p., 12mo. In good condition, lightly aged, with traces of glue from mount on reverse of letter and envelope. Envelope, with penny red, addressed by Lovell to 'Dillon Croker Esq. | 3 Gloucester Road | Old Brompton'. Reads: 'Mrs. Lovell begs to thank Mr. Croker for his polite note and for the trouble he has kindly taken - | Should there be any occasion Mrs Lovell will gladly avail herself of Mr. Croker [sic] offer of further assistance.'

3pp., 12mo. Bifolium. In good condition, lightly-aged. She is out of town, and Scharf's letter has followed her to Cheshire and Lancashire, and she is sending a letter of introduction to Lord Essex, whom she hopes will 'afford you every facility in your interesting pursuits'. She is flattered 'at the manner in which you always speak of my Grove Catalogue - it was a great pleasure to me & I much regret that other duties & occupations have prevented me for a time from continuing my Biographies'. She concludes by wishing him 'every success in your Blenheim Catalogue'.

64pp., 8vo. In good condition, lightly-aged, no wraps, disbound. Inscribed at head of title-page: 'From the Author'. Four copies on COPAC.

12pp., 8vo. In good condition, lightly-aged, no wraps, disbound. With a few pencil annotations. A total of five copies on COPAC and OCLC WorldCat. No copy on market currently.

24pp., 8vo. In good condition, lightly-aged, no wraps, disbound. Preface by Maria G. Grey, President of the Central Committee. Noi copies on market currently.

1p., 16mo. Bifolium. In fair condition, aged and worn, with slight damage to second leaf, which is addressed to 'Miss Walters' and carries a small seal in red wax. The letter reads: 'My dear Miss Walters | I am so much obliged that I know not how to thank you as I wish. Your works are beautiful, & will be a most valuable present to our poor Moravians. Accept my sincerest thanks, & believe me ever | My dear Madam | Yr much oblig'd & affecte | H M Bowdler'.

13pp., 8vo. Stapled pamphlet on green-grey paper. In fair condition, aged and worn. In the introduction ('To my readers') Harvey explains that it is 'a keen sense of my duty to my fellow-countrymen in general, and to potential fellow-sufferers in particular', that has induced him 'to re-open a great and recent sorrow ['the untimely death of my beloved son'] by placing the details of my tragic and terrible experiences of a Nursing Home before the public'.

Seven pamphlets, unbound, 20-32pp., 8vo, one damaged but complete,another sl. chipped, others complete and in fair condition, with labels, numbers and stamps of the Board of Education, sometimes obtrusive. Dating 1892-3, 1898-99 (missing 1893-4 to 1897-8), 1899-1900, 1900-1, 1901-2-3, 1903-4, 1905-6. Contents listed on title as follows: 1. Council of the Society; 2. Objects of the Society; 3. Prospectus of the Training College; 4. List of Former Students (many of their later "appointments", jobs, listed).

4pp., 16mo. Bifolium. 57 lines of closely-written text. In fair condition, on aged and worn paper. She begins by exclaiming 'I have been so very sorry for you!', before urging her correspondent to 'keep quarantine'. 'But about Isabel? [...] I would gladly take her to stay here as I have done beforetime - but there are some impediments - we must have complete separation between our house & yours - Mr Harris's dread is indescribable - he lost his wife & (I think) two sisters with scarlet fever. I think they wd.

2pp., 12mo. Very good, on lightly-aged paper. 'It has just struck me that I ought to have let you know that Mr. Hodge went from the bargain he had himself proposed'. She thinks that 'Mr Darton feared to make any purchase, in these bad times - I have some hopes of selling the Copyrights

and I will let you know directly I find I can do so.' Darton's had published Smythies's books 'The Breach of Promise' and 'The Marrying Man'.

9pp., 12mo. In makeshift unbound pamphlet, made up of six bifoliums pinned together. In good condition, on aged and lightly-worn paper. While short, the account is vivid, its first-person account of a whirlwind Regency romance evoking the inevitable comparison with Jane Austen. Written with the long s, the journal begins: 'On Monday July 31st.

3pp., 4to. On bifolium. Very good, on lightly-aged paper, with thin strip of paper from mount adhering to reverse of second leaf, which is addressed, with half of a black wax seal, 'For | Mrs. Richards | Bampton.' This copy was made within a month of the composition of the poem, for the wife of a fellow Fellow of Oriel College, Oxford. The recto of the second leaf carries the following note by Mant: 'with Mr. Mant's best compliments to Mrs. Richards. | Oriel Coll. June 15th. 1803.' Beneath this, in a contemporary hand (presumably that of Mrs Parker): 'Afterwards Bishop of Down & Connor'.

1p., 4to. Good, on aged paper. The letter (possibly addressed to the book's publisher) reads 'My dear Sir, | It would give me great pleasure to write for the "Liberty Bell," but I dare not at this moment say I could prepare anything in the time you mention. | Yours truly | [signed] S. Judd.'

1p., 12mo. Good, on lightly-aged paper. Addressed, with oval red postmark and broken red wax seal, on reverse of second leaf of bifolium to 'E. V. Utterson Esqre | 32 York Terrace | Regents park'. She writes that she and her husband are 'sorry to have so bad an account of Mrs Utterson', whom she will visit 'when she can see her friends'. 'Mr. Callcott [the landscape painter Augustus Wall Callcott (1779-1844)] was in York Terrace yesterday but having forgotten your number & finding you denied at three or four doors he began to think you had moved or that I had given him a wrong direction'.

1 p, 4to. Good, on lightly-aged paper, and still attached to a leaf removed from an autograph album. His troupe 'play in Manchester on the 11th. Jany. for one week. Now, observe! Can you effect an engagement for a week previous to or subsequent to that period - or both subsequent and previous.' Knowles will be in London, 'please God, next week', and the recipient's 'attention deserves and has' Knowles's gratitude. A postscript reads: 'Miss Elphinstone achieved a complete triumph in Edinburgh, the reception was great indeed. You know our terms'.

ONE. Birket Foster's letter to John Abraham: 12mo, 2 pp. 26 lines. Text clear and complete. Good, on aged paper, with one dog-eared corner. Docketed 'Birket Foster re Sketches'. A letter of Abraham's has been forwarded to him 'relating to the illustrations which I did for the late Wm. Benson (to illustrate the Memoirs of the Fell family I believe)'. He suggests that they be put into Evans's hands to engrave: 'he is a thoroughly conscientious man, and will do the best he can for the price you like to name'.

In fair condition, on lightly-aged paper. Twelve of the engravings are on paper roughly the same size (12mo), with the thirteenth smaller, but laid down on a leaf of the same dimensions. The majority of the women are writers, and the collection may well have been assembled to illustrate a work such as Byron's Letters and Journals. The thirteen women depicted are Hannah More, Maria Edgworth, Lady Noel Byron, Teresa Guiccioli, Caroline Lamb, Mrs Henry Tighe, Lady Morgan, Joanna Baille, Felicia Hemans, Mary Russell Mitford; Anne Maria Porter; Jane Porter. Artists are G. Freeman, W. J.

Page detached from album, stained but writing clear and complete. The plain signature of Jean Vallier, French Bass, is followed by the title Ave Maria followed by two or so bars from the song, with words (A-ve Ma-ri-a gra-ti-a ple-na), itself followed by Best wishes from | Percy B. Kahn Stoke Jan 21st 1921. Note: His most noted composition was the song Ave Maria with accompaniment by piano, and violin obbligato.

Striking vellum document, 60 x 75 cm. Docketed on reverse. 32 lines of text, ruled with red lines, with ornate engraved decorative border along three sides, headed in large letters 'Victoria by the Grace of God', and depicting the young Queen, the royal crest, a crown held by a cherub, blind justice, and other images. Tax stamp in margin and frayed ribbon at foot. On 9 September [V Geo.

4to, 3pp. Bifolium. Text clear and complete. Fair, on aged paper, with slight loss to second leaf caused by opening of red wax seal (part of which still adheres), and minor nicking to edges. Begins: 'The task you set me was a task indeed [...] my first attempt at translation'. He comments on some of the difficulties involved ('The Cara so often repeated in the original is beautiful in repetition while it's angliciz'd Dear is so degraded by vulgar use').

4to, 3 pp. Bifolium. Text clear and complete. Fair, on aged paper, with minor evidence of the letter having been laid down on the blank reverse of the second leaf. Thirty names, with sums subscribed. The list is headed 'The Lord Mayor (Salomons) 5. - [five pounds]'. (David Salomons was Lord Mayor of London in 1855.] Several of the names are ticked in pencil, with another noted as 'Not paid' and another as 'Dead'. Among the subscribers is the poet Martin Farquhar Tupper (one pound). Jenny Lind had raised money for the "[Florence] Nightingale Fund".

The magazine consists of 48 pages, octavo, in original yellow printed wraps. Dogeared, and on aged paper, and with the grubby wraps quite heavily worn. 12mo publicity handbill loosely inserted. Rilke's contribution, dated 'Soglio, am Tage Mariae Himmelfahrt 1919', is on pp 14-20.

12mo: 1 p. 12 lines of text. An bifolium, addressed on the reverse of the second leaf, which carries Colburn's seal, with his initials, in black wax. Good, on aged Whatman paper with watermarked date 1837. The drift of the letter is doubtful as it is written in an extremely difficult hand. Colburn will call upon the recipient 'presently'. He then makes a request regarding 'Miss Edgeworth', whose letter should be 'sent to my care' before being 'forwarded to its destination'.

4to, 12 pp. Disbound and stitched. Very good. The poem covers pp. 3-11, with five 'Notas' on p. 12. Scarce (in the Anglo-Saxon world at least): COPAC only lists a copy at the British Library. Includes a passage on Nelson and 'el feroz Britano'. No copy found in Sanish Union Catalogue etc. (accessed through German Union Catalogue).

The sepia photograph, 11 x 4 cm, is a full-length shot of a radiant Jeritza, posing stylishly in Grecian décolleté dress and sandals. It is neatly mounted in the top left-hand corner of a leaf of cream paper (24 x 20 cm) removed from an album. The whole attractive and in good condition. In a large, bold hand Jeritza has written, diagonally across the paper and upwards towards the photograph, 'With best wishes | [signed] Maria Jeritza | 1923.'

The sepia photograph, 10 x 7 cm, is a head and shoulders shot of Aslan staring at the viewer in the character of Hamlet holding Yorick's skull. It is neatly mounted on a leaf of cream paper (24 x 20 cm) removed from an album. The whole attractive and in good condition. In a firm, bold hand Aslan has written, across the page beneath the photograph: '"Zu was für schnöden Bestimmungen | wir doch kommen, Horatio"! - | (Hamlet) | Ein Erinnerung | [signed] Raoul M. Aslan: | Wien, Oktober 1923. -'

Octavo: 53 pp. Stitched and unbound. Complete in itself, in alphabetical order, but lotted 554 to 846. Good, though grubby, and with the outer leaves somewhat creased. Includes letters and documents by Burns, Charles I and II, Maria Edgeworth, Frederick the Great, Garrick, Lady Hamilton, Handel, Dr Johnson, Southey, Wordsworth. The high spot is a letter from Thomas Jefferson to the Earl of Buchan, described over one page.

Small 8vo: [ii] + viii + 240 + i. Many illustrations in text. In original cream boards, cream endpapers, with leather label. Binder's ticket of 'F. Westley, | BINDER, | Friar Street, | - NEAR - | Doctors Commons'. All edges gilt. Tight, with spotting to endpapers, prelims and last few leaves. Binding heavily discoloured and worn, with remains of spine laid down. Last leaf carries an advertisement for the 'Christmas Box' of 1828 by 'John Ebers and Co. 27, Old Bond Street'. Contributors include 'Miss Edgeworth' ('Garry Owen; or, the Snow-Woman'), 'Mrs.

Two pages, quarto. On aged paper, with several closed tears and loss at foot and remains of stub in margin, but with text clear and entire.

Irregularly-cut piece of paper, roughly 2 x 9 cms. Good, strong signature on very good, lightly aged paper. In purple ink. Reads 'Every sympathe | =tically V. Ouida'. Minor traces of previous brown-paper mount on reverse.