COLMAN

1p., 4to. 31 lines. Fair, on aged paper. On paper with watermarked date of 1814. Initialled 'G. C.'; with the words 'Copy to Morris' in the top left-hand corner. Docketed on reverse 'Copy to Morris March 1815'. Colman writes that is is now his intention, 'as it ever has been, to use every effort in my power for the interest of the Theatre, by carrying on the business in the best manner that the continual obstacles opposed to my plans will permit'. He states that he is 'in treaty with various Performers for the approaching Summer'.

1p., 4to. On aged and grubby paper. The letter provides an interesting insight into the niceties of Regency theatrical practice. Colman peremptorily addresses it to 'Madam', before expressing his displeasure and defending his imposition of a penalty, as a result of the non-attendance of the recipient (apparently an actress) at a performance at the Haymarket.

12mo, 2 pp. Bifolium. Fair, on aged paper with a little light staining. The recto carries the seventeen-line letter to a 'Gentilissima Dama', in response to a request for an autograph. On the reverse of the second leaf is a four-line poem, signed and dated by Negri, beginning 'Come un Nume che si adora'. In the letter Negri writes that he does not have 'la presunzione di credere che il mio autografo meriti di essere conservato'.

One page, quarto. Good, on piece of watermarked laid paper, with small closed tear at foot of right-hand margin. He is 'once more' returning the play, 'having made the further omissions which you propose. | With many thanks for your kindness, in the ready attention you give to a matter of infinite moment to me'.