GEORGE

Both on 4to biofoliums, and addressed, with postmarks, on the reverse of the second leaf. Both in fair condition, on lightly aged and worn paper. ONE (22 February 1844): Concerning the unfortunate state of 'the Glasgow congregation' since Harris's removal to Edinburgh. His successor 'Mr. T[aylor].' stated his 'present views' to 'Messrs C<?> & Smith', 'and they said at once he ought to resign the pulpit [...] The end cannot be far off. Mr. T. declared he would not quit the pulpit till he was dragged out of it'. The letter continues with references to 'Mr Taylor' and 'Mr Davidson'.

Draft invitation on both sides of landscape 12mo (11 x 18 cm) piece of paper. In fair condition, lighly aged. A rough draft, apparently for the design of a printed card. The main effort, on one page, reads: 'Mr. Geo. G. Adams, Sculptor, | Solicits the honor of a call, from | [wavy line] | to inspect his | [two wavy lines] | Private view on the [wavy line] | 126, Sloane Street.' There is the start of another attempt on the reverse. The poetical quotation is on one side of a 5 x 18 cm strip of paper, laid down on a paper backing. In fair condition, aged and worn.

1p., landscape 12mo. In good condition, lightly-aged, with minor traces of glue from mount on reverse. With a large firm signature, the text reads: 'Admit the Bearer to the Gallery of the House of Lords | Byron. | Monday | March 7th 1846'.

2pp., 12mo. Bifolium. Cut down at margins, with loss to part of letterhead. Addressed to 'S Hague Smith Esqr | Pitt St North'. He writes that he has not yet received a sample for 'the slabs of white marble 12 inches square', and asks him to 'give an answer to Odling Bros', as he wishes to know 'what quantity I could get from the person whom you <?>, & about the quantity also'.

2pp., 4to. Bifolium. In fair condition, on aged and worn paper, with slight loss to text from breaking open of seal, and some repair with archival tape, and a square of paper neatly cut away from second leaf. Addressed, with postmark, on reverse of second leaf, to 'Revd G Johnstone | Methodist Chapel | Kingstone | Jamaica'. Letter on one page and 'Mr G Johnstone Dr in account with T Blanshard'. Writing to his 'Dear Bro[th]er', he hopes that Johnstone will be able to settle the annexed account 'at your ensuing District Meeting'.

3pp., 12mo. Bifolium. In good condition, lightly-aged. Addressed to 'Mr Cornish | 33, Piccadilly | Manchester'. The letter begins: 'Mr. Ormerod has received Mr Cornish's enquiry whether Mr O. has "any Io [i.e. folio] Paper Hist: of Cheshire for sale.' He replies that he 'has now only two Io Paper copies of Hist: Cheshire One is extensively illustrated and bound in ten Volumes in Morocco - This, of course, cannot be parted with.' Ormerod would part with the other set 'for £100, (one Hundred pounds) Cash - not less'.

1p., 12mo. In good condition, lightly-aged. He asks him 'to forward these Cards immediately (I have sent one to Mr. Doane) as many have call'd asking if they are to be engaged'. He expresses his regret for 'the mistake in the Name card', but it is too late to alter it. The 'sole cause' of the error was his 'constantly thinking of the state of poor Walker'.

Neither image is present in the National Portrait Gallery collection. The two items are from the papers of royal photographer Marcus Adams (1875-1959), with whom Park shared premises (as well as facilities and staff) at 43 Dover Street, Mayfair. Each is in its own envelope, and the two are loosely inserted in a stylish brown patterned cloth 32 x 24 cm folder, with Park's stamp in gilt on cover and his bookplate inside the front cover. The negatives are in good condition, in aged envelopes and folder.

2pp., 12mo. Bifolium. In good condition, lightly-aged. Greenhill has offered to show Jerrold 'interesting rooms [...] with Thackeray associations', and Jerrold apologises for the circumstances preventing his acceptance of the invitation. 'The work in connection with the small Exhibition is much more than it seems and I fear the trying to fit this, or my portion of it, in with the must-be-done work of a busy penman has made me a shockingly neglectful answerer of letters.'

11pp., 4to. Five are signed by Gustave Tuck, three by Desmond A. Tuck and one by Sir Reginald Tuck (the three men being named on the letterhead, together with Sir Arthur Conan Doyle, as the company's directors). Four are addressed to Adams personally, four to his firm (with one for the attention of 'Miss Dorothy Clarke'), and one to Bertram Adams, another royal photographer, with whom Adams shared premises at 43 Dover Street, Mayfair. The ornate letterhead, printed in brown, carries royal warrants and an engraving of Raphael House. On aged and worn paper, with slight damp staining.

3pp., folio. Bifolium. In good condition, on lightly-aged paper. Title in large type on first page and text on central two pages.

1p., 12mo. In good condition, lightly-aged, laid down on leaf removed from an autograph album. Inviting him to dinner, if 'disengaged'.

All six items in good condition, with light signs of age and wear. In 1886 Hester, the author of the first two reports, had been described in the London St James's Gazette as 'a miner of experience in the Quicksilver mines of California'. His two reports are crude in comparison with those of Mallett and Irvine. ONE: Autograph Report Signed by 'Sam L Hester | Manager'. Kilkivan, 8 April 1898, on letterhead of the Freehold Goldfields of Queensland, Limited. 3pp., 4to. Addressed to 'C E Morton Esqr | Secretary | D-Albevelle Estate'. Receipt stamp dated 12 April 1898.

2pp., 16mo. Bifolium. In fair condition, aged and worn, with minor traces of glue along one edge from stub. Addressed on reverse of second leaf to 'Signor Massingham | Teatro di Principessa' [i.e. the Princess's Theatre, London]. The request reads: 'Al Reverendissimo Signor Massingham | Be pleased, I pray, | My salary to pay | To the ladies I send, | My very good friend. | I remain, (all alone) | Yours Truly - G Soane'. Soane's unhappy relationship with his father is described in both men's entries in the Oxford DNB.

2pp., 4to. In fair condition, lightly aged and creased. After beginning 'Dear Popie / | How are you?' she asks what the 'immediate prospects' are for her to 'get a book and a series in the paper running', as she has 'scanned a tremendous amount of George's material' since moving to 'The Lawns'. In a postscript she describes the material as a 'wonderful story for T.V. too to say nothing about the films!', adding that she has 'got G. to record a lot of his old & recent material ready!' Macqueen-Pope was an admirer of Robey's, as his 'The Melodies Linger On: The Story of Music Hall' makes clear.

2pp., 4to. In good condition, lightly-aged. Unsigned copy of typed letter., with one autograph emendation. Addressed to 'My dear Harry'. He begins by explaining that he is in Eastbourne recuperating from the flu. 'As I did not rise until Monday last I missed the Sunday papers including alas, the Referee. [ amended in autograph from 'the Rat' ] | A cutting, however (from the Ref) reached me here today containing an article of yours, wherein you place me among your Hebrew musical collaborators.

In good condition, on loose leaves, with light signs of age and wear. ONE: 'Green Roomers by the Rags Wags.' A large collection of original jokes. Around 140pp., mostly 8vo. On different papers, including letterheads of 212 Finchley Road, London, the Burlington in Folkestone, and the Hermitage Hotel, Le Touquet. Hundreds of unconnected gags, each of them framed as a rhetorical question, mostly relating to the London entertainment world. The humour is now mostly impenetrable. Individuals referred to include: C. B. Cochran, H. G.

135pp., 4to. Lacking last page or pages. Typescript on rectos only. Bound with string and metal stud. Aged and worn, with front cover (with typed label) and title-leaf detached. Original typed title 'ONE, TWO, THREE!', altered in manuscript to 'ONE! TWO! THREE! (under which it was registered for copyright in 1928), with final title in autograph 'OUT GOES SHE'. Manuscript emendations throughout in pen and pencil, including additional dialogue and several deletions.

George James Firmage was born in New York; attended Massachusetts Institute of Technology (1947-48) and College of the City of New York (1949); BA, New York University, 1952; pursued graduate study, University of Massachusetts, 1952-54; publications supervisor in advertising and marketing services department, First National City Bank, New York, 1954; wrote several books, including E.E. Cummings: a Miscellany (1958) and E.E. Cummings: a Bibliography; editor of A Garland for Dylan Thomas (1963) and of E.E. Cummings' Three Plays and a Ballet (1967).

ONE: The earlier of the two drafts, titled 'It Was Top of the Bill | The Story of Music Hall. | by | W. Macqueen-Pope.' 14pp., 4to. Paginated 1-12, with two further pages carrying material to be inserted. With a few autograph emendations, including an addition to the ending. Macqueen-Pope writes knowledgeably and with a passion for his theme, which is that 'Music Hall reflected public taste even more accurately than did the "legitimate" Theatre because it was created by the people themselves. The basis of the Drama of the Theatre - was religion.

[1] + 19pp., 4to. Unbound, on leaves attached with a brass stud. Title-page reads: 'LIFE'S LITTLE LAUGHS. | BY | HERMAN FINCK.' In good condition, on lightly aged and creased paper. The introduction reads: 'Laugh, and the world laughs with you. Cry, and the world laughs at you. Here then let me set down some things of humour that I remember, some of my own which have appealed to my friends, some of my friends' which have appealed to me.

Both items 1p., 4to. Both in good condition, with light signs of age. ONE: 21 July 1983. A previous letter appears to have been lost, and he is 'dictating this in the country'. He begins his account: 'As far as the surrender at Leros is concerned my memory of the early events that evening is rather vague. It is very probable that I worked my way through to Brigade Headquarters with a small party consisting of Sgt. Workman, Cpl. Dryden and L/Cpl. Allen. However it would have been quite impossible to have got there by jeep as the trip involved more or less crossing the German positions.

On 8 x 18.5 cm panel cut from front of envelope. In fair condition, lightly-aged and worn. All in Graham's hand, it reads 'His Grace | The Duke of Wellington | K. G. | Apsley House | J. R. G. Graham'. As is customary, Graham's signature is between two horizontal lines, in the bottom left-hand corner.

4pp., 16mo. Bifolium. He thanks him for his 'intended help with Mr Hope & Mr Marriott'. He is sending him 'the Design I wish to carry out for our West Window', but without Hope's help it 'must be a distant job - the estimate is 100£ Hardman made the drawing from my description'. He continues by discussing work on the chancel and altar rails, and is sending 'a published view of the old Church'. He explains that he is setting up 'one of our South Windows' in memory of his sister-in-law Harriet, who died in 1851, addiing that 'S Parr also gave a Stone Pulpit & Eagle Lectern'.

2pp., 12mo. On bifolium. The recipient's name has been smudged by Canning, and is illegible. It is 'utterly impossible' for him to 'do anything for Mr Blake', and he is as a consequence returning his memorial, 'which would with greater propriety be addressed to any other department of the Government than to that which I administer: & with the business of which Mr Blake's "claims," as stated in that Memorial have no concern'.

2pp., 12mo. In good condition, on lightly-aged paper with spike hole through one word (the 'yours' of 'Very truly yours'). He apologises for being foreced to forego the opportunity of 'attending at the Institution, which I have often wished to revisit', as a result of the requirement for 'an extraordinary amount of attendance from me night as well as day, consequent upon the encrease [sic] of cholera cases, & some other matters, of possible emergency'.

3pp., 4to. Bifolium. On aged and worn paper. Arnald's appeal begins: Appealing to the 'known humanity' of Lawrence and the Council, Arnald writes on behalf of 'Mrs. Abigail Whitcombe, widow of Mr. Thos. Whitcombe late of Clarendon Square, marine painter, and for 40. Years an annual contributor to the Exhibition of the Royal Academy', who has previously received assistance, but is now 'almost totally deprived of sight, and otherwise afflicted', and is dependent on 'the assistance afforded by friends on whom she has no Claim'.

1p., 12mo. In good condition, lightly aged, with traces of glue from mount on reverse of letter and envelope. Envelope, with penny red, addressed by Lovell to 'Dillon Croker Esq. | 3 Gloucester Road | Old Brompton'. Reads: 'Mrs. Lovell begs to thank Mr. Croker for his polite note and for the trouble he has kindly taken - | Should there be any occasion Mrs Lovell will gladly avail herself of Mr. Croker [sic] offer of further assistance.'

Both items in good condition, lightly aged and worn. ONE: TLS from Curtis to Francis. 1p., folio. Signed 'L. Curtis'. A circular letter, with signature, date and name of recipient added. Curtis begins the letter: 'I am writing to ask whether you would care to acquire a replica of a portrait of Lawrence which has now come to be known as "the ghost portrait." Its history is as follows: In 1923 Eric Kennington made a portrait in pastel of Lawrence, who was then a fellow in residence at All Souls.

Both items in good condition, on aged paper. Lovell begins the first letter (3pp., 12mo) by expressing disappointment at not having heard from Webster yet 'with the M.S.', and offers to 'save [him] any trouble in explanations' by calling on him. If that is not acceptable he asks him to 'let me have the copy with your notes upon it & I will work at once. And if you have any thing more agreeable in the way of criticism to communicate it will put me in better spirits'.