MORRIS

8vo. 310pp. Red cloth, gilt extra, with ornate design to front board and spine. First edition with King's illustrations. A good copy of an extremely attractive book, in binding with light fading in parts, but gilt still bright, and with the merest wear at head of spine. Bookplate by Isabel Bonus for Annie C. Dolamore. Collated and complete. All of King's ninety-five illustrations are present, with twenty-four of them, including the frontispiece, on shiny art paper. A sumptuous item, produced at the high point of King's Art Nouveau period.

34pp., 12mo. Drophead title, with subtitle: 'A Paper read before the Society of Arts, January 29th, 1873. Thos. Webster, Q.C., F.R.S., in the chair. For details of the discussion, &c., see Journal of the Society, No. 1054, Vol. xxi.' Disbound and without covers. In good condition, on lightly-aged paper. Inscription at head of first page reads: 'With kind regards to Mr Cooper, | from | John Yeats'. The only copy on COPAC at Oxford University, and now excessively scarce.

Totalling 10pp., 12mo. In good condition, on lightly aged paper. ONE: 14 September 1899. 4pp., 12mo. He was pleased to receive Hodson's letter from Southwold, and reports on the 'Abraham sale', and 'talk of a tram line being made to Mochras' ('all fudge & nonsense').

12mo, 39 pp. Stitched into original coloured wraps decorated with pastel-coloured rainbow stripes. Text clear and complete. Good, on aged paper. The final two pages of the volume contain crude sketches in coloured pencil (figure seated on steps of country cottage, a clump of trees, ships at sea). The year is not stated, but certainly 1844 from the references in the volume. Found with other autograph material of the Rev. W. M. Mousley, who would have been sixteen at the time of writing. The trip is made along with 'Papa', 'Mama [Mamma]' (often 'poorly'), 'Henry' and 'James'.

[10] + 179pp. Seven fold outs, comprising five tables, a 'Chart showing terms used in Gurkha relationships', and a coloured 'Skeleton Map of Nepal | Showing Distribution of Tribes' ('Published under the direction of Colonel Commandant E. A. Tandy, R.E., Surveyor General of India.') Internally in good condition, lightly aged and worn, in worn binding with black cloth spine and cream boards with printed front cover, which carries the ownership signature of 'Phillips'. Ex Libris of R. A. Scoates on front pastedown.

53pp., 8vo, with four plates. Stapled; in yellow printed wraps. C. E. Wright's copy, with the front cover bearing his neat ownership signature, and a list of 'MSS.' (three from the Phillipps collection and one from the library of Dr John Dee), as well as a number of lots in the catalogue priced and named by him. In good condition, lightly-aged. As a young man Meyerstein worked in the Department of Manuscripts at the British Museum, and he remained a notable collector, bequeathing a Mozart manuscript to the Museum.

[2] + 77pp., small 4to. A good tight copy, on lightly-aged paper, with foxing to pp.40-41. In original lightly-worn grey paper boards, with white printed labels on cover and spine. Autograph correction by Meyerstein on p.72. Meyerstein's autograph presentation poem is on the front free endpaper, and is dated by him, in decorative style, to 1949.

The three items are in good condition, on lightly-aged paper. The letter is 6pp., 4to, with emendations and deletions, and marked by Hodson 'Copy' at the head of the first page. In envelope annotated by Hodson: 'Copy of a letter to Lt. Col. P. Lyttleton Gell, J.P. | The Catholic Revival. In order to make his point of view clear, he begins by stating: 'I may say that I was born in London & my mother took me to such churches as S. Alban's Holborn, S. Michael's Shoreditch, All Saints, Margaret St.

1p., landscape 12mo. In fair condition, on aged and dusty paper. The receipt, for £19 5s 4d, is printed, and completed in manuscript in another hand. Archer has signed over a red tax stamp: 'William Archer | 7/12/06'. Stamped, and numbered '2801' in blue pencil. In top right-hand corner, in the same hand as the receipt: 'C. B. 215'.

24pp., 12mo. Morris's essay paginated [19]-39. Stitched pamphlet. A frail survival, on aged, chipped and creased paper. Priced at one penny on cover, with vignette showing three workers and the banner 'VIVE LA COMMUNE!' The back cover carries advertisements (which date the item), beginning with 'Freedom | A Journal of Anarchist Communism, | Monthly; One Penny. Annual subscription 1/6. Published by John Turner at No. 127 Ossulston Street, London, N.W.', followed by twelve numbered books from 'No. 1. THE WAGE SYSTEM. BY PETER KROPOTKINE. 1d.' to 'No. 12.

In black 19.5 cm square sleeve, with striking cover design showing the aftermath of Sharpeville, and notice 'The American Committee on Africa receives royalties from the sale of this record.' The four songs are Tina Sizwe (We, The Brown Nation); Nkosi Waqcine (God Save the Volunteers); Asikatali (We Do Not Care If We Go To Prison); Liyashizwa (Pass-Burning Song). Very good, lightly-aged, with the record itself (in brown paper sleeve) seemingly unplayed. The twelve-page booklet is stapled, with illustrated cover and three photographs of the Sharpville Massacre.

An interesting collection of typographical ephemera. ONE: Landscape 8vo wood engraving, captioned 'This illustration, entitled "Psyche in Charon's Boat," was engraved on wood by William Morris from a design by Edward Burne-Jones and forms one of a series in illustration of the story of Cupid and Psyche in "The Earthly Paradise." It is proposed to issue one or two of these designs, which have never been published, though one of them formed the frontispiece to the "Note on the Kelmscott Press" by Mr. S. C. Cockerell.' In good condition, on lightly-aged paper.

The five items are in good condition, on lightly-aged and creased paper. Items One and Two: Typed drafts of a 'Statement of Qualifications', headed 'Lord Chorley's application for appointment to the lectureship in Evidence, Procedure and Criminal Law.' Both 2pp., 4to. Slightly different in layout, and with few (if any) textual differences. After describing his career Chorley writes: 'Although my chief legal study has been commercial law I had experience of teaching Evidence, Procedure and Criminal Law at the Law Society's School.

[6] + 28pp., 12mo. In coloured illustrative wraps. Morris's illustrations are light and fresh, the first being a caricature of 'the enemy': a sour-looking bespectacled Japanese army officer. The first section, which it illustrates, is on 'Security' and concludes: 'Remember that in disposing of household effects, releasing servants from employment, etc., you may easily give away too much information.

1p., 4to. 12 lines. Good, on lightly-aged paper. He was not able to reply to Driberg's letter sooner because he was arranging with the secretary of the Cambridge Historical Society to deliver a paper to be entitled 'Theories of the Causes of Wars'. He wonders whether Driberg's 'anthropologists' might not be able to 'join in the meeting - or possibly I might to talk [sic] to them on the following day'. He does not think he will be able to find time the following term. Ginsberg's paper 'The Causes of War' was published in 1939 in the Sociological Review.

2pp., 12mo. Bifolium. Very good on lightly-aged paper. In original envelope, with stamp and postmarks, addressed by Morris to Baron at 18 Griffin Street, Witton, Blackburn. Morris begins by giving details of the availability of his 'Etymology of Local Names' and 'Historical Outlines', before informing Baron (a brazen autograph hunter) that he does not know 'Wm. Morris' Address, but a letter addressed to him & sent to his publisher would be forwarded'.

4pp., 12mo. Good, on lightly-aged paper. He gives his 'best thanks' for his correspondent's 'watchful kindness'. As his 'acquaintance with Academicians is very limited', he has 'not yet solicited any one to propose me at the R.A.', and he 'would gladly accept Mr. E. M. Ward's obliging offer - and think Mr. G. D. Leslie or Mr Dobson would second me'. He made 'such a mistake' the previous evening, by going to the Vestry Hall, Chelsea. He found, 'on reading the circular again how I had erred'.

1p., 4to. 31 lines. Fair, on aged paper. On paper with watermarked date of 1814. Initialled 'G. C.'; with the words 'Copy to Morris' in the top left-hand corner. Docketed on reverse 'Copy to Morris March 1815'. Colman writes that is is now his intention, 'as it ever has been, to use every effort in my power for the interest of the Theatre, by carrying on the business in the best manner that the continual obstacles opposed to my plans will permit'. He states that he is 'in treaty with various Performers for the approaching Summer'.

3pp., 4to. 74 lines of text. Originally a bifolium, but with the two leaves now separate. Good, on aged and lightly-worn paper. Addressed, on reverse of second leaf, to 'George P Morris Esq. | Cold Spring.' The reference in the letter to Morris having 'cut down the wood' around his property is ironic, given that he is most famous for the poem/song 'Woodman! Spare that Tree!' Hamilton begins by stating that he has seen 'Mr. Robinson', who will see Morris on the subject of buying Morris's house. Hamilton considers Morris's price of $8000 for his house 'very cheap'.

2pp., 4to. Bifolium. Text complete, on aged paper with a number of closed tears repaired with archival tape. The second leaf of the bifolium, lacking a strip at the top, is docketed 'Dr. Morris of Parliament Street's Success in curing Persons afflicted with Complaints similar to that which His Majesty labours under'. Considering the political content at the end of the letter, the author is probably Charles Hamilton, at the time of writing known by his courtesy title of Lord Binning.

12mo, 1 p. On bifolium. Thirteen lines of text. Clear and complete. Fair, on aged and creased paper, with slight rust marking from hooks. Semi-literate, and redolent of the area and period. He asks Devon (not Captain Thomas Barker Devon, RN, who had died in 1846) to 'pardon the Liberty I have taken in writen [sic]' to him. He knows 'the Great difficulty that Gentlemen have in Getting good made peal [sic] Flys and firm Tied ones', and is enclosing 'a few of my Own Making & you will Greatly Oblidge me by your Trying of them'.

One page, 12mo, heavily foxed but text clear and complete: I only got your letter when I came back & too late for a return answer. | I will be at Athenaeum at 5.30 this aft[ernoon] & [then] will go into the matter of the Jesus Coll[ege] picture[s?]. Note: Bodley had been involved in the repair of the Chapel in Jesus College, Cambridge, and Burne-Jones and Morris were also contributory.

4to, 4 pp. Bifolium. Printed in brown on watermarked laid paper. Fair, on aged paper. An exercise in Wardour Street English, foreshadowing in some respects the Leadenhall Press with its mish-mash of fonts and point sizes, and its antiquated decorative rules. The fair will be opened by 'Maister Christophere Sykes, Member of Parlymente for ye East Ryding of ye Countie of Yorkshire'. Names of the great and good expected to attend. Vignettes of a tudor fair, three medieval women, two jousting knights, a posy, chairmen, two men in eighteenth-century garb, a dinner table.

4to, 4 pp. Bifolium. Printed in brown on watermarked laid paper. Fair, on aged paper. An exercise in Wardour Street English, foreshadowing in some respects the Leadenhall Press with its mish-mash of fonts and point sizes, and its antiquated decorative rules. The fair will be opened by 'Maister Christophere Sykes, Member of Parlymente for ye East Ryding of ye Countie of Yorkshire'. Names of the great and good expected to attend. Vignettes of a tudor fair, three medieval women, two jousting knights, a posy, chairmen, two men in eighteenth-century garb, a dinner table.

12mo, 3 pp (with printer's device on fourth page). Bifolium. Crisply printed in small type. Fair, on lightly-aged paper. 'All for the Cause!' ('Words by William Morris. Music by Belfort Bax, also Austrian Hymn, and Chants of L., No. 55') is thirty-two lines long, on the first page. It begins 'Hear a word, a word in season, for the day is drawing nigh, | When the Cause shall call upon us, some to live, and some to die!' 'No Master' ('Words by William Morris. Tune - The Hardy Norseman (Chants of L., No.

12mo: xiv + 32 pp. In original grey printed wraps. Internally sound and tight on aged paper. Wraps worn and grubby, with slight staining to spine. Eight copies on COPAC, but only three at deposit libraries (Oxford, NLS and the BL).

Quarto. 135 pages of skillfully executed autographs followed by a 45-page printed 'INDEX TO AUTOGRAPHS', ranging from 'H.R.H. The PRINCE of WALES, K.G.' to 'Zillwood, A., The Abbey, Romsey, Hants.'. Attractive title in gold, purple, blue, yellow and green, with illustration of Osborne House. A handsome, if somewhat flashy, production. Maroon morocco binding, with a large crest stamped in gilt within a decorative border on the front board. All edges gilt. Tight copy, rebacked with new endpapers. Offsetting to fly leaf and a little damp damage to corner of title.

8vo: 2 pp. The 'idea is worth Consideration', but Blackwood 'can hardly see how any large sale cann be depended upon, so as to repay the expense of printing advertising &c.' Asks that Morris send him 'one sermon, to indicate style, length & to estimate cost'. Asks what size of paper should be used. Notices that Morris's works are 'principally on natural history'. Likes the idea of 'the <?> natural history', and 'will take an early opportunity of looking at it'. This notable London publisher is a surprising omission from BBTI.

8vo: 80 pp, paginated 13-92. Stapled. In original grey printed wraps. Clear and complete. On aged and spotted high-acidity paper, with rusting from staples. In worn and spotted wraps. 2 cm closed tears to back wrap and outer margins of last two leaves. Pencil note on inside of back cover that a copy of the same item sold by Hodgkins for £30 in March 1986. From the collection of the Scottish anarchist author H. T. Derrett, and with his ownership inscription and date on front wrap. Illustrated.

The calendar proper (clear and complete on aged paper) consists of 12 unpaginated 8vo pages, with photographs and some facsimiles of handwriting on the rectos and the calendar itself, with memorable radical dates, on the versos. Photographs of Edward Bellamy, 'Principal Writers of "The Clarion" ', Tom Mann, William Morris, and Alfred Russel [sic] Wallace, and Count Leo Tolstoy. The calendar is encased in a loose 8vo bifolium, with four unpaginated printed pages. It is titled 'The Labour Annual Calendar: 1896. Edited by Joseph Edwards'.