THEATRICAL

English actor-manager (1837-1910). "Dear Miss Tennyson, / "Reading a play" is very actable, and would suit an actor like Chas. Collett, & important & voluble, & there are several who would make a success of it. But I'm afraid I am not one of them. Sorry to have kept the MS. so long. [...] MS. [not present] returned herewith registered."

English actor-manager (1837-1910). Interesting letter exemplifying the importance of dentistry to the acting profession. 3 pp, 12mo, on mourning paper. "You know I've been away, on Tour with the "Lions" and after that, I took a jaunt to Tronville & Rouen, just returned with a broken tooth. - I've had to be patched up on tour, & have quite given up the idea of a good looking mouth. Any way I shall be glad if you will put a lower front tooth in. I will come to you to-morrow Wednesday afternoon about 3.30. in the hope you'll be free.

English comic actor (1795-1842) and manager of the Adelphi Theatre. 2 pp, 4to. Eccentric handwriting, of uncertain decipherment. "We must trouble you by return of Post to send us up the last tune but one & the finale to the Pantomime / Make Puck if you please come out of the Fairy Mounds tell Harlequin & Columbine the Chace is done. Then loves rewards and change to the last tune the Fairy Temple - Then dance & a short finale - one verse <?> & Chorus - / [...] / I hope all goes well with you. We are all alive - Let us have it by return of post".

English actor-manager (1837-1910). One page, 12mo, in stamped envelope adressed in autograph. "Dear Miss Tennyson. / There are no vacancies at present at the Adelphi. I shall be happy to remember you when opportunity affords - With congratulations on your progress. / Yours very truly / Henry G. Neville

English actor-manager (1837-1910). Note, undated, Studio, 524 Oxford Street, Marble Arch, 2 pp, 12mo, somewhat grubby. He suggests a time for him to see her the following day. Letter, "Friday" (no date), on letterhead of the Olympic Theatre, 2 pp, 12mo. "Would you mind letting me hear your voice. I think I could offer you Florette in the "Orphans" if you felt that kind of part, - perhaps you would kindly give me a call tomorrow Saturday at about 12, at the Theatre." Letter, 5 September 1878, on letterhead of the Olympic Theatre, 2 pp, 12mo, in stamped envelope addressed in autograph.

English comic actor and dramatist (1802-79). 2 pp, 12mo. Concerning the staging of a new play. "Yates has the first & 2d acts complete - It must be in 4 parts / I am now on the 4th.: when can I have the sheets & illustrations of the entire romance?" Details of the first two acts follow. "When I get your work complete a very few days will complete me, - I leave town on the 20th of this month for a fortnight and am anxious to (indeed I must) finish before I start / Rodwell is composing "Jolly Rose" for Bedford to sing at Woods party." Somewhat grubby, with browning in the margins.

English dramatist (1851-1929). One page, 12mo. "Life won't bear looking at, will it; from / "Whitewashing Julia" / by / Henry Arthur Jones". Jones's comedy was printed by the Chiswick Press in 1903. Negligible rust-staining from paperclips in one margin.

English actor-manager (1837-1910). One page, on monogrammed paper. "Dear Mrs. Lewis. / I shall be delighted to accept your kind invitation for the 4th July. / Sincerely yours / Henry Neville". Heavily creased and with slight tear to one edge, and with traces of paper and glue on reverse of blank second leaf.

English dramatist (1838-89). One page, 12mo, on mourning paper. "I am sorry I forgot the card. Did you get the stalls all right / In any way I can serve you / I am / Yours faithfully / J. Albery". Docketed in a small hand in ink. Minimal loss to one corner. Bearing traces of previous mounting.

English theatre manager (1881-1971). One page, 4to. He thanks him for his note about "A Woman of No Importance". In an apparent reference to a letter written by him to The Sunday Times about that newspaper's drama critic James Agate (1877-1947) he writes: "My letter was somewhat emasculated, as not only was a sentence left out in the middle, but the concluding sentence ran as follows: - / "Mr. Agate will never cease being provocative but his influence will necessarily diminish in proportion to the contempt he feels for his job.

Actor-manager (1859-1929), son of the actor and dramatist. "Dear Mr Cabourn / As Mr Barrie's new play has turned out there is no part in it that would have been at all suitable to yourself. I wish there had been." The reference is to "Alice-Sit-by-the-Fire" by J. M. Barrie (1860-1937), which, written for Ellen Terry and replacing his "Peter Pan" at the Duke of York's, ran for 115 productions. Loss to one of the lower corners.

English actor (1814-1878). The first, 2 pp, 12mo, to Admiral Hornly. "The enclosed ticket is very much at your service - Had you been up a few weeks ago, I think I should have cut a better figure in Mrs. Hornley's eyes, than I can in the stupid part I am now acting - [...]". (According to the DNB at this time Wigan was playing Rittmeister Harfthal in Robertson's "Dreams".) The second, to Miss [?] Paterson, 3 pp, 12mo. "I have had the pleasure to send the Admiral a box for the Gaiety for Monday next.

Dion Boucicault the younger. Actor-manager (1859-1929), son of the actor and dramatist. One page, 8vo. "Dear Mrs Hartland, / I wonder if you could see me here at 2-45 on Friday when I will give you my decision. / Yours very truly, / Dion: Boucicault." Slight creasing to two corners.

English actor (1814-1878). 2 pp, 8vo, neatly mounted. "James Brown has referred me to you for a character as a general in-door servant - I should be much obliged if you would let me know your experience of his abilities, and of his character for honesty & diligence and sobriety -"

Dion Boucicault the younger. Actor-manager (1859-1929), son of the actor and dramatist. Formal acceptance of an invitation in the third person. "Mr Boucicault accepts with pleasure Mr. & Mrs George 's invitation for Tuesday July 4." Paper and glue from previous mounting on blank reverese.

English dramatist and actor-manager (1871-1949), knighted in 1935. One page, 8vo. "Just to say au revoir I hope it will not be long before we meet again & until then - the best of good luck / Yours / Seymour Hicks / Ever so many thanks for your jolly wire - / Bless you". Piece of adhesive tape stuck along head of recto.

English actor (1814-1878). One page, 12mo. "My dear Sir, / By all means send me a ticket of our dinner. / Yours truly / Alfred Wigan". The reverse of the second leaf, which shows some traces of paper and glue, is docketed in pencil, "One of the only gentlemen on the stage in / "Still Waters run deep" / by Tom Taylor at Olympic / 1855 / as Simon Strap. / in "An Ill Wind that blows nobody Good" at the Adelphi / made speeches for the Free Traders at the Chrystal [sic] Palace". This last fact is not mentioned in Wigan's DNB entry.

English actor-manager (1862-1951), apparently written to an "angel". "Thank you for your letter. / It is a humorous sketch for 3 or four people lasting 23 minutes with lots of 'Punch' & a wonderfully funny part wh. whould show me off. My offer runs to Easter and all that is if only I can find what they want in advance. Voila!" Negligible traces of previous mounting on blank reverse.

English actor-manager (1862-1951). The first, April 29, Rivoli, with letterhead of The Playhouse, Northumberland Avenue, one page, 8vo. "Dear Miss Trevelyan, / Very many congratulations. You are absolutely 'sweet' in the piece. It is so many years since we met. Your performance is beautiful. I wished to come round & see you but didnt like to intrude." The second, 1 September [no year], with letterhead 26 Cleveland Gardens, Lancaster Gate, 2 pp, 12mo. Affectionate letter to "Dear little Manageress" (Trevelyan was for a time co-manageress of the Vaudeville Theatre).

Essayist and dramatist (1830-1877). Portrait photograph, 3¾ inches by 2½, from the studio of Charles Watkins, 54 Chancery Lane, of a heavily-bearded Halliday looking to the right in jacket, coat and striped tie. The photographer's details and device are printed on the reverse of the mount, which is docketted "Andrew Halliday / 1873", and carries traces of glue and paper. Somewhat grubby.

Actor-manager (1803-78) at the Adelphi and Covent Garden Theatres.The first two, dinner invitations addressed to "My dear Pal", dated 22 January 1874 and 2 May 1875, both with letterhead 59 Belgrave Road, South Belgravia. The first, one page, cropped, 16mo., the second, one page, 12mo. The third, to "My dear Lane", one page, 12mo. " "One hour" is played for you all next week. What would you have more?" All three show traces of mounts. Three items,

English actor-manager (1862-1951). One page, 12mo. "I am so sorry that owing to some money losses I cannot send more for poor Charlie Rocks widow."

English dramatist and actor-manager (1871-1949), knighted in 1935. The letter, to Mrs [Jean] Webster Brough, 24 May 1939, on cropped letterhead, 1 page, 12mo. "[...] Im so glad you liked the little book. Yes indeed our families have been bound together - over many years - and I remember the happy times I had with dear Polly at Tooles Theatre I can hardly believe it is more than five & forty years ago Please give my love to Ben & May when you see them". The autograph note, undated, on letterhead of the Garrick Club, one page, 12mo.

[Real name Arthur Cecil Blunt] English actor (1843-1896). 2 pp, 12mo. "Dear Mrs Murray / I also was sorry not to put in an appearance on Sunday but I had a little work as you know to look over & after Douglas left me in the afternoon so many "casuals" dropped in that I could not well get out." He will have to give up the dinner party he had planned for Sunday, or postpone it till she returns from abroad. "I shall myself go I think to Brighton next Sunday as I can get two days of "the sea the sea the open sea!" " The letter is signed "Arthur Blunt".

English actor-manager (1811-68), the son of Edmund Kean. A piece of paper, 2½ by 4½ inches, mounted on a torn piece of grey paper. The note, written in pencil, gives directions: "Charles Kean / Key-Dell / Horndean / Hants / 9 miles from the Fareham Station on the Gosport line". Docketed in pencil "Kean's hand".

English actor-manager (1837-1919), knighted in 1902. Of difficult decipherment, due to Wyndham's truly diabolical handwriting. "As you so kindly said you would both come & spend a little time with me at St Moritz, it may be as well to tell you that I leave town tomorrow & shall arrive at my destination 2 weeks from now. / A line to the Hotel St Moritz after 2 weeks [...] so that I may secure you comfortable quarters". Creased, and with closed tear to the edge of both leaves.

English actor-manager (1862-1951). One page, 12mo, cropped to an uneven shape. "Dear Miss Webster Brough / How very very kind of you to write like that. I have so greatly appreciated your thoughtfulness. I loved your dear father - bless him / Yours sincerely / Cyril Maude". Negligible traces of previous mounting at head of page.

English actor-manager (1862-1951). One page, 12mo. "I have I regret to say already promised to do more than I ought to during this season, I mean in addition to all my regular work & so I am very sorry I cannot do what you suggest, although I am honoured by the wish of your Committee." With traces of previous mounting to the reverse of the blank second leaf.

Actor and producer (1880-1957). 2 pp, 4to. He thanks her for taking an interest in his work. "Yes - you are right I have a wonderful mother. / Wasn't it dreadful on Saturday afternoon! I thought it brave of you to sit it through." Somewhat grubby and creased.

English dramatist, theatre manager, and dramatic critic (1885-1959). One page, 12mo, in stamped envelope addressed in autograph. "Dear Madam / Thanks for your note; I will present myself at King's College at 5.25 on Thursday."