Art and Architecture

The volume contains proofs of Walker's contributions to various periodicals, with other items by Walker. WITH letters/text/drawings (details below) by Thackeray relating to his The Adventures of Philip (Cornhill Magazine, 1861-2, serial), with relevant proofs.Marks states in his introductory comment to his "List of Illustrations" that "Those [illustrations] against which no owner's name appears have been supplied by the author." On that basis, several illustrations in this album belong to Marks's own collection (eg.

19pp., 12mo. Stapled. In grey printed wraps. Internally in good condition, on lightly-aged paper; in wraps with stamp and label of the Education Department Library. Marginal headings include: 'Motives for following an Artistic Career', 'Primal Important of Facility of Hand', 'Triumph of Commercialism', 'The Worship of the Ugly', 'Art: Pictorial, Creative, Pot-boiling' and 'Decorum in Decoration'. Uncommon: only four copies recorded on OCLC WorldCat.

ITEM ONE: 20 May 1911, on letterhead '3, Linnell Close, | Hampstead Garden Suburb, | London, N.W.'; ITEM TWO: 23 Dec. 1912, Granville House, Arundel St., Strand, London, EC..' ITEM THREE: 11 January 1913, 'Granville House. | Arundel St. Strand. | London E.C. ITEM ONE: 3 pages, 12mo. Very good, though slightly discoloured. 'Your very closely written letter would have melted any artist's heart and I did the little sketch [not present] in seperate [sic] envelope with great pleasure, particularly as the object of your collection is to cheer you up in your old age.

Attended by 44 million people, the New York World's Fair was an enormous enterprise, with a vast number of exhibits and pavilions from all over the world spread out over 1216 acres of the Flushing Meadows/Corona Park district. The fair's official 'theme' was 'the demonstration of "a happier way of American living through a recognition of the interdependence of man, and the building of a better world of tomorrow with the tools of today"'.

On 7 x 11 cm slip of paper. In fair condition, aged and creased. The note, all in Beechey's hand, and probably addressed to a bookseller, reads: 'Monsieur - | De Regno Laconico, de Piraeeo. 1687. 2to. | Mr. Beechey | 16th. May'.

For a full list of named engravers, artists and publishers, see below. Lumb Stocks was, as the Oxford Dictionary of National Biography points out, 'one of the most influential exponents of steel line engraving, and his death left the Royal Academy without an engraver in its ranks'. He bequeathed his collection of prints to the British Museum;; the present collection was retained by the family, and purchased from the estate of Harold Carpenter Lumb Stocks (1884-1956), organist of St Asaph Cathedral.

A significant letter, filling gaps in the provenance of Bellini's Crucifixion, now in the Louvre. All that has been known hitherto about the painting's provenance is that at the beginning of the twentieth century it was in the Paris collection of the banker Rodolphe Kann, and that before the Second World War it was owned by the Florentine dealer Alessandro Contini Bonacossi, from whose heirs it was acquired by the Louvre in 1970.

The Campden Hill Club was founded in 1907, 'in affectionate memory of Byam Shaw, and as a tribute to his teaching', and comprised, according to the Studio magazine in 1922, 'mainly of past and present students of the Byam Shaw and Vicat Cole School of Art, with which it keeps closely and stimulatingly in touch'. The three items are in good condition, on lightly-aged paper, in worn bindings. ONE (Visitors Book, 1958-1976): 190pp., 4to. Ruled notebook bound in red cloth, with 'Visitors' stamped in gilt on the front cover.

In addition to his pioneering cinematographic work, Herkomer was a theatrical innovator. As Lynda Nead points out in her 'The Haunted Gallery' (Yale, 2007), it was shortly after the opening of his art school that 'he and his students created an auditorium, modelled on Wagner's Festspielhaus in Bayreuth, for public performances of plays, written, directed and, indeed, performed by Herkomer'. See also M. A. K. Taylor, 'The New Stagecraft' (1953); J. Stokes, 'Resistible Theatres' (1972); and L. M. Edwards, 'Herkomer: A Victorian Artist' (1999). These five items all relate to the project.

1p., 12mo. In good condition, on lightly-aged paper. He writes 'My dear Sir | I have the pleasure to accept your kind Invitation to Dine with you on the 4th March [amended from '28 Inst'] to meet the President and Council of the Royal Academy.' For more information about both men, see their entries in the Oxford DNB.

1p., 12mo. Good, on lightly-aged paper, with water staining to a couple of words. Written in a stylish, calligraphic hand. He begins by thanking the recipient for a letter and postal order, before continuing: 'In case you are interested, I also do paintings of antique weapons. An example of my work can be seen in the August 1962 issue of "Guns Review".' He explains that such illustrations can be in either black and white or full colour, and concludes: 'If you have a particular favourite I shall be pleased to quote.'

1p., 4to. Aged and creased, mounted in windowpane on leaf removed from album. He writes: 'Gentlemen, | I beg leave to inform you, that I shall not have occasion for the Room I have taken at the St. Martins Lane Model Academy, after Michaelás Day next in the present year.' For more information on the Academy, see Sibley's 'Origin, Progress, and Present Condition of the Fine Arts in Great Britain and Ireland' (1841).

2pp., 4to. Aged and creased, mounted in windowpane on leaf removed from album. Liscard Hall was built for the former Mayor of Liverpool and slave-ship captain Sir John Tobin. Allen writes that since arriving there he has 'painted too little subjects', and that he has 'a wish' to 'leave them behind me - but not unframed - size of Pictures 16in: x 12in:' If Cobbett does not have 'two tolerable frames of that size' he asks him to order two: 'I do not require the "best double distilled - extra hyper - superfine" - but something tolerably good looking'.

One page, 12mo, good condition. "Thank you very much for your kind letter & I am delighted that you have elected me. | Gunn had telephoned to me with the good news which was very considerate of him. [...]"

Three cards (bifoliums), 15 x 12.5cm, 11.5 x 18cm, 10 x 12.5, inscribed by Lamb either below image on front or on inside blanks. Images, two b & w, one faintly purple background, presumably by him, are: Madonna and child (inscribed page[3] "With love from | Henry Lamb"); Carol Singers (inside "Best wishes from | Henry Lamb") ; children and teenagers playing cards (under image on front "With love to you both | from | Henry Lam.| Xmas/48"). Image available on my website.

1p., 4to. In very good condition, neatly placed within a windowpane mount. Addressed at head to 'Mr. John Martin'. Laying out, in detail, the 'Terms on which I agree to engrave the Game Keeper after W. Hunt'. The terms are described over twelve lines, beginning: 'The Engraving to be 7 by 5 inches in my best manner, the charge to be seventy Guineas, one third to be paid on the Etching, the remainder on delivery of the work, which I undertake to do in about four months.'

1p., 12mo. Bifolium. In good condition, on aged paper. The letter reads: 'Dear Madam | Thank you for your reminder about reading the paper tomorrow night. | I will be at the Guild before 8, and get the slides.' Strang was Master of the Art Workers' Guild.

1p., 12mo. Bifolium. Good, on aged paper. The letter reads: 'Dear Daffarn | I will be in any time in the afternoon after 2.30 on Friday, & will be pleased to see you and your friend Watson. | The work goes on slowly but I think I will finish in time.'

1p., 16mo. On bifolium. In fair condition, on aged and lightly-spotted paper. The note reads: 'Mr. Webster in reply to Mr. Gotta's note desires to say, with his compliments, that his Picture, in the Royal Academy, is engaged.'

4pp., 12mo. Bifolium. Good, on lightly-aged paper. Docketted by recipient 'Mr. Robinson on my Spanish portraits.' A pencil note identifies the writer as 'Hy Reeve', perhaps the journalist Henry Reeve (1813-1895).

1p., 4to. In good condition, on aged paper, laid down on a grey-paper mount. The letter is addressed 'Gentlemen'. In the first paragraph he explains that having received their letter, he sent 'Dr Clarkes Plates [...] to the Writing Engravers but have not as yet received them back'. He has sent the bearer of the present letter to find out when they will be done, and he has been told to tell them the answer he receives. The second paragraph reveals that the bearer of the letter is himself an engraver: 'I understand that he applied to you for the engraving of one of your Portrait Plates.

1p., 12mo. Bifolium. In fair condition, on aged paper with damp stain along one edge. Addressed on reverse of second leaf to 'Mr. Scott'. He is sending 'by Bearer 4 sorts of french paper, 2 sheets of each, which you will be so good as to see that it is properly prepared before it is used - The grand Eagle with the watermarks will require a great deal of brushing with a hard brush as I think that many of the specks will brush off they being chiefly superficial'.

The two items in good condition, on lightly-aged paper. ONE: 1p., 4to. Regarding the loan by him to Hubbard of drawings, and delivery options for them. TWO: 1p., 12mo. 'You vanished very suddenly after our Meeting and I did not have the chance of discussing arrangements with you. Will you please let me know what time it passes through Tonbridge on the following Monday.' He hopes to bring two more pictures 'straight to Albany from Charing Cross, arriving about mid-day? If you are not to be there I will take them to the Royal Academy and deliver them in the afternoon.'

3pp., 12mo. Bifolium. In fair condition, on lightly aged and creased paper. He apologises for the 'very short letter' and 'long delay in answering'. He reports that 'the rings came in your order but I have not had a chance to use them and will not have now until next Spring or Summer'. He is sending money as requested. 'My three plates of the trees came very nicely - one has just gone to the "Studio" so you may see it there later on.' He will write again when he has time for 'a rational note'.

1p., landscape 12mo. In fair condition, on aged and lightly-stained paper. The note reads: 'Dr Sir, | I shall do myself the pleasure of waiting upon you the beginning of the week, when I hope to have something interesting to shew you for Mr Boydell - believe me | Dr Sir | Yrs truly | J Hassell'.

2pp., 12mo. In fair condition, on aged paper, with slight creasing and chipping at head. In answer to an enquiry, he states regarding 'the Portrait of the Marchioness of Abercorn' that 'though Mr Moon & I have not yet completed our arrangements I consider that the Plate is his property & not mine as you appear to have been informed'. He concludes by thanking him 'for the favorable opinion you are pleased to express both of the plate in question & the engraving'.

1p., landscape 12mo. Very good, on lightly-aged paper. The first paragraph reads: 'Dear Mr Pavière, | I will look carefully at the prints you send in (as, indeed, & of course, at all of them), and hope you may be successful at the election. The whole of the members will this year, at last, express their opinon on the candidates work, but the final decision rests, as it must under the charter, with the Council.' In the second paragraph he expresses pleasure that 'you are interesting your gallery in prints'.

2pp., 16mo. Bifolium. 21 lines of text. In good condition, on lightly-aged paper. As Doubleday has not 'sent the last', he has 'done your 3rd Cut of "glorious Apollo" from the print alone endeavouring to give the antique style as faithfully as I could.' He thanks him for his 'bit about the "archaic" term', and is certain 'that that [last word underlined] - like many other derivations from Greek & Latin roots, are most frequently used improperly[. T]he taste for hard words is certainly on the increase among all classes - from the advertising tailor upwards.'

1p., 4to. Good, on aged paper. The letter begins: 'Sir | I shew to you my last little effort which is a Copy from Vertues large Print after the Picture by Holbein now hanging in the Council Chamber of Bridewell Hospital'.( A note at the foot of the page reads: 'The above was engraved for the Purpose of Illustrating Pennant Walpole &c'. He notes that the print (not present) was 'engraved as the companion to the last Print I sent you.

1p., 12mo. In fair condition, on aged paper, with traces of mount adhering to the blank reverse. In an apparent attempt to drum up business, Skelton writes:: 'In consequence of your suggestion I presume to request the favor of you to receive a few of my engraved Portraits, to present to the Noblemen & Gentlemen, Members of the Athenaeum Club, and shall be gratified if the enclosed may prove acceptable.'