OR

One page, 12mo. Good, if a little aged and lightly creased. He apologises for the delay in 'sending the drawing that now I ask you to please me by accepting' (not present). He asks her to accept it as a present for 'that almost superannuated festivity' of Christmas. 'I send you a coat-of-arms as that includes a certain amount of letterpress which you will I think prefer to a simple drawing'. He has delivered all the drawings bought by Mrs Samuel's friend and has received his thanks.' Signed 'E. T. Rees'.

Hf. lea., ]xxxii].766.162. Formerly a poor copy rescued by sympathetic rebacking, wear and tear and some internal damage (staining, one blank endpaper torn with some loss of page), text complete and clear. Heavily annotated throughout in English and occasional Greek by Frederick W. Farrar whose bookplate when he was at Trinity College, Cambridge, is loosely inserted and whose signature appears on the recto of the front free endpaper ("Frederic W. Farra/ Trin. Coll.

Anglo-Irish journalist and caricaturist (1854-1925), best known for his work for Punch. Three pages, 12mo. Very good, but with slight wear and discoloration to recto of first leaf of bifoliate. Asks to 'know the fate of Miss Lyster's M.S.' 'You will recollect I called & saw you about it some months ago. She is anxious you should understand you can have the M.S. without the drawings as you did not seem <?> for the latter | An answer will much oblige | Yours very truly | [signed] Harry Furniss'.

One page, quarto. Poor, on creased, discoloured paper, with two punch holes in left-hand margin and short closed tears along the central fold. 'It is as well that you underlined your name in print, for I cannot detect the faintest resemblance between it and your signature. Is this the fault of my imperfect eyes or your powerful hand? | As to your humorist - I think the Forceps Saga is funny, but Punch has a number of people who do things rather like it. Still, he should certainly let the Editor see this specimen together with something new.