WALKER

1p., 12mo. In good condition, lightly-aged. He asks him 'to forward these Cards immediately (I have sent one to Mr. Doane) as many have call'd asking if they are to be engaged'. He expresses his regret for 'the mistake in the Name card', but it is too late to alter it. The 'sole cause' of the error was his 'constantly thinking of the state of poor Walker'.

Austin (1895-1973) was a British etcher, engraver and watercolourist. R.A. Walker (born 1886), whose bookplate is on the front pastedown, was a connoisseur and Aubrey Beardsley scholar. Quarto, twenty-six leaves. Internally tight, clean and sound, in worn and stained half-leather binding, with 'ROBERT AUSTIN' in gilt on spine. The item contains a total of forty-seven reproductions of Austin's works, many gleaned from magazines, etc, and tipped in throughout.

The volume contains proofs of Walker's contributions to various periodicals, with other items by Walker. WITH letters/text/drawings (details below) by Thackeray relating to his The Adventures of Philip (Cornhill Magazine, 1861-2, serial), with relevant proofs.Marks states in his introductory comment to his "List of Illustrations" that "Those [illustrations] against which no owner's name appears have been supplied by the author." On that basis, several illustrations in this album belong to Marks's own collection (eg.

[1] + 10pp., crown 8vo. Held together with a metal stud, and placed in a brown card folder, with typed title on front cover. In good condition, with light signs of age and wear. Professionally presented, with the text typed out in columns and the sums and running totals written out in manuscript. An estimate, with costings for a large number of itemised elements, ranging from 'temporary lavatory accommodation for the workmen for all trades' to 'the removal of trees or shrubs as required, and grub up the roots - The timber will belong to the Contractor - and he must here allow for same'.

Each document with a substantial number of typed itemised entries, with each item costed in manuscript, and manuscript totals. ONE: Headed 'WINDEREMERE POLICE STATION. | Bills of Quantities for Scheme | Submitted by W. L. Dolman F.R.I.B.A. Winderemere. | May 1925. | Excavator, Drainlayer, Waller & Slater.' 5pp., crown 8vo. In fair condition, aged and worn, with rust-spotting from staple. Entries range from '24" wall next Lake Road of Langdale Rag Stone with selected stones for facing in mortar & including footings' to 'In stone walls girth of Main Quoins included.

2pp., 8vo. In fair condition, on lightly aged and worn paper, with slight damage to one corner. At the head of the first page is a printed form (manuscript additions in square brackets): 'County of [Derby.] The Information and Complaint of [Joseph Walker Bourne] of [Church Gresley] in the said County [Potter] taken upon Oath before [me one] of his Majesty's Justices of the Peace for the said County, the [27th] day of [October] 18[30]'. Written out by the magistrate Sir Oswald Mosley, 2nd Baronet (1785-1871), and signed by him ('Oswald Mosley'), his son 'Oswd Mosley Junr' (1804-1856), 'Joseph.

On leaf of 4to paper. In fair condition, aged and lightly-creased. The purpose of the illustration is unclear, although it may be a proof or letterhead. The attractive engraving is in black ink, and 7 x 20cm. It shows two flagpoles, with a tightrope between them and apparatus to the right and left. Beneath the illustration are fourteen lines of text in two columns, under the head, 'Explanations', the left-hand column reading: 'From A to B, 600 English feet. | From C to D, 420 English feet. | From Mast to Mast, 300 English feet. | From E to F, 100 English feet.

16 pp., 8vo. In printed wraps with advertisements of performances at the Queen's Hall on the back cover. Stapled. Aged and damp-stained, with chipping and wear to edges. Punch hole at head. Pp.2-16 carry Walker's notes on the five sections of the concert: a Beethoven quartet performed by the Kruse Quartet; Berger songs performed by Mrs Henry Wood, accompanied by her husband; a Brahms piano piece performed by Willibald Richter; Borodine songs performed by Mrs Henry Wood, again accompanied by her husband; and a Sinding quintet performed by Richter and the Kruse Quartet.

1p., 4to. The second leaf only of a bifoliate letter. Addressed on reverse to 'William Kerr Esqr. | (of Richmond - Virginia) | Care of Messrs Gilmour & Kerr | Glasgow | NB'. An accompanying typed note identifies the postal features as follows: 'Postage: - 3d. pre-paid. Colonial outward Ship Letter rate. | 8d. to collect. Private Ship Letter rate. | Handstruck Marks: - PAID SHIP LETTER SYDNEY AP+21 1847 in red. (SL 3, var. 1 - early use.) | NN 29AU29 1847 in red.

256pp., 12mo. With frontispiece engraving and vignette on title. In original brown cloth binding, with blind-stamped decorative pattern on the boards, and title and design on the spine. Ownership inscription of 'Arthur Baxter | Runcorn | 1861' on piece of paper laid down on front pastedown. A tight copy, on stained paper (particularly the last few leaves) and aged paper, in worn binding with gilt almost dulled. An interesting production, reminiscent of previous Minerva Press publications, and looking ahead to the yellow-back.

Circa 220pp., 8vo, with the main text on rectos, and additions and subheadings (often in red ink), together with some simple pencil patterns, on versos. In ruled exercise book. In good condition, on aged paper, in worn original glazed black cloth binding. The volume has been compiled for his own use by a Victorian factory manager, and contains material relating to clothing for men, women and children. The seventeen entries on the first 41pp.

4pp., 12mo. 65 lines of text. Bifolium. In fair condition: on aged paper with one dogeared corner. He begins by apologising for not returning her manuscript sooner: 'what with my Doctorate exam: and other things, I have been specially busy'. Having been 'completely through the MSS' he lists those he likes best: 'the Rhapsodies (especially No. 1 - also No. 5 and No. 3 - especially the opening subject of No. 5).

1p., 12mo. On bifolium. Good, on lightly-aged paper with spike hole, and parts of the second leaf (addressed by Douce to 'S. Turner Esq') torn away. The letter begins: 'My dear Sir | I hope that you will have the goodness to write to Walker, unless otherwised arranged with Derby, on the subject of dispensing with his attendance, so as to prevent the business from going on till after Xmas as his letter indicated in case Thursday were not

3pp., 12mo. Bifolium. Very good, on lightly-aged paper. An important letter, in which the serving Chancellor of the Exchequer puts his position concerning slavery (a subject of extreme importance to the British Treasury), siding with a prominent apologist for the practice, James Walker, one of the commissioners managing the Crown Estates at Berbice.

23pp., 8vo. Stapled pamphlet. Text complete, but a frail survival: on aged paper, with first leaf loose, and with chipped and frayed remains of printed front wrap attached with gummed paper to last leaf, and lacking rear wrap. With stamp and shelfmarks of the Board of Education Library. Excessively scarce: no copy in the British Library, and the only copy on COPAC or Worldcat at the London School of Economics. A pamphlet on 'Industry and Pauperism' followed in 1916.

Nicely printed on laid paper, on sheet folded to make a bifolium, with the facsimile of the letter on the reverse of the first leaf, and the photograph of Bridges facing it on the recto of the second. As he is unable 'to write personal thanks to each of the many friends who contributed to honour my 80th birthday by their lovely gift', he asks them to accept the photograph 'as a memento'. 'Apart fr.

2pp., 12mo. Bifolium. Good, on lightly-aged paper. In original stamped and postmarked envelope, addressed by Smiles. The 'last photographic likeness' of Smiles 'was taken by Mr S. A. Walker, 230 Regent Street W'. Smiles has 'no doubt' that Walker will let Bacon 'have a copy' (i.e. Bacon will not be getting a free copy from Smiles). Smiles's book 'Physical Education' was 'published by me no less than 44 years ago. It had a small sale, and is now quite out of print. Though pretty good at the time, there are now far better works on the subject.'

Both engravings 8vo. Both by W. & J. Walker, from drawings by J. Dixon. Both impressively detailed, with that of the Royal Box showing crowds of fashionable people in the foreground. Both engravings are clear an complete, but with creasing from folding into the European Magazine. Both a little grubby, an with wear to the margins. The engraving of the organ has a strip of backing along the left-hand margin, and that of the royal box is mounted in a paper windowpane.

All three items 8vo. The first of two pages, and the other two of one page each. Texts clear and complete. Fair on aged, creased and slightly-discoloured paper. Discussing his disagreement with the architect of a building over the width of two proposed uprights. Walker considers that these 'would handicap the fullest expression'. The first letter carries a simple pencil diagram of the window. He feels 'we shall all have forgotten this point' when the window is seen 'in all its glory'.

12mo, 3 pp. Bifolium. Good, on lightly-aged and creased paper. Wood begins by recalling 'the savage bigotry and infuriate hostility of the Manchestr. Tories at the time you mention towards the liberals'. He does not think an attempt was made to put the Oath of Allegiance to those on the recipient's list. 'The lives of 6-8 men of high Character and standing in the Town were placed in jeopardy by the perjury of two Villains and they were tried at Lancaster for either Treason or Sedition. I think for the former.

ITEM ONE: Photograph of Gladstone, 14 x 10 cm, by Thomas Fall (1833-1900). In very good condition, laid down on the photographer's worn printed card, 16.5 x 11 cm. Showing Gladstone seated outdoors, with his grandson on his knee. NPG x22229 (the entry for which describes it as a 'carbon cabinet card', taken on 14 September 1881). ITEM TWO: Photograph of Gladstone, 14.5 x 10 cm, by Samuel Alexander Walker (1841-1922). Laid down on the photographer's printed card ('Portraits "At Home" A new Application of Photography introduced by Samuel A. Walker'), 16.5 x 11 cm.

4to, 2 pp. Thirty-nine lines of text. Clear and complete. Neatly and closely written. Begins by discussing two books recommended by Bower: Otto Hammann's 'World Policy of Germany' and a work by Sir Francis Younghusband. Hammann's book 'confirms what Sir Sidney Lee writes about the Kaiser's telegram'; he is pleased that Younghusband's, which he has not yet read, contradicts the story that 'Lord Ripon was prepared for such drastic measures'. He has been 'correcting the proofs of the 600-page history of South Africa which I undertook to write for Longmans Green five or six years ago'.

Folio, 8 pp, paginated 385-392. Text clear and complete. On aged paper with fraying and chipping to extremities. With tax stamp. Printed in three columns, and with the article on Hone covering the entire front page, and more than half of the second page. The reports of the three trials, in smaller type, cover more than three pages, from the last column on the second page to the last colum on the fifth page. They are followed by half a column of 'excellent observations' taken from the Morning Chronicle.

12mo: 26 pp. In original printed wraps. Stapled pamphlet. Unopened. The only copies on COPAC at the British Library and Oxford. For more information about Walker (1841-1899) see his entry in the Australian Dictionary of Biography.

12mo (roughly 16.5 x 9.5 cm): 24 pp. Good, on aged paper, with slightly dogeared corners. No stitching or stapling binding the leaves together. An attractive production, more sophisticated than is usual with a chapbook. Crisply printed in small type. Title enclosed within a decorative border and containing vignette of the royal coat of arms. Headed, in a small neat contemporary hand, 'Purchased at Whitby. | 30 Aug 1862'. The poem 'Lines on the Fate of Lord Derwentwater' (pp.18-19, 24 lines in six stanzas) begins 'How mournful feeble Nature's tone, | When Dilston Hall appears;'.

Printed in brown on a piece of watermarked laid paper, 29 x 36 cm. Dimensions of image 18 x 22 cm. On lightly-creased paper, with a few short closed tears to margins at extremities. A bustling scene, from the top storey of a building, showing the traffic of coaches, carriages and carts around the church, which is seen from the front with St Paul's Cathedral in the background. In addition to the pencil signature, the print has the dated facsimile signature 'Hanslip Fletcher 1912'.

Pollard's eleven letters: one 12mo (1 p); the other ten 4to (eight 1 p and two 2 pp). The first has a small spike hole affecting one word, otherwise the collection is in good condition. Four docketed and seven bearing the Society's stamp. Pollard was 'Professor of Instrument Design (Mechanical)' (later 'Optical Engineering') at Imperial College, and the correspondence relates to the publication of his 1922 Cantor Lectures to the Society on 'The Mechanical Design of Scientific Instruments'. Emery Walker's two letters: both 12mo, 2 pp (one of 15 and the other of 19 lines).

The letters and note are good, on lightly aged paper; the third letter with closed tear at foot of both leaves, affecting Walker's signature. Two of the three letters are docketed and bear the Society's stamp. The cuttings good on aged high-acidity paper. Letter One (4to, 1 p): He cannot afford the Society's subscription, due to 'the immensely increased taxation by the Federal Government, and by the State Governments in N.S. Wales and Queensland (not to mention donations to various War Funds)'.

One page, octavo. On aged, grubby paper with minor staining at foot. He has spent 'all his monney for prints & Books I bought at Sale last Week. I have no balance in my Bank at all. (ganz nichts) if you are not inconvenient [sic] Please bring some L. S. D. on Saturday next'. Postscript: 'My business is Ratton N. B. G.' It is thought that Kato obtained a large portion of the Japanese prints for Sir Edmund Walker's celebrated collection.

One page, quarto. Poor, on creased, discoloured paper, with two punch holes in left-hand margin and short closed tears along the central fold. 'It is as well that you underlined your name in print, for I cannot detect the faintest resemblance between it and your signature. Is this the fault of my imperfect eyes or your powerful hand? | As to your humorist - I think the Forceps Saga is funny, but Punch has a number of people who do things rather like it. Still, he should certainly let the Editor see this specimen together with something new.