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Printed in black on one side of a 12.5 x 17 cm card. In fair condition, on aged and creased paper, with a little light staining. To the right of the page is an illustration by Tenniel of Mr Punch holding Yorick's skull, while a pug dog looks on. Text reads: 'Sir John Tenniel requests the honour of a visit from [blank] and friend, On Saturday, March 30th, To the Private View of some of his Drawings for "Punch Cartoons," etc., At the Fine Art Society's, 148, New Bond Street. 10 to 6 o'clock.'

4pp., 12mo. Bifolium. In fair condition, on aged and worn paper. Headed '"Mark Lemon Fund."' Begins with communication from 'J. M. Montefiore, Chairman', dated 'Crawley, Oct. 1871', appealing for assistance for the 'Widow and unmarried Daughters of the late MARK LEMON - for thirty years Editor of "Punch"'', who are in 'straitened circumstances'. A list of 154 subscribers follows, each with the amount pledged, beginning with 'Joseph M. Montefiore, Esq.' (£35) and including 'Wilkie Collins, Esq.' (£5), 'Mrs.

2pp., 12mo. Bifolium. In very good condition, on lightly-aged paper.

Four charming and amusing cartoons from Punch's golden age. All four are executed in a similar style, but the identity of the cartoonist or cartoonists is unknown. (The first of the two cartoons in Item Two below, as published by Punch, has the monogram signature 'F C' engraved in the bottom right-hand corner. No Punch cartoonist with these initials is apparent.) ONE: Captioned: 'Another Brilliant Idea, Only Brillianter!' 21 x 13.5cm. In good condition, on leaf of browned high-acidity paper torn from a notebook. Two men idle in a punt while two women hold up sheets.

1p., 32mo. Good, on lightly-aged paper. The note reads: 'My dear Webster, | I have fasted all the week in joyful expectation of the 1st of December. | Every truly your's [sic] | Douglas Jerrold'.

1p., 12mo. In good condition, on lightly-aged paper. Brooks (who conducted the Literary Gazette between 1858 and 1859) writes that he has read Glen's 'friend's verses carefully, and with much pleasure. There is an echo of Keats in them, but no mere invitation.

1p.,12mo. Fifty-three lines of small type. Good, on lightly-aged and ruckled paper, with traces of mount on blank reverse. The item begins: 'MR. PUNCH is accustomed to receive letter and treaties, imploring him not to call homoeopathy fudge, and some of them attempting to assign reasons why he should not. In all these communications, the medical opponents of homoepathy are called "allopathists."' Later on the author comments: 'PROFESSOR HOLLOWAY is perhaps an allopathist; however he does not tell us on what principle his pills and ointments cure all diseases.

On one side of a 4.5 x 13 cm strip of paper, cut from the bottom of a letter. In good condition, on lightly-aged paper. All in Partridge's hand. Reads: '[...]ment of time occupied. | With many regrets, | I am truly yours, | Bernard Partridge.'

2pp., landscape 12mo. Addressed to 'Dear Furniss'. He is glad to hear of Furniss's success: 'Your tour ends after the last dinner but one of the year. No dinner Xmas week! awful that isn't it? When all are feasting no dinner for the Punch boys!!' He hopes Furniss will be 'here with us'. Had Furniss been 'on the spot' Burnand would have got him 'to substitute something for your John Bull picture in almanack which no one (I do not speak of "The Table" but of our best friends outside) comprehends.

4pp., 12mo. Good, on lightly-aged paper. He considers the cut excellent, and is grateful to Brooks for having 'managed so well' with his article. 'Many such an article of mine has been sacrificed, though absolutely a pretty good one, and comparatively to that which stood in its place, superexcellent. But such is my luck. By the by, don't measure the quantity of all that I do by what appeareth.' He reports that 'Fred is much amused with the verses on the Queen's first baby. I said that there are two men here besides himself who understand a joke.

1p., 12mo. Good, on lightl-aged paper. He regrets that 'absence from London' will prevent him from 'attending the lecture' of his 'old friend Dumaurier', to whom he wishes 'every possible success'. He thanks the recipient for 'the compliment implied' in his invitation. On 25 May 1892 The Times reports a lecture that day at 'Prince's Hall: Mr. Du Maurier on "Social Pictorial Satire," Mr. Alma-Tadema, R.A., in the chair, 9.'

On paper roughly 33 x 25.5 cm. The illustration itself is clear and complete on lightly-aged paper. Creasing around extremities and to left of caption. Tenniel's monogram, with number 61, in bottom left-hand corner. Britannia grips King Mob by the throat, while a paper crown (with 'MOB LAW' written on it) falls from his head.

On paper 52 x 33 cm. Tenniel's monogram, with number 58, in bottom left-hand corner. An giant female figure, with black mask, blazing torch and sash on which is written 'MURDER', directs an assemblage of Fenians and Sheffield trade unionists. The caption reads 'Fenian conspiracies and outrages in Ireland and Manchester - co-incident with the revelations of murderous Trade-unionism at Sheffield and elsewhere - agitated the public mind, and seemed like an evocation of the Spirit of Slaughter to trample on the Law.

12mo, 2 pp. Bifolium. Fair, on aged paper. He begins 'Print the farce', and gives two conditions, ending 'There that's definite'. He will have the farce published after it is performed in London, 'at a good theatre of course'. 'But get on with it and lets have the proofs.' He will 'most likely' play it himself 'at Manchester and somewhere else, when I will put all this stage business &c in'. Ends 'Toole wants to do it. | Yours Tooley - I mean Truly'. In one of two postscripts he hopes Lacy has 'a good supply of Billy Taylor. Hopewood & Crew publish it.'

12mo, 1 p. Thirteen lines. Text clear and complete. On aged and foxed paper with some fraying to edges (not affecting text). He would like to show Taylor 'something of interest with reference to Sir Herbert Taylor [sometime soldier and Private Secretary to teh KIng]' and suggests meeting that night. 'It seems rather late, but I shall be at von Herkomer's till then'.

12mo, 4 pp. Bifolium. Watermarked 'TOWGOOD'S | SUPER FINE | 1859'. Eighty-seven lines of text. Text clear and complete on aged and grubby paper. With little hope of influencing the editor of Punch, the author feels compelled to 'write and tell you what I and many others think about your Publication and the malignant spite you display towards individuals who happen to incur your wrath'. This 'malignity', he feels, 'must be derived from that murderous old ruffian from whom your publication takes its name, and which alone prevents it being an influential publication.

12mo, 3 pp. Bifolium. Good, on lightly-aged paper. Attractive red letterhead, in the Arts and Crafts style. The writings she referred to in a previous letter have not come. 'You probably forgot to enclose them. I expect to read some of the papers in the days when I look in the P[all]. M[all]. G[azette].' He asks her to give him 'an idea of what the publisher proposes to spend on the illustrations, and also the size of them, and the style - pen & ink, or "wash".' He has heard news of her 'from Welsh, Ethel Johnson's husband, who is with me at the Haymarket'.

Dimensions of card roughly 8.5 x 11 cm. Good, with slight creasing. Twenty lines of text. Congratulating Hammerton on his appointment as editor of the 'London Magazine'.

Ulster illustrator (1869-1955), best known for his humourous illustrations in Punch magazine. Good clear illustration, in black ink over pencil, roughly four inches by one and a half, on grubby and spotted piece of card, roughly eight inches by four and a half. Depicts head and shoulders of young girl in field, with rising sun behind, and cluster of foliage in circle around her and extending to right, where it entwines itself around the word 'YOUTH'.

One page. Dimensions of paper roughly four inches by seven. On piece of aged, stained paper, mounted on piece of card. Remains of biographical cutting in bottom right-hand corner. Reads 'Here you are Sir | Autographs cheap today | F. C. Burnand | F. C. B. | 10 Dec 1901'.

Three pages, 12mo. Very good on lightly aged paper with slightest trace of previous mount adhering to blank verso of second leaf of bifolium. He has 'looked out' and is sending 'a few interesting Autographs', and would have sent them before, had he not been 'a great invalid all summer'. 'I will get Miss Chapman a good collection of the autographs of literary men. I am now very closely connected with Punch & other publications and shall have frequent opportunities.' Agnew's family, as partners in Bradbury & Agnew, were for many years the publishers of 'Punch'.

Four pages, 12mo. Very good on lightly aged paper. Docketed by Gaskell at head of first page 'This letter is written to myself in reply to my offer of the loan of 91 Shirley Brooks' letters. | J. B. Gaskell'. Acknowledges the receipt of the letters which Gaskell has 'so generously' placed at his disposal, and assures him that they will be 'treated with the greatest care' and returned as soon as possible, together with the photograph of 'Epicurus Rotundus' (Brooks's pen name), 'which is new to me'. Asks for 'any reminiscences, hearsay or otherwise of S. B.

12mo: 2 pp. On creased, discoloured paper, with small closed tear and traces of previous mount adhering to reverse. An amusing, playful letter in a smudged, expansive hand. Reads 'My dear Phil | The other Phil Phil May will Phil the page in Xmas No. This will fill up & give it a fillip. ergo no Caran d'Ache | With Phil we're full. | Ought to be a fine number. | Have asked Phil May to contribute previously - | Well Phil May - but will Phil? | perhaps a wilfil person'. Accompanied by long typed commentary, giving provenance 'From a group of letters to Phil Agnew.

On irregular piece of lightly creased and aged paper (roughly seven and a half by four and a half inches), with some chipping to extremities. Headed 'Punch Photographs'. 'Mr Mark Lemon [1809-1870, Punch editor] wishes me to come up to you & be photographed. I propose being with you at one tomorrow Saturday, if I am not unavoidably detained in Westminster on a trial.'

Three pages on octavo bifolium. On creased, aged paper with pinholes and a little staining at head, but with text clear and entire. An interesting and intriguing document, docketed 'Rough idea of title.' The intention is to produce a 24-page magazine the size of Dickens's 'All the Year Round', to be priced at sixpence. 'Two pictures only - One on cover under title to be changed every week by Phiz - Large two page picture in centre to be hand coloured.

Three pages, 12mo. On aged paper, with some foxing, a few closed tears and wear to extremities. Glue and strip of mount adhering to blank verso of second leaf of bifolium. Text clear and entire. He is in 'a maelstrom of work and worry' and asks Ross 'a question which you are almost certain not to be able to answer!' Asks if he has 'seen Tom Smith's crackers', and if so, whether he observed 'anything specially and eminently notable'.

ITEM ONE (note, one page, 12mo, 3 December 1871, remains of grey paper mount adhering to verso of blank second leaf of bifolium): Apologises for sending a undated note: 'I daresay you can manage to fix at about what period it was written'. ITEM TWO (note, one page, 8vo, 12 December 1872, on creased, aged paper): Declining a dinner invitation. ITEM THREE (letter, one page, 8vo, 21 November 1873, on aged paper heavily chipped at head and foot): He has just described Draper's paper to Blanchard, who 'thinks it just the very thing they want. They like to have dates.

Sambourne (1844-1910) contributed illustrations to Punch for more than forty years. On good laid paper, dimensions roughly 22 inches by 17 1/2. With facsimile signature and date. Folded twice. Slightly discoloured and a little creased, but suitable for framing. Depicts Mr Punch, with his dog Toby, sitting atop a pile of the 'evolutions of the century' (including a bicycle and typewriter), and waving to 116 of the century's worthies, including Bismark, General Tom Thumb and the jockey Fred Archer, but without Karl Marx.

On paper roughly four and a quarter inches by three and a quarter wide, with corners snipped to make an irregular octohedron. Good clear illustration on ruckled, aged paper. Tipped onto a larger piece of aged glue-stained paper. An amusing caricature showing Haggard astride Rozinante, in a full suit of armour, with an inkpot and quill pen as hat, holding a lance inscribed 'LITERATURE' in one hand, and a baby wrapped in a large roll of paper inscribed 'SHE M.S.' in the other. Unsigned, and attributed to Furniss in pencil on mount.

Two pages, octavo. Good, with some creasing at head and foot. He has just returned from visiting his brother and sister-in-law at Liss, and will send his 'The Wood of Time' (1938). 'Since I wrote the poems it contains, poetry, like most of the other arts, has undergone a complete revolution; indeed began to undergo it before "The Wood of Time" was published.' Despite this he is pleased it 'did not fall entirely upon deaf ears. Since that time I have written several other things, but have really published nothing of the same nature.' He is glad she is still writing.