photography

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Signed gelatin silver photograph of (Edmund? Edward?) (Burke? Bucke?).

Author: 
May Moore [Australian photography]
Publication details: 
Without date or place [1920?].
£80.00

Roughly 9 centimeters by 14 centimeters. Lighly scuffed , chipped, and stained, but in reasonable condition overall. Small triangular piece of loss (roughly half a centimeter each side of triangle) to bottom left-hand corner. Atmospheric shadowy portrait of mournful-looking (actor's?) head wearing strange elfin-style hat looking to right and upwards. Faint reflective signature 'MAY | MOORE' can be made out with difficulty in bottom right-hand corner. Mounted on a large piece of creased grey paper. Attractive signature ' | 1920' diagonally on grey paper to bottom-right of photograph.

Victorian studio photograph.

Author: 
William John Thoms
Publication details: 
Without date or place.
£35.00

Antiquary (1803-85), first editor of Notes and Queries. Sepia. Dimensions roughly 2 1/4 inches by 3 1/2 inches. Faded image of a bespectacled Thoms knees upward, seated in profile at a table examining a small book on top of another book and leaning against a pile of six others. The oval is in a frame beneath which, in copper-plate letters (in the photograph and not manuscript), 'William J Thoms'. Stuck to a piece of card on the reverse of which is a grubby, foxed, nineteenth-century plate of William Cowper the poet.

40 Autograph Letters Signed to him from various "old shipmates", mostly senior naval figures; with 9 portrait photographs, a photograph of the Royal Yacht Victoria and Albert and the seal in red wax of the Royal Hospital at Greenwich.

Author: 
Captain Charles Dickson Inglis, R.N.
Publication details: 
between 1858 and 1898; from various locations.
£450.00

Captain Charles Dickson Inglis, R.N. (born c.1835; fl. 1898), is best known for his offer in 1887 to buy South Georgia in the Falkland Islands for the purposes of sheep-farming. This collection of his correspondence is neatly bound in a crude octavo volume, and is preceded by a manuscript index by him. Items in good condition overall, with minor discoloration and spotting, mainly caused by the glue used in mounting the photographs. All the letters are 8vo and smaller, several of them being cropped at the head, but with the cropped strips loosely inserted.

Sailing ships on the Hudson River, New York, viewed from Hoboken Docks.

Author: 
Photograph
Publication details: 
Undated but certainly nineteenth century.
£100.00

Evocative picture with docks to the right viewed through tree branches, and a number of boats and ships clearly visible, with three three-masted ones in the foreground, one sideways on and the two beside it viewed from the bows. Dimensions: 2¼ inches by 3¾ inches. Mounted on a piece of pink board which is docketed on reverse in nineteenth century hand: 'Hudson River. N.Y. from Hoboken Docks.' The picture is a little creased in the bottom left-hand corner and there is minor discolouration due to ink stains and grime.

Autograph Letter Signed to an unnamed correspondent.

Author: 
Paul Pretsch.
Publication details: 
20 Duke Street, Portland Place, 3 June 1858.
£275.00

Austrian portrait, genre and landscape photographer and photographic inventor. Among other things he invented photogalvanography. Two pages, 8vo, good condition. "I have brought the proof of the plate which you have done lately, with two other proofs of plates from photographs taken by the same person to the gentleman by whom I have received the originals". He goes on to talk of the latter's connection with "people of high standing" and his expectation of orders "for impressions from him". He awaits word and anticipates meeting with his correspondent.

photograph,

Author: 
Andrew Halliday [full name Andrew Halliday Duff]
Publication details: 
1873
£20.00

Essayist and dramatist (1830-1877). Portrait photograph, 3¾ inches by 2½, from the studio of Charles Watkins, 54 Chancery Lane, of a heavily-bearded Halliday looking to the right in jacket, coat and striped tie. The photographer's details and device are printed on the reverse of the mount, which is docketted "Andrew Halliday / 1873", and carries traces of glue and paper. Somewhat grubby.

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