DULAC

Two pages, 66 x 17cm, folded, unbound as issued, all printed in green,separated pages formerly held together by a staple which rusted, It comprises information about thirteen Calendars after the above title and some introductory words, with an image of the front. For example, the first item is "The Arabian Nights Calendar By Edmund Dulac", introduced by the words "Here is a magnifient Calendar for admirer's of Edmund Dulac's superb drawings", followed by an image of the front of the calendar, 7 x 5cm, itself followed by more information such as size, and "Six plates in colour".

4to, 24 pp. With four pages of illustrations (by J. B. Yeats, Charles Shannon, Sean O'Sullivan, Max Beerbohm and Edmund Dulac). Stapled. In original grey printed wraps. Aged and dog-eared, in worn wraps. The introduction, by 'L. R.', explains that 'THE ARROW is an occasional, a very occasional, publication by the Abbey Theatre. Only four numbers of it have appeared, two in 1906, one in 1907, 1908 and 1909.' Essays by John Masefield ('William Butler Yeats'), F. R.

On a piece of board roughly 45 x 30 cm. Foxed and discoloured, with the extremities chipped and worn, with loss and closed tears affecting the illustration's border, which is in gold in the style of the carved decoration of eighteenth-century furniture. The illustration itself, roughly 36 x 25 cm, is clear and undamaged. It features full-length depictions, each around 29 cm high, of two stylish figures: on the left a behatted lady, fan in hand, elegantly attired in eighteenth-century costume of orange compere-fronted gown and full yellow skirt.

All nine are printed on art paper, roughly 18 x 12.5 cm. Tipped in onto 27.5 x 21 cm leaves. The mounts have the title, 'THE GLOOMY THICK WOOD | By Kay Nielsen' and a border surrounding the plate, both printed in olive. The collection is in very good condition, with occasional nicking to the mount. None of the items carry any indication that they have been cancelled or rejected. Providing a fascinating insight into the quality-control process in early twentieth-century book illustration, with most of the items rejected because the colours are slightly off-register.

National Provincial and Union Bank of England, made out to Dulac for £21 by "R. Grahame Smith", stamped by two banks and attractively fra\med so that both front and back of cheque (i.e. the signature) may be seen.