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The six items are all disbound and in fair condition, with light signs of age and wear. Items One and Five are not productions of the Society, but are closely connected with it. The first five items are scarce: the only copies of One on COPAC at Oxford and the British Library; no copy on COPAC of Two; the only copies of Three and Four at Oxford; Five is a galley proof; and Six only to be found at Oxford, the British Library, the LSE and University College, London. ONE: 'The Idea of an Oxford Modern Ethical Society.

ONE: Typescript. [3] + 94pp., 4to. Stapled in green tyed wraps. In good condition, on lightly-aged paper; in aged and worn wraps. Stage directions underlined in red pencil, and a handful of minor manuscript changes. 'The action of this play takes place in Malta G.C.

2pp., 12mo. Bifolium. In fair condition, lightly aged and creased. Lowe's request has been laid before the Club's committee, and there is no possibility of acceding to it: 'You say in your letter that you are aware that the privilege engraving the pictures in the Club Collection is "rarely" granted, but in this matter I fear you must have been misinformed as it is against the Rules to grant it at all'.

ONE: The earlier of the two drafts, titled 'It Was Top of the Bill | The Story of Music Hall. | by | W. Macqueen-Pope.' 14pp., 4to. Paginated 1-12, with two further pages carrying material to be inserted. With a few autograph emendations, including an addition to the ending. Macqueen-Pope writes knowledgeably and with a passion for his theme, which is that 'Music Hall reflected public taste even more accurately than did the "legitimate" Theatre because it was created by the people themselves. The basis of the Drama of the Theatre - was religion.

148pp., 4to. Bound with pink ribbon into grey card wraps with typed label on cover. In fair condition, on aged paper, in worn and aged binding. Pencil note on title page states '40000 words'. An interesting piece of social history during wartime. In a foreword Macqueen-Pope thanks a number of individuals for their assistance, adding that 'the leading characters in this real life story must perforce remain anonymous'.

For more about Corrie see his entry in the Oxford DNB, which states that 'His most effective mature work, A Master of Men, about the conflict between a mine manager, the mine owners, and the miners, was performed by the Glasgow Citizens' Theatre in 1944.' 111pp., 4to. On paper of various colours. Autograph title-page: 'English Version | A Master of Men | A Play | Joe Corrie | Hill's Hotel | 41 Princes Sq. | London W2 | Tel. Bay. 0118'. (Many of Corrie's plays were written in Lowland Scots.) In good condition, lightly-aged, in worn buff card wraps. With a few autograph emendations.

[1] + 52pp., large 8vo (27.5 x 21.5 cm). Stapled in silver wraps with elegant design in pink and black. In good condition, lightly aged and worn, with slight rusting to staples. Profusely illustrated with photographs of items captioned with prices.

On 7.5 x 11.5 cm. panel cut from front of envelope. In fair condition, lightly-aged. All in Gladstone's hand, it reads 'Fettercairn Septr. twentynine 1839 | A. Colvile Esq | Craigflower | Dunfermline | W E Gladstone'. Gladstone's signature is in the bottom left-hand corner, but is merely underlined, rather than being between two horizontal lines, as customary when franking.

On 14 x 12.5 cm piece of card, with the cropped printed scorecard (completed in pencil in childish hand) on one side, and the autograph signatures on the otherwise-blank reverse. In good condition, lightly-aged. The five signatures are bold and strong in black ink, and read: 'P. Mead | Ed Tyldesley | E Hendren | J W Hearne | J W Hitch'.

Both items in good condition, on aged paper. Lovell begins the first letter (3pp., 12mo) by expressing disappointment at not having heard from Webster yet 'with the M.S.', and offers to 'save [him] any trouble in explanations' by calling on him. If that is not acceptable he asks him to 'let me have the copy with your notes upon it & I will work at once. And if you have any thing more agreeable in the way of criticism to communicate it will put me in better spirits'.

2pp., 12mo. Bifolium. In good condition, on aged paper, with light glue stains on blank reverse of second leaf. Lovell writes in jaunty tones: 'When I quitted Town I left your incomparable Cardinal in the plenitude of his power & on my return I find him still in the ascendant & his glory undiminished! - Such a man belongs to posterity & my posterity are anxious to pay (?) [the question mark is Lovell's, the implication being that they want to get in to a performance without paying] their homage to him.

2pp., 4to. Printed on the same side of one piece of shiny art paper, folded to make a bifolium. Aged and stained, with wear and slight loss to extremities. Photograph of Russell beneath title, alongside 'Sonnet | To W. Clark Russell', reprinted 'From "English Sea Pictures." By Julia D. Young, Author of "Barham Beach, the President's Poem." - New York.' The author laments that '[i]n this country, it is not the fashion to ennoble those who really do something for their time and generation', such as Russell, whose 'stupendous output' consists of 'fifty-seven books everyone [sic] of them good'.

Printed in a single column on one side of a piece of 64 x 15 cm piece of paper. Aged and worn, with a couple of holes at head causing loss to eight lines of text. Full heading in manuscript: 'On occasion of the reading of a paper on "the Imperial Institute & its advantages to India" by General Sir Orfeur Cavenagh K.C.S.I. before the East India Association. Sir Richard Temple in the chair'.

The tale told anonymously by Charlotte Anne Moberly (1846-1937) and Eleanor Jourdain (1863-1924) in their 'An Adventure' (1911) is probably the most famous true-life ghost story of the twentieth century, and has been the subject of an enormous amount of analysis. For more information see the couple's entries in the Oxford Dictionary of National Biography. The present material is in good condition, with light signs of age and wear. It was assembled by Holroyd - a Sherlock Holmes expert - with the intention of writing a book on the subject. ONE.

Printed on one side of a piece of 45.5 x 57cm yellow paper. A fragile survival, on cheap paper, worn and folded four times, with some closed tears to folds. An arresting poster, laid out in the customary style of the period, in a variety of roman and italic fonts and point sizes. The body of the text reads: 'Parliamentary | REFORM [last word in 6.5 cm high letters] | We the undersigned hereby request the Inhabitants of the Borough of Plymouth to | meet at the ROYAL HOTEL, at 12 o'Clock precisely, | On WEDNESDAY, the 9th Feb.

2pp., 12mo. On bifolium. In good condition, on lightly-aged paper, with traces of mount on blank second leaf. He was attended in his illness by 'Mr. Quain of 32 Cavendish Square', and he 'liked him much. But it was many years ago, and I forget what I wanted him for. But he was sensible & business-like.' He and his wife would have called on him 'as we came up from the Lubbocks', but she was 'too tired by two very busy days, when it came to the time'.

On one side of 11 x 15.5 cm piece of paper. In fair condition, on aged and worn paper. An interesting and unusual artefact of Devon social history. Reads: 'Messrs. Roberts & Carter, | To the Crier of Barum [the Latin name for Barnstaple] | 1835 | July 3rd Posting Bills, for sale of Rookebeare Estate 1s. 0d. | Crying do. 1s 0d | Augst 27th. Posting Bills for sale of Pinney Estate &c 2s 0d | Duryard 2s 0d | [total] 4s 0d' Bater's acknowledgment at foot reads: '28 August 1835 Recd the above | W Bater'.

8pp., 12mo. Disbound and without covers. In fair condition, on lightly aged and worn paper. Refers to 'Mr. Forster's disloyalty to the Liberal Party in the House of Commons and in the country in framing the provisions of his Educational Bill. [of 1870]' Scarce: no copies on OCLC WorldCat or COPAC.

The collection is in fair condition, with the photographs in good condition, and the other items showing some signs of age and wear. The four printed programmes are all bifoliums. ONE: Programme for a School House and Galpin's performance of R. F. Delderfield's 'Worm's Eye View', 12 March 1955. Signed by sixteen members of the cast, including Budgen. TWO: Programme for a King's School Players performance of Romeo and Juliet, 16 to 23 July 1955. Signed by five members of the cast.

1p., 4to. In very good condition. He is glad that Malcolm enjoyed 'Billion Year Spree' (subtitled 'The True History of Science Fiction'), 'despite all the random scholarship floating around in every chapter', which was 'designed to silence if not impress all the hostile critics outside the field who seem to think that it is just a stamping ground for the juvenile or the insane'. A few 'family jokes' have been inserted, 'to keep the rest of us amused'.

1p., 4to. In good condition, on lightly aged and creased paper. With Royal Society stamp of acknowledgement. Written on behalf of Crouch, who is 'desirious of securing recognition by the R.S.A.', and who has 'supplied us with many designs of high artistic merit or many years and has made a considerable contribution to theh success of our fine art productions.' He praises the 'originality of design and the high artistic merit of his work', and considers that 'his work for industrial art deserves the highest recognition', being 'easily recognizable' and in a 'style distinctly his own'.

Four items loosely inserted in a 33 x 25.5 cm black paper folder which is in good condition, with light signs of wear. With 26.5 x 20.5 illustrated label on cover, printed in black and brown, for 'The Colophon | A book collector's quarterly'. Presented to the guests at a 'Colophon' dinner (perhaps the inaugural one in 1929?). The contents as follows. ONE: Leaf from the Cologne Chronicle, 1499. The dimensions of the leaf from this incunabulum are roughly 30.5 x 20.5 cm. In fair condition, on aged paper with light damp staining. With three woodcuts, each roughly 5 x 4 cm.

2pp., 12mo. Printed on one side of a 25 x 31.5 cm piece of shiny paper, with a central vertical perforation line. Damp damage to the heading (with some loss of text), otherwise in good condition. The text, by Appleton, Bowerman and MacDonald, is on the left-hand page, and begins: 'Osborne Decision.

The letter is 2pp., 8vo, and the order form 1p., 8vo. In good condition, on aged and worn paper. A skilful facsimile: Bacon has even included an interpolation on the first page to make it look more like an authentic letter.

Both the engraving and the letter are in good condition, on lightly-aged paper. ENGRAVING: Dimensions of image: 5.5 x 9 cm. Dimensions of paper: 12 x 18 cm. In black ink. The coffee house, with signage, is shown behind an old stone wall, in front of a country house. It is built like a barn with a taller structure beside it (possibly a reading room). LETTER: 2pp., 12mo. Bifolium.

24pp., 12mo. Yapp-bound in brown-paper printed wraps. Stapled. Very good. Printed in brown ink on glossy paper, with one book per page, each with an illustration of the cover. Begins with 'The Wonder Book | (Fourteenth Year of Issue.)' and ends with 'Animals All | By Ellen Velvin'. Includes four works illustrated by Margaret W. Tarrant, including 'Alices Adventures in Wonderland'. Scarce: no copies traced, either on COPAC or on OCLC WorldCat.

The two letters each 1p., 4to. Both on aged paper, with wear to left hand margin causing loss to text. In the first letter Lent gives details of 8 of his 17 purchases on that day, adding that 'The Lots sold quite well, a good many co are here, also Bowes, Blackwell, Mc Leis Taylor (Scheurer). Edwards, Pickering & E. Mathews, have marks.' In the second letter he gives details of 5 of his 10 purchases, one of them for 'Mr Butterwick'. He gives details of three commissions which Butterwick left with him, only one of which was successful. Catalogue: 31 + [1]pp., 4to.?>,>?>

1p., 8vo. Air mail letter addressed to Fletcher at 22 Buckingham Gate, London SW1. In good condition, lightly aged and worn. He thanks him for his letter 'regarding autographed [sic] letters', explaining that 'we have gone in very little for letters and manuscripts, although we have made a few exceptions where they were in bound volumes or had some very important Oxford interest'. (Clary's Oxford collection is now at the Claremont Colleges Library. Williams's letters do not 'quite fit our program' (the plural presumably referring to Claremont).

1p., 4to. On a leaf removed from an autograph album, under the date 'MAY 1', and within a red and green decorative border. The poem consists of sixteen lines in four stanzas, the first stanza reading: 'When the time comes for me to die, | To morrow - or some other day - | If God should bid me make reply: | "What wilt thou?" - I shall say,'. (In the published version 'What wilt thou?' reads 'What woud'st thou?') On the reverse of the leaf is a text and signature by an "Ethel Mengens".

4pp., 4to. Bifolium. In very good condition. Covering the whole of the front page is a beautiful coloured illustration of the Imperial State Crown, with no text. The following three pages are printed in black and purple, with the second page carrying the publication details; the third page a full-page note from the editor; and the last page an advertisement for Sir John Wilson's 'Royal Philatelic Collection'. No copies of this item traced on either COPAC or OCLC WorldCat.