SYMBOLISM

Edition limited to 300 copies, of which this is number 185. Large 4to (34 x 24.5 cm), 40 pp. In original printed wraps, with colourred illustrations front and back. Internally good, on lightly-aged and creased paper. In aged, worn, spotted and creased wraps, with damp stain at head of spine (not penetrating to the book itself). Facsimile of the editor's signature, with limitation, on reverse of title. 36 facsimile pages, preceded by an introduction, covering one page, by Pereira, 'Aos admiradores de Wenceslau de Morais'.

AUTHOR'S COPY, WITH HIS MANUSCRIPT REVISIONS FOR THE SECOND EDITION. Octavo: 96 pages. Seven plates (of eight). Original olive cloth gilt, with pierrot on front board. Numbered copy twelve in the edition. One leaf (pages 49-50) removed. Aged, and in heavily worn boards. Carrying manuscript changes on twenty-two pages, as well as on a plate and the front board. Cutting loosely inserted, regarding a couplet by 'E. V. L.' of Brighton (clearly E. V. Lucas) addressed to Mew regarding the word 'hyperbole'. Six of Greiffenhagen's seven illustrations are present.

Author and musician (1826-1906), described by Louise Jopling as 'a rich bachelor' and 'a noted figure in the seventies'. 1 page, 16mo. In good condition despite slight creasing and discoloration. Letterhead in green and black ink. Reads 'My dear Locker, | Many thanks - I will meet you at the Athenaeum at 3 o'Ck. on Tuesday - I have done, & shall do nothing till then. | Every yrs. | Hamilton Aïdé'.