OSCAR

1p., 12mo. In good condition, on lightly-aged paper. The seven signatures are on top of one another, with the fifth in pencil and the others in ink. They read: 'Teddy Gwenn | [ ditto ] Michael | Lawrence | Sevier | Tommy Shale | Jan Hurst. | Patersen Story'. From the papers of Herman Finck (1872-1939), with whom Jan Hurst was connected. According to one authority: 'In 1929 [Hurst] secured the all year round post of Musical Director to the Brighton Corporation and as such, he was in charge of their Municipal Orchestra.?>

Good firm inscription on 19.5 x 16 cm letterhead. In good condition, lightly aged and creased, with slight rust staining to top left-hand corner from paperclip. Inscription reads: 'Sincere best wishes | Don Ameche'.

George James Firmage was born in New York; attended Massachusetts Institute of Technology (1947-48) and College of the City of New York (1949); BA, New York University, 1952; pursued graduate study, University of Massachusetts, 1952-54; publications supervisor in advertising and marketing services department, First National City Bank, New York, 1954; wrote several books, including E.E. Cummings: a Miscellany (1958) and E.E. Cummings: a Bibliography; editor of A Garland for Dylan Thomas (1963) and of E.E. Cummings' Three Plays and a Ballet (1967).

iv [advertisements].12pp, sm. folio, unbound as issued, good condition. It includes "letters of approval" from Jerome K, Jerome, Annie Besant, Rider Haggard and others,; "Authors at Home. No. 1, Mr Edmund Gosse"; "Two Reminiscences of Robert Browning"; "Notes and Queries"; "Some Books Reviewed"; "A Catalogue of Catalogues"; etc, etc. In his addres "To the Reading Public", the editor names people who've promised articles or shown support, including Oscar Wilde, Zangwell, Sala, etc. No information has been found about this obviously short-lived periodical.

Both cloth, brown and green, folio, worn and damp-stained, comntents good,. [1906] 52pp., manuscript AND [1910] 44pp, mainly typescript, partly manuscript.[1906] Stock list of Publications Dec. 1906 incl. "American Explorers". David Nutt initially specialized in continental books on classics and religion but the empahasis changed towards folklore, Arthurian Romance and cognate subjects. Among his publications were the "Archaeological Review", early volumes of the Irish Text Society, the Grimm Library, the Northern Library of saga material and the Tudor Library.

Between 1916 and circa 1966. 'Chu Chin Chow' was a hugely-popular extravaganza based on 'Ali Baba and the Forty Thieves', which, produced and directed by the Australian actor-manager Oscar Asche (1871-1936), premièred in London in 1916, and ran for five years and 2238 performances (more than twice as many as any previous piece), followed by numerous productions and revivals worldwide, as well as two British feature films. The phenomenal success of the piece may be gauged from the fact that it earned Asche alone £200,000.

2pp., 12mo. 33 lines of text. The first paragraph reads: 'Dear Miss Last: | I'm afraid I can't give you first-hand help on the choice between [Frank] Harris and [Hesketh] Pearson on Wilde - ignorance, madam, sheer ignorance. But I consulted a friend who is interested in Wilde and knows the literature well and he says that you should not accept either without the other, that they each offer views that are necessary for an attempt to get the figure of Wilde in reasonable view.

1p., 4to. In fair condition, on lightly-aged paper. Apparently unpublished. He complains of Lynd's 'very ill-natured review of my "Autobiograp[hy] [...] She makes the ridiculous statement that "a child" at a public school is "at most on speaking terms with five percent of his contemporaries". What utter nonsense. When I was at Winchester in my last two years I was "on speaking terms" with every boy in the school, and I was on intimate terms with at least 100 out of the 400 of which the school consisted. | What on earth can Mrs Lynd know about public schools?

80 + [1]pp., 8vo. Unstitched signatures with brown paper wraps and grey boards, both with text in red. In plain black paper-covered slipcase. On reverse of half-title: 'Il a été tiré de cet ouvrage, imprimé sur Vélin de Rives, 110 exemplaires numérotés de 1 à 110, réservés aux Membres de la Société des Bibliophiles et Graveurs d'Aujourd'hui. | En outre, dix exemplaires numérotés de I à X ont été réservés à l'artiste et aux divers collaborateurs de l'édition. | Exemplaire No 35 imprimé pour M. Jacques Le Désert'.

1p., 12mo. In good condition, on lightly-aged paper. Reads: 'Dear Sir/ | I beg to enclose my account for Cowes drawing. | Yrs truly | Oscar Eckhard'. On the reverse, in another hand: 'Oscar Eckhardt. [sic] | Popular Illustrator & artist. | (July 1897)', with stamp of the St James's Budget.

Both items good, on aged paper. Written in Image's distinctive calligraphic hand. Letter One (12 August 1908): 1 p, 12mo. The 'Galatheas' arrived the previous evening 'quite safe'. 'Fancy your being at The Warren as well as at Deal! The Warren [Folkestone] is famous for being stocked with good things. You are indeed in the very heart of the richest entomological country in England.' Letter Two (17 August 1908): 2 pp, 12mo. He is delighted with 'these beautiful ochroleuca, which arrived this afternoon quite safely'.

1 p, landscape 12mo (18.5 x 11.5 cm). Eleven long lines in a small neat hand. Text clear and complete. Fair, on aged paper. Tipped in onto a piece of paper, 21 x 13 cm. The reference to Melmoth's 'advanced Age' is at the foot of the page. Docketed on reverse in a contemporary hand: 'From Mr. Melmoth to Mrs. Walters'. Begins: 'Believe me, my very dear Sophia, I am so truely [sic] your obedient servant in every affectionate & friendly sense of those terms, that there is no office in which you can employ me I shd.

Eric Barton's letter: 4to, 1 p. Nineteen lines. Text clear and complete. Fair, on aged paper. His wife wishes him to apologise for not replying: her illness and that of their 'small son' prevented them both from 'attending to a huge mass of correspondence following the Oscar Wilde ceremonies'. He will attend to Bright's order and will also 'put you on our mailing list for books by and about Crowley and Summers. I too met both these gentlemen when they lived in Richmond, and visited Mr. Crowley at his flat in the Paragon'.

[170]pp., 4to, title label, brown wraps, stabbed, sl. wrinkled edges, sl. aged, typed ownership sticker back cover, John Furnell, 'Woodend', 24 Chessel Avenue, Boscombe, Bournemouth, Hants. Final page (additional , p.[170]) includes a list of Author's suggestions for settings. With a sprinkling of corrections and additions.Opposite p.38 (beginning of Act II set in the Foyer of the St James's Theatre, an illustration from a Max Beerbohm book (Some Persons of the Nineties), with names from Wilde to Mallarme, 10 names presumably in Furnell's hand.

A., Typescript (gestetner or similar), paper wraps, 70pp., sm. folio, wear and tear to spine, sl. grubby, a few marks, mainly good condition. Inscribed "Daniel Day-Lewis" with underlining and a few notes in his hand. Not listed among his roles on relevant websites. B. Two photographs, one with two duplicate images of Day-Lewis when quite young (Bedales tie?), 9 x 14cm; the other, almost full length holding baby on his shoulder [his son was born in 1995], inscribed by him on reverse, "Happy dressed father with unconscious naked son | I:x:95", 12 x 18cm. C.

[ii].87pp., printed paper wraps, light brown paper letters in red, No. 78 of 250 copies, on last page date in pencil 12/7/3, sl. chipping and fraying at edges which are sl. sunned

One page, 8vo, some dusting, mainly good. "Many thanks for yr kind note. I am very glad that you enjoyed my 'Holy Land'".Thank you for telling me so.

One page, 8vo, some spotting and staining, mainly good. I enclose with pleasure a guinea towards the cost of the proposed dinner ot the Pensioners of the Charterhouse. If I am in England I shall certainly come to it.

Total 4 pages, 8vo, fold marks, mainly good. 1. He'll send some books, is kept in London by work, but will take up her suggestion when he can. He currently has to mingle war work with personal work. He talks of his aged parents, and of the climate which drives me almost to despair. 2. He asks where to send the books. 3. He is spending time in Tankerton and has only just got her letter and kind invitation. He admiires her energy as traveller.

One page, 4to, punchholes, edges discoloured, mainly good condition. Two small additons in his hand. He thanks Gutman for his cheque and order for "three sets of Oscar Wilde" of which he can immediately supply two, the other to come from storage. One copy sent is the "Brentano's edition of New York" and he wonders if Gutman would prefer "my German editon. He has written to "Heath" [bookseller, partner of Gutman's] about copies of James Thomson's poems on his hands.

Cut into a rectangle, 4 x 10 cm. Good, on lightly-aged paper, with vertical crease to one side, well away from the signature. Reads 'Yours very truly, | [signed] Frank Harris.' 'To S. Lane-Poole Esq.' in bottom left-hand corner. Docketed on reverse 'Editor of Saturday Review & Author of "Elder Conklin'.

8vo, 52 pp. In original black and white printed wraps, with solarized face on cover. On aged paper, with rusted staples and wear to wraps, which have minor damp staining at head causing sligh bloom to first three leaves. One of 750 copies: 'Number 9 of the "OUTCAST" Series of Chapbooks issued by Oscar Bardinsky at the Alicat Book Shop'. A scarce item by influential American avant-garde filmmaker and theorist.

On piece of watermarked laid paper 12.5 x 13.5 cm. In fair condition: lightly-aged and creased. Clearly in response to a request for an autograph. Firmly written, with the signature 5.5 cm long. Reads 'A. N. Roussoff | Cairo 1892'. Roussoff famously wagered that he could produce a dozen pastels indistinguishable from those of Whistler. He lost the bet, and was 'obliged to take a course of mud baths after his defeat'.

Printed in black and sepia on both sides of a leaf of watermarked wove paper, 45 x 30 cm. On lightly-aged paper with one vertical and two horizontal fold lines. The seven sample pages feature a total of six illustrations, in a variety of styles, two by Herb Roth. The arrangement is as follows. Recto: Title ('Specimen Pages from Books made at the Walpole Printing Office in New Rochelle, N.Y. 1929-1932') with vignette of Walpole. Specimen One, titled 'Piratical Barbarity, &c.', with illustration of pirate ship by Roth. Specimen Two, title-page of T. S. Eliot's 'John Dryden. The Poet.

12mo, 2 pp. Twenty lines. Text clear and complete. On lightly aged paper with a 2 cm across both leaves of the bifolium (not affecting text). He did not 'draw Domini and Hermione from special people', but believes that 'there are women quite as sincere as they are'.

4to, 1 p, 22 lines. On aged paper, with chipping at extremities neatly repaired with archival tape. Text clear and entire. He thanks him for his 'interesting paper', commenting on the 'Lucretian passage'. Postgate's 're-arrangement [...] is undoubtedly more attractive & logical than the ordinary arrangment, and as such I welcome it: but must we suppose always that artists do as well instinctively as they might if they had taken counsel?' 'Ex silentio I judge that all is well with you, as far as anything can be well for any of us these terrible times.

On piece of laid paper roughly 6.5 x 13. Good, with a couple of spots. Interesting signature, roughly 1.5 x 7 cm. In black ink and with a broad-nibbed pen, giving it a calligraphic quality.

One page, octavo. Good on aged and lightly creased paper. 'As you see by the enclosed it was returned to Mme D'Alvarez. | She is so sorry, but hopes it will now reach you. | Yours Truly | [signed] Evelyn Woolf | Secretary'.

Octavo: ii + 174 pp. Stitched. In original grey printed wraps. Internally clean and tight, in grubby and worn wraps. A first class catalogue, with excellent entries on items including letters and documents by Byron, Carlyle, Dickens, Disraeli, Edward Fitzgerald, Garibaldi, Pitt the Younger, Sir Walter Scott, Tennyson, Horace Walpole, George Washington. Fifteen books from the library of Mrs Piozzi.

AUTHOR'S COPY, WITH HIS MANUSCRIPT REVISIONS FOR THE SECOND EDITION. Octavo: 96 pages. Seven plates (of eight). Original olive cloth gilt, with pierrot on front board. Numbered copy twelve in the edition. One leaf (pages 49-50) removed. Aged, and in heavily worn boards. Carrying manuscript changes on twenty-two pages, as well as on a plate and the front board. Cutting loosely inserted, regarding a couplet by 'E. V. L.' of Brighton (clearly E. V. Lucas) addressed to Mew regarding the word 'hyperbole'. Six of Greiffenhagen's seven illustrations are present.