DUPLICATED

Totalling 280pp., 8vo (each issue 20pp), with aditional grey card printed covers to issues 13 and 14. The first twelve issues are bound up, without covers, in a black leather half-binding with black cloth boards. As the covers are lacking it is only possible to date these issues from the gilt title on the spine: 'OUR OWN | 1913-6'. Ownership inscription on front free endpaper: 'Cecil Thom | 22 Nov. 1916.' (Henry E. Thom appears to have been a music teacher at the school.) Modern bookplate of John Gadd on front pastedown. Issues 13 (March 1917) and 14 (April 1919) are loosely inserted.

2pp., 8vo. In fair condition, on lightly-aged paper, with small ink stains to two corners and short closed tears at the ends of a central vertical crease line. On paper with 'Ellams 22' watermark. Beneath the title: 'Note: All names guaranteed genuine, from the "London" section of the October telephone directory.' The poem consists of seven four-line verses and six different choruses.

Press release and itinerary totalling 6pp., foolscap 8vo, and 1p., 4to. Stapled and folded into a blue cover with a duplicated map of Canada with the 'Queen's route' on the reverse.

Press release and itinerary totalling 6pp., foolscap 8vo, and 1p., 4to. Stapled and folded into a blue cover with a duplicated map of Canada with the 'Queen's route' on the reverse.

[1] + 7pp., foolscap 8vo. On eight leaves, stapled together in one corner. In fair condition, on aged and worn paper, with slight rust marking to title leaf. The title leaf reads: 'THE MAGDALEN STREET | PROJECT | Further information obtainable from: | THE CIVIC TRUST | 79 BUCKINGHAM PALACE ROAD | LONDON S.W.1. | TATe Gallery 0891'. The background to the experiment is explained in the first two paragraphs: 'This is the story of an experiment in civic design. It is also a story of civic co-operation in which self-help was seen to be synonymous with public spirit.

Each issue 6pp., foolscap 8vo, on three leaves. All five issues duplicating, in blue and purple ink, manuscript text, mostly set out in double column, and hand-drawn illustrations. The issues for February and March in the hand of an unnamed male editor; the third issue edited by 'Gwladys Evans'.