STREET

7.5 x 13 cm piece of aged and worn paper. The address, with red 'FREE' franking postmark in red ink, reads: 'To | Mr Burn | Duke Street | Westminster | E Carlisle'. On the reverse is part of an autograph draft reply, signed 'Richd Burn'.

Neither print is ascribed, but in an unpublished typescript in the Adams Papers, Rosalind Thuillier (author of a 1985 monograph on Adams) quotes her husband Gilbert Adams (Marcus's son) as follows: 'Another phase of his activities as a photographer was into a device called "photo sculpture". [...] At the time of Munich he went round to the photo-sculpture's studio, and I accompanied him, to photograph Neville Chamberlain. Neville Chamberlain was photographed in this way and some many hundreds of these casts were made of him.

1p., 4to. In good condition, on lightly-aged paper. Ornate letterhead printed in red and black, with engraving of a rising sun ('The Mark of Excellence'). Addressed to 'Messrs. Marcus Adams Ltd. | Child Photographers, | 43, Dover Street, | W.1.' The letter begins: 'I have in hand the production of a film somewhat of a national character, including all the episodes in the reigns of our Royal Family, from Queen Victoria's Diamond Jubilee onwards, and I thought it would be a very nice idea to finish the film with a short length of little Princess Elizabeth.

Thirteen Typed Letters Signed: seven to Marcus Adams, four to Gilbert Adams, and one apiece to 'Miss Farr' and 'Mr Murray'. Totalling 16pp., and with eight on Dover Street letterheads, and five on Park's personal Pinner letterheads. Five signed 'Bertram', one 'B.P.'', the other seven 'Bertram Park'. The thirteen items in good condition, with light signs of age and wear.

1p., 12mo. Addressed to 'My dear Mrs. Atkinson', and with contemporary note at head stating that the letter is 'To Mrs. Atkinson Grove end - about the year 1829', Grove End in Paddington being the estate of the architect William Atkinson. In good condition, lightly-aged, with minor traces of stub adhering to one edge on blank reverse. He thanks her for her 'beautiful present' and informs her that he has 'secured 6 places in the front Boxes for to-morrow evening - and shall do myself the pleasure of bringing up admissions for that Number either to day or early to morrow morning'.

1p., 4to. Bifolium. Addressed on second leaf to 'Wm Campbell Esqr. | Brook Street'. In good condition, lightly-aged. The letter begins: 'Had I been aware, before dinner, of what our friend Geddes has just informed me after dinner, - that you are at present a Batchelor, you certainly should have had no excuse for not returning with him to a friendly knife & fork in Mount Street'. He asks him, if he is 'quite alone', to 'come immeditely & lecture him for his remissness - & drink to his better behaviour - we are quite en famille with only Geddes'.

136pp., 4to. Duplicated typescript (by Catherine Billinghust, Westminster) with pages on rectos only. Bound in grey card wraps, with red and black cloth spine and title typed on front cover. In good condition, with light signs of age and wear. '12' in manuscript at head of cover. 'Sleep My Pretty One' has been described as 'a study of a young girl driven to distraction by the death of her mother and the, to her, totally unacceptable remarriage of her father'.

2pp., 12mo. Bifolium. In fair condition, lightly-aged. 'I shipped on yesterday to you through Mr J. D. Brink Jr Forwarding Merchant of this city a box containing 4 Oil Pictures which I wish you to expose for sale at your Exhibition Rooms. | The titles and prices of the same will be given you by my friend Mr G. du Mourier. Please let me know when they come to hand.' The Berner's Street Gallery's association with American artists would continue: in the following decade it would gain notoriety for exhibiting Whistler's 'Symphony in White, No. 1'.

4pp., 12mo. On aged and lightly-creased paper. Originally a bifolium, but with the two leaves separated, and evidence of previous stitching into a binding. Regarding his new book 'Cruel London', he asks him if he can send six copies of what is not only 'a kindly notice, but excellently well written. All the more gratifying. The Spectator is always my enemy just as the Saturday was Thackerays, to compare a big man with a small one.' He refers to a notice in the Sunday Times by Joseph Knight, who 'also sent me a charming letter of congratulation'.

3pp., 12mo. Bifolium. In good condition, on lightly-aged paper. Written in pencil. A long and interesting complaint, casting an interesting light on the journalistic practices of the period. Hurd begins without preamble, pointing out, with reference to a previous letter, that he 'never promised 35000 words', and stating that the publisher 'would doubtless be able to put in a few extra illustrations to fill it out'.

2pp., 12mo. Bifolium, addressed, with postmarks, on reverse of second leaf, to 'Messrs. Wilson | Linen Drapers | New Bond Street', and also docketed '1838 | Dealtry Miss A'. In frail condition, with the two leaves separated and closed tears and wear. Sewn with white thread onto the second leaf of the letter is a swatch of cloth - dark blue with white and red stripes - in a loop of circa 20 x 1.5 cm. The text reads: 'Miss A Dealtry wishes Mr.

2pp., 12mo. 33 lines of text in blue ink. In good condition, lightly-aged. He writes that his family have 'all been listening to your third broadcast on Gandhi with pleasure and admiration'. He cannot imagine 'a better treatment of the subject', and is 'lost in admiration for the skill with which you pieced all these fragments together, and wove out of them a thrilling and convincing narrative [...] The old charwoman at Bow was a delight, and how sympathetic & interesting was Lord Templewood! But there wasn't a "dud" among all your many contributors, both the Indians & the English.

6pp., 12mo. Bifolium and single leaf. On aged and worn paper, with 4 cm closed tear to all three leaves. A highly interesting letter, illuminating Victorian Fleet Street and City of London practices. The author's signature is frustratingly illegible, but may well be that of sports journalist Charles William Alcock (1842-1907). The recipient is possibly James Clarke (d.1888), editor of The Christian World. The author opens the letter with the 'conclusions' he has arrived at regarding the 'various schemes' which he 'maturely reflected upon' in a discussion with Clarke the previous week.

31pp., 64mo., i.e. 10 x 6.5 cm. Stitched, in green printed wraps. Heavily aged and worn. Penny pamphlet with three illustrations. Contemporary inscription on p.30: 'Thomas Richard Woollard his Book | Given him by Ann Wright 1840'. The signature of Sarah Wollard is also present. BBTI has Frederick Lankester active in Bury St. Edmunds between 1821 and 1864, but this may reflect a confusion between Frederick and Francis Lankester. COPAC holds items by published by Frederick Lankester between 1824 and 1837. No other copy of this particular edition traced, either on OCLC WorldCat or on COPAC.

In black and white on 34 x 23 cm shiny art paper. Possibly extracted from an unnamed periodical. Lightly aged and worn, and ruckled from being laid down on paper backing. Tiny chip lost at foot. Sixteen female figures are shown, in costumes representing newspapers from the 'Daily Mail' to 'The Sketch', and including 'Mdlle. Zangfretta as Fashion', around a central representation of a scene from the ballet, featuring Adeline Genée as the Liberty of the Press.

On one side of a 12 x 13 cm piece of paper. On aged paper with four folds. The crown is drawn in pencil, and is 2.5 x 2.75 cm. The caption, in ink, is below, and reads: 'Scottish crown. | Drawing to be returned.' Between the two lines of text is the firm's stamp, made up of perforated lettering. Presumably a design for a letterhead, or other engraving.

Heavily influenced by its author's own journalistic career, 'The Pen and the Sword' is not only of great significance in the development of Michael Foot's thinking, but is also an important work in the study of Jonathan Swift. The book was a firm success, going through four printings between 1957 and 2008. It was first published in London by Macgibbon and Kee, with the subtitle 'A Year in the Life of Jonathan Swift' (the year in question being 1710).

On one side of 7 x 11 cm piece of card. In good condition, lightly-aged. An unusual and attractive piece of London booktrade ephemera. The whole design, including the text, is engraved, and is in the style of a children's book illustration. With the text represented on a piece of board placed on an easel, around which three children crowd. On the left is a girl in a red dress, with yellow bonnet and umbrella, beside her is a louche individual in a yellow and orange checked suit, and to the right is a zouave, with red hat, holding a paintbrush and palette.

1p., small 4to. He refers to 'lunch with the Bells' and 'Tattie', and apologizes for keeping the books for so long: 'They were a great help, especially Rory Fitzpatrick's God's Frontiersmen'. He ends with the news that he is revising his manuscript, 'and would like to send you a copy when it is eventually published'. The book Heren was working on does not appear to have been published.

2pp., 12mo. Bifolium. In good condition. In stamped envelope addressed to Boas at the Royalty Theatre, Dean Street. He thanks Berman for drawing his attention to the two versions of the play, adding: 'I feel that in this Goethe Centenary year, when the Urfaust is so rightly being performed, some English manager should put Marlowe's play on the stage for a few performances.'

Printed in black on one side of a 12.5 x 17 cm card. In fair condition, on aged and creased paper, with a little light staining. To the right of the page is an illustration by Tenniel of Mr Punch holding Yorick's skull, while a pug dog looks on. Text reads: 'Sir John Tenniel requests the honour of a visit from [blank] and friend, On Saturday, March 30th, To the Private View of some of his Drawings for "Punch Cartoons," etc., At the Fine Art Society's, 148, New Bond Street. 10 to 6 o'clock.'

2pp., 4to. Bifolium. In good condition, on lightly-aged paper. Should Auckland's statement become 'the subject of enquiry' it will be deemed 'perfectly satisfactory', there being 'no question as to the right of appointing a deputy, altho' there might be aas to the reduction of his salary, which was the circumstance referred to me'. The subject is one which must 'necessarily come within the view of the Committee of Finance, whose observations upon every public department it is my anxious wish that we may be enabled to anticipate'.

21pp., fourteen of them in 4to, and the other seven pages cut down. In fair condition, on aged and worn paper. Stapled together, with the first leaf detached. The article is complete but untitled. It is unattributed, but comes from the J. R. Gordon papers. A well-written and incisive piece, written from an insider's point of view. Gordon lays out his stall at the very start: 'Few people of our generation have influenced the life of it so profoundly as Lord Northcliffe. He was the incomparable journalist of our age.

3pp., 4to. In fair condition, on aged, worn and browned paper. Ada Chesterton worked with her brother-in-law while assistant editor of the 'New Witness'. Her admiration for his talents was fully reciprocated, G. K. Chesterton describing his sister-in-law as 'brilliant'. It begins: 'Very much has been written and said of G. K. C. the poet, the pamphleteer, the genius of paradox, who holds the attention of his listeners by his dazzling sleight of words. I am going to write of him from a different angle - G. K. C. the journalist as he is known and gauged in Fleet Street.

On 7 January 1911 Beckles Willson, Honorary Secretary of the Charles Dickens Testimonial, explained the scheme to the readers of the Spectator. Three members of Dickens's family were, Willson explained, 'drawing a niggardly pension of £25 per annum from the British Government', and that 'no volume recently published of Dickens has returned any copyright fee, save those which bear the Dickens copyright stamp'. The stamp was 'on sale for one penny each-in sheets of twelve-at every bookseller's in the land, and at all Messrs. W. H. Smith's and Wyman's news-stalls.

For more information about the periodical, see the entry in Brake and Demoor's 'Dictionary of Nineteenth Century Journalism in Great Britain and Ireland' (2009), which stresses the its independence: 'the Musical Standard was rare among nineteenth-century music journals in that it was not produced by a music publisher or other music issuing body'. The present item consists of around 175 items laid down in file copies of eleven issues, four of them from 1888: 21 April, 26 May and 16 and 30 June; and seven from 1891: 3 January, and 7, 14, 21, 28 February, and 7 and 21 March.

2pp., 12mo. Bifolium. In fair condition, on aged paper. Written in a difficult hand. 'The negatives are with Mr P, Solicitor, 50 Leinster Square, who, while I was away, received them from the W Printing Company. I will ask him to leave them out for you. I will call to-morrow or the nexxt day and give you an order for this delivery.'?>?>

32pp., 8vo. Disbound. On aged and worn paper, with title leaf detached. Hargreaves begins the pamphlet by stating his case: 'The real issue involved is, not whether the "impersonality" of the Press, as illustrated by the management of the Times, is fair and acceptable to a few prominent politicians, but whether it is useful and beneficial to the community at large.

2pp., 12mo. On the first leaf of a bifolium. In fair condition, aged, and with traces of mount adhering to the blank second leaf. He writes that Gladstone has asked him to thank her for sending 'the illustrated cards' issued by the Association, 'and to say that they appear to him to be suitable for the very good purpose you have in view'.

For more on Voysey, father of the architect of the same name, see his entry in the Oxford DNB. Denouncing the doctrine of eternal punishment, he was deprived of his living on 11 February 1871. ONE: 'Doctrine on Rationalism' (1871). 34pp., 8vo. Stitched and stabbed as issued. No covers. Aged and worn, with ownership inscription in pencil at head of title-page, on which the author is described as 'REV. CHARLES VOYSEY, B.A., | LATE VICAR OF HEALAUGH.' (thus indicating that the pamphlet appeared immediately after his explusion from the Church of England).