LAWRENCE

The two signatures are on a reproduction of a drawing of Robeson, on a 15 x 11 cm piece of shiny art paper, cut from a programme from Robeson's 1934 tour of Britain. In good condition, lightly-aged. The head and shoulders portrait shows a moody Robeson in collar and tie. The two signature are at the foot of the image, with Robeson's, in blue ink, slanting downwards, and Brown's, in green ink, slanting upwards, around the line of Robeson's lapels.

3pp., 4to. Bifolium. On aged and worn paper. Arnald's appeal begins: Appealing to the 'known humanity' of Lawrence and the Council, Arnald writes on behalf of 'Mrs. Abigail Whitcombe, widow of Mr. Thos. Whitcombe late of Clarendon Square, marine painter, and for 40. Years an annual contributor to the Exhibition of the Royal Academy', who has previously received assistance, but is now 'almost totally deprived of sight, and otherwise afflicted', and is dependent on 'the assistance afforded by friends on whom she has no Claim'.

Both items in good condition, lightly aged and worn. ONE: TLS from Curtis to Francis. 1p., folio. Signed 'L. Curtis'. A circular letter, with signature, date and name of recipient added. Curtis begins the letter: 'I am writing to ask whether you would care to acquire a replica of a portrait of Lawrence which has now come to be known as "the ghost portrait." Its history is as follows: In 1923 Eric Kennington made a portrait in pastel of Lawrence, who was then a fellow in residence at All Souls.

3pp., 4to. Bifolium. In good condition, on lightly-aged paper. Addressed, with Bath postmark, on reverse of second leaf, to 'Colonel Campbell | Gatcomb House | Isle of Wight | Southampton'. Continuing a communication of the previous day, he begins with reference to 'Mr. Courtenay' (until 1807 one of the Lords of the Treasury), stating that 'there is not the least chance of his ever pushing or even simply asking Lord Howick [ Charles Grey, 2nd Earl Grey, Foreign Secretary, 1806-1807, and future prime minister ] to follow-up Mr.

1p., folio. Good, on a lightly-aged piece of ruled paper. In two columns, with the left-hand column, written out by Roberts with his address at the foot, headed 'Name of Exhibition', and listing twelve international exhibitions between 1862 (Amsterdam) and 1898 (Brussels). The right-hand column, headed 'Picture Exhibition', carries Alma-Tadema's responses, some of which are written in darker ink than others, indicating that they were added at more than one point. Alongside 'Paris (EU) 1867' he writes '13 pictures amongst them.

380pp., 4to. Carbon copies on rectos of numbered leaves. Preceded by an eleven-leaf thumb index (not complete). In original brown leather half-binding, marbled boards and endpapers. Internally sound and tight, in heavily-worn binding lacking spine. At the heart of the correspondence are eight letters to the artist with whom Lowenstam is most of all associated, Sir Lawrence Alma Tadema. These date from the 1890s, and are all addressed to 'My dear Tadema'.

iv + 37 + [1] + 234pp., 4to. In grey cloth binding, gilt. All edges gilt. Internally in good condition, lightly aged, in worn binding with rear spine shoulder splitting. The title continues: 'Designed for the use of Librarians, Autograph Collectors, Literary Men, and as a Work of General Interest. With Biographical Notices, and Occasional Translations.' The letterpress consists of a title leaf; and a two-page preface followed by a 'Biographical Index' of 37pp., and a page of errata and addenda.

1p., 4to. In good condition, on lightly aged and worn paper, with a short closed tear along a crease and slight loss to one corner. He regrets that 'it is not in my power to afford any Official Assistance, in promoting the use of your very Ingenious, & Valuable Invention; as the Business of this Department is exclusively confined to the Building, & <?>, belonging either to His Majesty, or the Public, such as Palaces, Public Offices &c.' He suggests a number of organisations to which Lawrence should apply., 'as the Departments most likely to encourage your useful Undertaking'.

2pp., 12mo. In fair condition, lightly aged and worn. The menu is written out in faint pencil on one side, beneath the letterhead. On the other side, and headed with the date 4 June 1919 is the following playful address: 'Dear Jerrold, | "Carry on"! | This has no reference to the food we have just eaten. | You Walter [pun on 'ought to'] be here because you're a Jerrold [pun on 'dear old'] fellow. | And so say all of us.' Beneath this are nine signatures, two of which are undeciphered.

[36]pp., 8vo. Stapled in red card wraps with circular cartridge design in silver. An attractive and glossy production, profusely illustrated. In good condition, lightly aged and worn, with dink to spine. Section titles read: '"Who is this C. Eley?"'; 'The Brothers'; 'Together now for 40 years'; 'New Century, new problems'; 'Crisis and congratulations'; 'Pastures new'; 'War and Peace'; '"A policiy of enlightened self-interest"'; 'Eley at 150 years old'. From the papers of the noted gunsmith C.

15 x 21 cm print laid down on 17.5 x 23.5 cm piece of card. Faded and aged, with wear to extremities of card (not print) and staining to reverse. The men are posing in four rows, in front of a large window in a brick wall. They are hatless, and wear single-breasted jackets with seven gilt buttons at the front, with black belt and metal buckle. Four numbers embroidered on either side of collars. In the centre of the group is a sergeant. Most of the men sport moustaches, and many pomaded hair and centre partings. From the papers of the gunsmith C.

Charles Harry Lawrence (hereafter CHL) was perhaps the finest gunmaker of the twentieth century. At the age of 14 he joined James Purdey & Sons as an actioner's apprentice, and he remained with the firm for the rest of his life. For fifteen years, ending in 1970, he was the firm's managing director. He was twice (1954 and 1962) Master of the Worshipful Company of Gunmakers, and was Chairman of the Proof House Committee for 27 years from 1954. Having previously received an MBE for his war work, he was awarded an OBE in 1978.

Letter: 2pp., 12mo. Bifolium. Closely-written with 40 lines of text. In very good condition, lightly-aged, and attached to the book by a thin strip of gummed paper. Mathews writes that it gave him great pleasure to receive Hodson's letter 'a month or two ago', and that he has only delayed replying because it has 'taken some time to get into touch with Rd. Aldington'. He gives a quotation of 24 lines from a letter he has received from Aldington after passing on Hodson's 'kind appreciation'.

Only the prelims of the book are present, on four leaves. In fair condition, on aged paper, with slight damage at the margin of the first leaf. Orioli's two inscriptions are on the two central leaves. Comprising a leaf with series title ('The Lungarno Series No. 12'); leaf with half-title and limitation (no 5 of 300) on reverse, signed 'G. Orioli'; title leaf; and contents leaf. The inscription on the title reads: 'This is for Barbara and Raphael | with love and affection | from Pino [Orioli] | Florence day of publication'.

ALS, 5 Acacia Road, St John's Wood; 10 Sept. 1935. He writes regarding the plans for the publication of Dorothy Richardson's novel Clear Horizon.

5pp., 8vo, with five plates. Stitched. In brown printed wraps headed 'Compliments of the Author', with 'Reprint from Popular Astronomy' at foot. Heavily aged, in worn and stained wraps repaired with tape. At the head of the cover Lowell has written 'iss Mary E. Proctor'. Manuscript note in another hand (presumably Procter's) on cover: 'Contains a note in Lowell's own handwriting on page 2'. Lowell's autograph note on p.2, with slight loss due to trimming of the edges of the pamphlet, reads: 'For further story by me see Jan. '97 pular stronomy'.

Both catalogues disbound from a volume of pamphlets, and bound together with library stitching. Aged and worn, with wear and chipping to extremities. The first (1769) catalogue with library shelfmark in manuscript on reverse of title-leaf. Flyleaf with ownership inscription of 'R. N. Wornum | 1855' and note 'Reprinted at the expense of Sir Thomas Lawrence'. First (1769) catalogue: 15pp., 4to. On laid paper with crown and monogram 'G R' watermark. Second (1770) catalogue: 22pp., 4to. On wove paper with '1825' watermark.

[10] + 244 + [2]pp., 8vo, consisting of sixteen loose signatures, unstitched and unbound, wrapped in a piece of green paper on which is written in pencil 'Group 2 | Special'. Very good, on lightly-aged 'Holbein' wove paper. Each signature with uncut edges, and with only the first four of the eight leaves opened.

2pp., 12mo. Very good, on lightly-aged paper. He is sending the copy of P. C. Wren's 'Beau Geste' (published by the publishers of the 'Quarterly Review', John Murray Ltd, in 1926), and assures Shorter that he must not 'pay for this further review-copy'. He will be happy to give Shorter's message to the photographers Greenhough & Co., 'indeed, they shall see your letter, or at least the personal part of it'. He is sorry that Shorter's 'process of getting well is not to be more rapid', and asks to be informed when he can pay a visit.

The collection is in good condition, on lightly-aged paper. Zetland's letters total 26pp., 8vo; 19pp., 12mo; 1p., 16mo. The theme is the painting and engraving of a portrait of Zetland by Slocombe, and the correspondence casts an interesting light on the relations between patron and artist in late nineteenth-century England, with the drafts of Slocombe's two letters, and his accounts for painting and engraving, adding to its value.

On one side of a piece of 33 x 52 cm paper. In fair condition, on aged and worn paper. A form printed in black and red, completed in manuscript. Divided into sections on: Artiste's Salaries; Advertising; Stage Expenses; Front of House Expenses; Gas and Electricity; Printing & Stationery; Author's Fees; Miscellaneous; Receipts; Summary of Expenses. The 'Artiste's Salaries' were: Leslie Howard £20; Reginald Owen £40; Betty Schuster £20; Adrienne Allen £40; Robert English £15; Duncan McRae £15; Jack Carlton £8.

Press release and itinerary totalling 6pp., foolscap 8vo, and 1p., 4to. Stapled and folded into a blue cover with a duplicated map of Canada with the 'Queen's route' on the reverse.

Press release and itinerary totalling 6pp., foolscap 8vo, and 1p., 4to. Stapled and folded into a blue cover with a duplicated map of Canada with the 'Queen's route' on the reverse.

Both 48pp., 4to (Part II paginated 49-96). Both in printed blue wraps, with front cover carrying the ownership inscription of R. R. Lloyd. Both with stamps of the St. Albans' Architectural & Archaeological Society, and small taped label to wraps. Both in good condition, on lightly-aged paper, in chipped and worn wraps. Part I reprints seven items from 1641 to 1645 (the first: 'Diurnall Occurrences from 27. December to the 3. of January 1641.

3pp., 12mo. Bifolium. In good condition. In envelope addressed to 'Laurence W. Hodson | Compton Hall | near Wolverhampton'. The letter begins: 'I beg that when you are in London you will let me see you. I have a little story to tell you about the beautiful little unfinished ('Psyche') picture of Sir Edwards [i.e. Burne-Jones] that you possess. Perhaps when you have heard it you will think more kindly of my wish to buy it from you - Please let me call on you - I will use no wiles!

All items in good condition. ONE. ALS, 2pp. 8vo. He is responding to receipt of articles about Lawrence of Arabia (present - see below) with memories of encounters with Lawrence.

The three items are in good condition, on lightly-aged paper. The letter is 6pp., 4to, with emendations and deletions, and marked by Hodson 'Copy' at the head of the first page. In envelope annotated by Hodson: 'Copy of a letter to Lt. Col. P. Lyttleton Gell, J.P. | The Catholic Revival. In order to make his point of view clear, he begins by stating: 'I may say that I was born in London & my mother took me to such churches as S. Alban's Holborn, S. Michael's Shoreditch, All Saints, Margaret St.

Both items in good condition, on lightly-aged paper. ONE. Autograph note. 1p., 12mo. In envelope with stamp and postmark, addressed by Campbell to 'Lawrence W. Hodson Esq | Compton Hall. | near Wolverhampton'. The note reads: 'Dear Mr. Hodson. | I shall be very happy to see you on Thursday at 4 o'c. I consider it most kind of you to consider the matter at all. | Yours very truly | B S Campbell'. TWO. Secretarial letter or copy. 2pp., 12mo. Bifolium. In a neat close hand, with what purports to be the signature of 'Beatrice Stella Campbell', but is not.

The three items on 12mo bifoliums, and totalling 9pp., 12mo. All three in good condition, on lightly aged paper. The first and last letters in envelopes, with stamps and postmarks, addressed to Hodson at Compton Hall, with the third forwarded to North Wales. ONE (1 August 1898): 2 pp., 12mo. The college authorities have instructed Faning to thank Hodson for his 'kind offer to lend them the "Chapel piece" of your Tapestry and to say that they will be glad to avail themselves of it in October.

Both items in fair condition, on lightly aged and creased paper. The second letter addressed by the secretary on the reverse, with four torn stamps and postmarks, to 'Mr. Lawrence Hodson | Bradbourne Hall | Ashbourne | Derbyshire'. The 'set of stations' referred to in the first letter is likely to have been based on those executed by Gill in stone in Westminster Cathedral, and completed in 1918. Letter One (3 November 1920): 1p., 12mo.