LITHOGRAPH

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[ Printed volume with 234 pages of lithographed facsimiles. ] The Autographic Album. A Collection of Four Hundred and Seventy Fac-Similes of Holograph Writings of Royal, Noble, and Distinguished Men and Women, of various Nations.

Author: 
Lawrence B. Phillips, F.R.A.S. Lithographed by F. G. Netherclift.
Publication details: 
London: Robert Hardwicke, 192, Piccadilly. 1866. [ Letterpress printed by W. J. Perry, 22, Cursitor Street, London. ]
£180.00

iv + 37 + [1] + 234pp., 4to. In grey cloth binding, gilt. All edges gilt. Internally in good condition, lightly aged, in worn binding with rear spine shoulder splitting. The title continues: 'Designed for the use of Librarians, Autograph Collectors, Literary Men, and as a Work of General Interest. With Biographical Notices, and Occasional Translations.' The letterpress consists of a title leaf; and a two-page preface followed by a 'Biographical Index' of 37pp., and a page of errata and addenda.

[John B. Gough, 'the Apostle of Cold Water', American temperance orator.] Lithographic handbill titled 'John B. Gough's Beautiful Peroration on Water', the text accompanied by a portrait of Gough on stage, holding up a glass of water.

Author: 
[John B. Gough (1817-1886), 'the Apostle of Cold Water', American temperance orator]
Publication details: 
'Published by E Tisdall No 5. Church St Kensington [London]'. Undated [1850s?].
£50.00

1p., 12mo. In fair condition, on lightly-aged paper, with small piece cut away from one corner, and traces of mount adhering to the blank reverse, which also carries a few marks in ink, with a couple of minor marks in the margin at the foot of the recto. At the head of the page is the engraving, roughly 12.5 x 12 cm, attractively done, and showing Gough in cutaway jacket and waistcoat, standing behind a table, with a seated audience behind him, holding aloft a glass of water.

Original lithographic engraving by Dupare, from a drawing by Arago, of 'Nouvelle Hollande. Vue d'une partie de la presqu'île Péron, et 1re entrevue avec les sauvages', depicting a meeting of Aborigines and Frenchmen at Shark Bay, Western Australia.

Author: 
[Jacques Etienne Victor Arago (1790-1855), artist; Louis Claude Desaulses de Freycinet (1779-1842), Paris publisher; [Dupare, French engraver; Australian aborigines; Shark Bay, Peron Peninsula]
Publication details: 
[Paris: de Freycinet. Circa 1825.]
£80.00

Dimensions: 18.5 x 25.5 cm. Laid down on a piece of 19.5 x 26.5 cm grey paper. The print has been trimmed, so that there is no margin. In good condition, lightly-aged and ruckled. Against a rocky backdrop, with aborigines viewing from the top of a hill, a group of six aborigines are shown to the right, naked and waving sticks and spears. To the left are the five Frenchmen, with a stack of rifles in front of a tent at far left. In the centre of the image the leading Frenchman places gifts on the end of a long stick held by one of the aborigines.

Caricature by 'Ape' of 'Vanity Fair', titled 'Anecdotes', depicting the essayist and translator Abraham Hayward. With Autograph Note in the third person from Hayward to Viscountess Combermere.

Author: 
'Ape' [Carlo Pellegrini (1839-1889)], Vanity Fair caricaturist [Abraham Hayward (1801-1884), English essayist and translator; Mary Cotton [nee Mary Woolley Gibbings] (d.1889), Viscountess Combermere]
Publication details: 
The Vanity Fair caricature printed [London, 1875] by 'Vincent Brooks Day & Son, Lith.' Hayward's autograph note: '8 St. James St [London] | June 9 [no year]'.
£75.00

The 'Ape' cartoon: 21.5 x 32.5 cm. In good condition, on aged paper, with a neat horizontal fold 4 cm up from the bottom. Hayward's autograph note: 1p., 32mo. In good condition, on aged paper. It reads: 'Mr Heywood presents his compliments to Viscountess Combermere and has much pleasure in accepting her invitation to luncheon on Wednesday 21 June. | 8 St. James St | June 9'.

Lithograph of drawing of Thomas Hardy by Sir William Rothenstein, from his series 'English Portraits' (1898), printed by Thomas Way.

Author: 
Sir William Rothenstein (1872-1945) [Thomas Way (1837-1915), lithographic printer; Thomas Hardy]
Publication details: 
[Print published in 1898; drawing dated 1897.] ['T. WAY, IMPT. LONDON'.]
£135.00
Lithograph of drawing of Thomas Hardy by Sir William Rothenstein

Printed in black and white on piece of paper approximately 24.5 x 27.5 cm. In good condition, on lightly-aged paper. Tipped in into modern white card mount with window frame. From his series of 'English Portraits' (1898). A facsimile of Rothenstein's initials and his dating are in the bottom left-hand corner of the engraving ('W. x R 97'), with Way's slug in the bottom right-hand corner. Fine representation of Hardy, staring warily at the viewer with hands in pockets.

Signed and limited lithograph ('lithographie originale de Luc Simon. Mourlot. Editeur'), with Autograph Note Signed ('luc simon [to which he has added the names of his wife and her children 'FRANCOISE | Aurelia | PALOMA | CLAUDE').

Author: 
Luc Simon (b.1924), French post-surrealist painter [Francoise Gilot; Paloma Picasso; Fernand Mourlot; Editions Mourlot]
Publication details: 
[Editions Mourlot, Paris.] In the form of a New Year's card for 1959. Note dated 31 December.
£275.00

Landscape bifolium card on good-quality paper. Leaf dimensions 18.5 x 27.5 cm. In good condition, on slightly-aged paper, with a couple of small light patches of coffee staining. Printed in black and yellow. Elaborate design showing a winged youth (something of a cross between Jack Frost and Mercury), with winged heels, clutching a bouquet of flowers, flying over a buiding of modern design surrounded by fir trees. Signed in pencil 'luc simon' in bottom right-hand corner, with the limitation 'H. C. 15/100' in pencil in the bottom right.

Illustrated chromolithographic printing proof of 'CALENDAR 1878 | ENGLISH & FOREIGN WATCHES & CLOCKS | A CHOICE SELECTION OF JEWELLERY'.

Author: 
Victorian colour printing [nineteenth century illustration; chromolithography; lithographic Calendar 1878]
Publication details: 
[1877. British.]
£65.00

Printed on one side of a piece of stiff art paper (shiny on printed side, matt on reverse), dimensions roughly 245 x 160 mm). Very good. The name of the firm is not stated, and dabs of colour in 3 mm margins as printing guide. Attractive and characteristic illustration, in eight (?) colours: dark brown, beige, green, red, pink, yellow, dark and light blue, showing a carriage clock surrounded by plate, jewellery (including a goblet, a fan, a pearl necklace, a fob watch, decanters) and a profusion of flowers. The calendar in twelve tiny squares, six at the head at six at the foot.

Lithographic caricature of Panizzi by 'Ape' ['Men of the Day. No 77'], with letterpress.

Author: 
Ape' [Carlo Pellegrini (1838-89)], Victorian caricaturist; Sir Anthony Panizzi (1797-1879), Chief Librarian at the British Museum
Publication details: 
[London]: published in 'Vanity Fair', 17 January 1874.
£80.00

Paper dimensions roughly fifteen inches by ten and a half wide; print dimensions twelve inches by seven and a quarter wide. Good clear image with border a little dusty and aged. Full-length image of a dour Panizzi standing at a desk holding a book. Page of letterpress on separate leaf of same dimensions, containing spirited account ['he sought refuge in Switzerland, but he was expelled discreditably from that country, [...] Keeper of the Printed Books [...] the man in all Europe most competent to fill it.

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