ENGRAVINGS

114 items, ranging in size and format. Many are extracted from eighteenth and nineteenth century English and French volumes. In fair condition, with signs of age and wear. Containing a few duplicates. Perhaps indicating provence is the presence, with two other items in a folder titled 'Hunt Family of Ireland', of a TLS to Grey from W. H. Hunt of Selkirk, 25 February 1923, asking him to supply genealogical 'extracts'. Of the present collection, the pedigrees, variously in manuscript, printed and engraved, are 24 in number.

On one side of a 12 x 13 cm piece of paper. On aged paper with four folds. The crown is drawn in pencil, and is 2.5 x 2.75 cm. The caption, in ink, is below, and reads: 'Scottish crown. | Drawing to be returned.' Between the two lines of text is the firm's stamp, made up of perforated lettering. Presumably a design for a letterhead, or other engraving.

The signature 'Louis Haghe' on 0.8 x 5 cm. piece of grey paper, evidently cut from a letter. In good condition, close cropped and lightly aged.

Printed in black on one side of 13.5 x 18.5 cm card. Plate dimensions 11.5 x 16 cm. Aged and spotted. An attractive and elegant production with both illustration and text engraved. The illustration, with engraved signature of 'E Marolda' shows six putti playing with a string of foliage, with one in the bottom left-hand corner swathed in ribbon and standing beside an architectural feature. The text reads: 'Les Muses réunies prient ['Mr. George Bodleys' inserted in mansucript] de vouloir bien honorer de ['sa' inserted] presence le nouvel atelier de Sigr.

Taylor's collecting activities are described in his entry in the Oxford DNB. His collection was sold by his widow in 1912 for the massive sum of £358,500.3pp., folio. Bifolium. In very good condition, on lightly-aged paper. Tastefully-printed billhead, as one might expect, in black and red, with royal crests, boasting that the firm are 'Printsellers by Appointment to her Majesty, | Their Royal Highnesses The Prince Consort, The Prince of Wales, and the Duchess of Kent'. Also the text: 'Established 1760. | Half price allowed for packing cases if returned immediately'.

Eight witty and attractive caricatures, in a sub-Punch style. All eight in good condition, on lightly-aged paper. Each in black ink on a separate piece of paper, five of them 33.5 x 21.5 cm, and three of them 21 x 17 cm. The context of the caricatures is at present obscure, but would undoubtedly make itself clear with specialist research. The five largest illustrations are: ONE: Caption: 'Please to remember | The twenty-seventh of November | The "Bilk-Powder" treason and plot'.

In good condition, on lightly-aged paper, with discoloration to the reverse showing through slightly at corners. Dimensions: paper 23 x 32 cm; plate 20 x 30 cm; image 15 x 23 cm.

The four engravings are arranged in two rows (the first two parts on the top row and the last two parts on the bottom row) on a sheet of 27 x 38 cm wove paper. Each engraving is 12 x 16 cm, within a light-blue frame, with the 'The Dancing Lesson - Pt. 1 [4]' beneath the image, and the subtitle above. Publisher's details in bottom right-hand corner, and Cruikshank's details at bottom left. (The first part has Cruikshank's monogram and 'Etchd by G Cruikk.', and the other three parts have 'G Cruikshank fect'.

The three items are attached to leaves removed from an album. All three are in good condition, on lightly aged paper. The address is 2pp., 4to. 30 lines of text. It begins: 'Gentlemen, | I should be wanting in every proper feeling of duty and respect to you and to the County of Lancaster at large, after what passed at the last General Election I were not to avail myself of the opportunity afforded me by Mr. Blackburne's address, of relieving the County from all suspence as to the part I amy be expected to take, whenever He (Mr.

The 77 plates (uncoloured steel engravings) are in 4to format, in good condition, on lightly-aged paper, in the third volume of the work ([4] + 318 + [1]pp., 4to), which is in a worn contemporary brown leather half-binding with marbled paper covers. Most of the plates carry two half-page illustrations. 28 of the plates (between pp.66 and 167; and carrying 52 illustrations, 48 of them half-page and 4 full-page) concern New Zealand, Australia and Tasmania, with the majority relating to New Zealand. These show views, fauna, inhabitants, atrefacts, and incidents on D'Urville's voyage.

The 90 plates (uncoloured steel engravings) are in 4to format, in good condition, with some having creasing to corners (not affecting the illustrations themselves), on lightly-aged paper, in the second volume of the work ([6] + 382pp., 4to), which is in a worn contemporary brown leather half-binding with marbled paper covers. These show views, fauna, inhabitants, atrefacts, and incidents on D'Urville's voyage. Also present is a fold-out map (Gravé par Ambroise Tardieu') titled 'Carte des Iles Tonga pour servir au Voyage pittoresque autour du Monde par M. D'Urville.

Dimensions of etching 13 x 9 cm. Dimensions of plate 14.5 x 10.5 cm. Dimensions of page 32 x 25.5 cm. The image itself in excellent condition, the borders aged, with wear and closed tears to extremities.

The seven engravings are on 8vo leaves extracted from the volume. All roughly 12 x 15cm, in text. All in good condition, on lightly aged paper. They comprise: 'OUDE NIEUWE-BRUG' (p.625), 'KOLVENIERS DOELEN' (p.665), 'STADS WAPEN | ofte Artellery-Huysen.' (p.668), 'OUDE STADTS HERBERGH' (p.673), 'NIEUWE STADTS HERBERGH' (p.675), 'SCHEEPS-KRANEN' (p.711), 'GESCHUDT en KLOKGIETERY' (p.721)

Dimensions of engraving 12 x 10cm. Paper size 24 x 16cm. Mount size 50 x 34cm. In fair condition, lightly aged and worn, with no foxing. Card mount with light spotting and wear to extremities. No engraved text whatsoever. Stocks has written in light pencil at the foot of the paper: 'Chas. Dickens | Painted by D. Maclise R.A Engd. by Robt. Graves ARA'. Surprisingly scarce.

Four charming and amusing cartoons from Punch's golden age. All four are executed in a similar style, but the identity of the cartoonist or cartoonists is unknown. (The first of the two cartoons in Item Two below, as published by Punch, has the monogram signature 'F C' engraved in the bottom right-hand corner. No Punch cartoonist with these initials is apparent.) ONE: Captioned: 'Another Brilliant Idea, Only Brillianter!' 21 x 13.5cm. In good condition, on leaf of browned high-acidity paper torn from a notebook. Two men idle in a punt while two women hold up sheets.

Simpson was a native of Carlisle in Cumbria, and came to London in the early years of the twentieth century, where he was encouraged by Frank Brangwyn to take up etching. In 1918 he was made official artist with the new Royal Air Force. The National Portrait Gallery has eight of Simpson's works, but none of the present six, which are all in the style of the artist's portrait ('ink, irregular') of the Earl of Halsbury, present in the Gallery's collection.Each of the six caricatures is printed in black within a 17 x 12 cm border.

24pp., 4to, paginated 71-94. In brown wraps, printed in black and brown, with illustration by P. Ruty on the cover. Bifolium of advertisements (4pp., 4to) loosely inserted between cover and first leaf. In fair condition, with the first page browned by the loosely inserted advertisements. Wraps (stamped 'Spécimen') chipped and worn. The article on Legros covers pp.71-79; and the Beardsley obituary is on p.90. Also present is a seven-page article (83-89) on 'Murailles'by E. de Crauzat.

BBTI has Walton trading between 1647 and 1688. Both prints roughly 17.5 x 12 cm. Both in fair condition, on aged paper. The first - 'IULIUS CESAR I' - has a rough edge on the right and a trimmed edge on the left. It shows Caesar in martial dress on horseback, beneath which: '

rinted and Sold by Rob: Walton at the Globe <...> the West end of St. Pauls Church turning to Ludgate | ow sold in Bow-Church-Yard.' At the foot of the engraving is a six line poem, beginning 'By ciuill wars unto the Empire came'. '151' in bottom right-hand corner.

1p., 4to. In very good condition, neatly placed within a windowpane mount. Addressed at head to 'Mr. John Martin'. Laying out, in detail, the 'Terms on which I agree to engrave the Game Keeper after W. Hunt'. The terms are described over twelve lines, beginning: 'The Engraving to be 7 by 5 inches in my best manner, the charge to be seventy Guineas, one third to be paid on the Etching, the remainder on delivery of the work, which I undertake to do in about four months.'

1p., 4to. In good condition, on aged paper, laid down on a grey-paper mount. The letter is addressed 'Gentlemen'. In the first paragraph he explains that having received their letter, he sent 'Dr Clarkes Plates [...] to the Writing Engravers but have not as yet received them back'. He has sent the bearer of the present letter to find out when they will be done, and he has been told to tell them the answer he receives. The second paragraph reveals that the bearer of the letter is himself an engraver: 'I understand that he applied to you for the engraving of one of your Portrait Plates.

1p., landscape 12mo. In fair condition, on aged and lightly-stained paper. The note reads: 'Dr Sir, | I shall do myself the pleasure of waiting upon you the beginning of the week, when I hope to have something interesting to shew you for Mr Boydell - believe me | Dr Sir | Yrs truly | J Hassell'.

1p., 12mo. In fair condition, on aged paper, with traces of mount adhering to the blank reverse. In an apparent attempt to drum up business, Skelton writes:: 'In consequence of your suggestion I presume to request the favor of you to receive a few of my engraved Portraits, to present to the Noblemen & Gentlemen, Members of the Athenaeum Club, and shall be gratified if the enclosed may prove acceptable.'

2pp., 12mo. In good condition, on lightly-aged paper. She begins: 'I felt much gratified by yr. kind attention to my request, with regard to my lithographs; I should have sent you 2 or 3 more copies immediately, had I had them by me, in the hope that you might be able to part with them, before the season at Southwold was quite over, - I now take the liberty of charging you with 2 more copies'. She invites Mrs Thompson to visit, and states that her husband will return in three weeks from 'a miss[ionar]y. excursion to the islands of Guernsey &c'.

1p., 4to. In good condition, on aged paper, laid down on a grey-paper mount. The letter is addressed 'Gentlemen'. In the first paragraph he explains that having received their letter, he sent 'Dr Clarkes Plates [...] to the Writing Engravers but have not as yet received them back'. He has sent the bearer of the present letter to find out when they will be done, and he has been told to tell them the answer he receives. The second paragraph reveals that the bearer of the letter is himself an engraver: 'I understand that he applied to you for the engraving of one of your Portrait Plates.

1p., landscape 12mo. In fair condition, on aged and lightly-stained paper. The note reads: 'Dr Sir, | I shall do myself the pleasure of waiting upon you the beginning of the week, when I hope to have something interesting to shew you for Mr Boydell - believe me | Dr Sir | Yrs truly | J Hassell'.

On piece of 21 x 13 cm India paper, laid down on a piece of thick paper, 33 x 24cm. The engraving is small in comparison, measuring around 8 x 6 cm, and showing a formally dressed and bearded Baxter's head and shoulders, facing to his right. Aged and dusty, with crease line to the mount at the foot. Stodart has signed in pencil in the bottom right-hand corner of the engraving paper, and the crease line bissects the signature and its underlining. At bottom right of mount, in pencil: 'Dr Baxter | Kings College'.

Each of the three coloured plates is 19 x 14 cm, and each is laid down on a piece of 31.5 x 20.5 cm cream textured paper, each mount with caption and vignette printed in green. The three are placed in a portfolio, made of the same textured paper as the mount, with the front carrying the title, publishers' details, and an illustration (of underwater baby balancing on a fish). In fair condition, aged and with wear to extremities.

Ten of the engravings carry Crowquill's name; the other eight can be attributed to him stylistically. In good overall condition, on aged paper, with a few of the eighteen lightly creased or worn, and one bearing traces of previous mounting. Seven of the engravings are proofs of vignettes and initials, ranging in size from 10.5 cm square to 22 x 18.5 cm.

Landscape on 16 x 12 cm paper. Dimensions of plate 12.5 x 18.5 cm. In very good condition, lightly-framed. Signed in pencil 'Frank Short' at bottom right outside the plate. The mezzotint itself (a cloudy view of a bay, with shipping in the background) is 5.5 x 10.5 cm., within a 7 x 12 cm printed frame. Outside the frame, in the bottom left-hand corner, is an engraving of a pheasant on reeds by a river. The title is at the head, with the list of the twelve engravings down the right-hand side of the mezzotint, and the publisher's details beneath it in the bottom right-hand corner.

Placed within a 35 x 45.5 cm frame, with 25 x 35.5 cm window. In good condition, with unobtrusive 2.5cm closed tear at head. Dimensions of image 34 x 22 cm, with engraved caption beneath: 'A PARLIAMENTARY EXAMINATION TOUCHING CERTAIN CURIOSITIES IN THE BRITISH MUSEUM', and 'MC.LEANS MONTHLY SHEET OF CARICATURES NO. 41' running up the left-hand side of the border.