MUSEUM

Austin (1895-1973) was a British etcher, engraver and watercolourist. R.A. Walker (born 1886), whose bookplate is on the front pastedown, was a connoisseur and Aubrey Beardsley scholar. Quarto, twenty-six leaves. Internally tight, clean and sound, in worn and stained half-leather binding, with 'ROBERT AUSTIN' in gilt on spine. The item contains a total of forty-seven reproductions of Austin's works, many gleaned from magazines, etc, and tipped in throughout.

1p., 12mo. In good condition, on lightly-aged paper. He informs him that 'the Duchess will be obliged to postpone her visit to The British Museum till next week', and asks what day would be convenient.

On 18 x 8 cm piece of paper, tipped-in on a leaf removed from an album. In good condition, lightly aged. Reads: '24.1.06. | Dear Sir; | We have no mummies to sell. You should apply to the Egyptian Museum in Cairo. | Ys faithfully | E A Wallis Budge. | C. D. Sherborn, Esq.' Budge had been Keeper since 1894. Sherborn is best-remembered for his 'Index Animalium', 'an 11 volume, 9,000 page work that catalogued the 444,000 names of every living and extinct animal discovered between 1758 and 1850'.

1p., 12mo. In good condition, neatly folded twice. With worn envelope addressed to 'Christopher White Esq'. Reads: 'Dear Christopher | This is to introduce Duncan Grant, who would like to look at some drawings in the print room. I hope that you will be able to give him whatever assistance he may require. | Yours | Quentin'.

16pp., 4to. Unbound and unstitched pamphlet. On aged and worn paper. The first page has the Wesley stamp, and is headed 'Specimen Of First Seven Plates' It also carries nine lines describing the 'object of the author'. The seven plates are accompanied by captions, and there is also an explanation regarding them.

1p., 4to. 31 lines of text, written in a neat and close hand.

The seven letters total 34pp., 12mo. In good condition, on aged and worn paper. Subjects include: his 'tremendous victory' over 'the building of the new geological museum'; a party celebrating the 25th anniversary of his appointment as Woodwardian Professor, 1898 ; Queen Victoria's Diamond Jubilee celebrations, London 1897; various college heads and university figures; Gladstone and Home Rule; the Welsh Suspensory Bill; family news. ONE: 3 March 1893.

Thomas McKenny Hughes was the son of Rev. Joshua Hughes and his wife Margaret, daughter and of Sir Thomas McKenny, Lord Mayor of Dublin. He entered Trinity College, Cambridge, in 1853 (B.A., 1857), and joined the Geological Survey in 1861. He was Woodwardian Professor of Geology, Cambridge University, 1873-1917, and was elected a Fellow of the Royal Society in 1889. He was the prime mover behind the creation of the Sedgwick Museum in Cambridge. In November 1882 he married Mary Caroline Weston, daughter of Canon G. F. Weston.

One page, sm. fol, some marking but mainly good condition. "I beg to know by the bearer Mr Brpougham who is my secretary, what answer you have received from Bradford respecting my second subscription of 1000£, ordered by the Committee, & confirmed by the General Court of the Leeds Navidgation. If you are satisfied, Mr. Brougham will pay you the 15£, & write my name in the Subscription book, [...] It is inconvenient for me to come so far as Lombard Street, having left my chariot at Twickenham this week."

3pp., 12mo. Bifolium. In good condition, lightly-aged.

2pp., 4to. In fair condition, on aged paper, with minor staining from paper clip at head of first leaf. Anthony's letter to Dr L. O. Howard, Secretary of the American Association for the Advancement of Science, 'has been referred to the Smithsonian Institution for reply concerning the sending of packages to you through the International Exchange Service'. He sets out the state of affairs regarding the sending of 'three packages, contents unknown' to Anthony at the Town Hall, East London, Cape Colony. The final paragraph concerns publications sent to Anthony in Argentina.

Both prints black and white, and in good condition. The portrait shot is 14 x 9.5 cm, on grey card backing, within a 30.5 x 20.5 cm folder of the same grey card, printed with the name and address of the firm. The image depicts the head and shoulders of a moustachioed Hall, who is glancing to his left side with a faraway look in his eyes, while smartly dressed in dark jacket and waistcoat.

The letters total 104pp., mainly 12mo. In fair overall condition, with light aging and wear. Seventeen are signed 'H. H.', three 'Harry Hall', one 'H. R. Hall', three 'H.', one unsigned. Most addressed to 'Frank', others, in playful style, to 'Ryzt Worchypfull & very dere ffrend', 'Respected Friend and most admir'd Poet!' and 'the Scribe of the Admiral's | Yamen, Fa-erh-an-ki'. Also present is an Autograph Card Signed.

Both prints black and white, and in good condition. The portrait shot is 14 x 9.5 cm, on grey card backing, within a 30.5 x 20.5 cm folder of the same grey card, printed with the name and address of the firm. The image depicts the head and shoulders of a moustachioed Hall, who is glancing to his left side with a faraway look in his eyes, while smartly dressed in dark jacket and waistcoat.

The letters total 104pp., mainly 12mo. In fair overall condition, with light aging and wear. Seventeen are signed 'H. H.', three 'Harry Hall', one 'H. R. Hall', three 'H.', one unsigned. Most addressed to 'Frank', others, in playful style, to 'Ryzt Worchypfull & very dere ffrend', 'Respected Friend and most admir'd Poet!' and 'the Scribe of the Admiral's | Yamen, Fa-erh-an-ki'. Also present is an Autograph Card Signed.

The collection is in good overall condition, with light signs of age and wear. As the following description indicates, much care was taken by OUP with the production of the book, the Press even going so far as to produce new type for it (examples of which are accompany a letter by the printer John Johnson). Unfortunately the book was not well received - a savage review [by Sir P. J.

1p., 12mo. On bifolium, with the verso of the second leaf addressed to 'J. T. Smith esqr.' In fair condition, on aged and worn paper.

Casting an interesting sidelight on the purchasing practices of the British Museum Manuscripts Department. All three items in good condition, on lightly-aged paper. Totalling 6pp., 12mo. On three bifoliums. ONE: ALS. 4 December 1912. 3pp., 12mo. As it is 'difficult to advise without further information as to the nature of the old papers' he invites her to 'send them up' so that he can 'report whether there is any probability of their purchase by the Trustees of the British Museum'. If they are 'bulky' he suggests sending 'specimens'.

3pp., 12mo. Bifolium. In good condition, on lightly-aged paper. He thanks him for his letter, and is pleased to be remembered. 'I have the pleasantest recollections of your kindness and courtesy to an obscure junior, and I look back with very pleasant feelings too to the five happy years I spent as a member of the British Museum staff.' He is sorry at the thought of the 'many honored figures' who are no longer there, but hopes 'still to find one or two who remember me'.

48pp., folio. Each page on the recto of a leaf, and all 48 leaves held together by a brass stud. In fair condition, on aged and worn paper. Authorship or ownership inscription on title page: 'A. E. Bullock | 43 Chancery Lane | W. C.', with autograph note: 'An Essay written originally for a prize, I believe.

For a full list of named engravers, artists and publishers, see below. Lumb Stocks was, as the Oxford Dictionary of National Biography points out, 'one of the most influential exponents of steel line engraving, and his death left the Royal Academy without an engraver in its ranks'. He bequeathed his collection of prints to the British Museum;; the present collection was retained by the family, and purchased from the estate of Harold Carpenter Lumb Stocks (1884-1956), organist of St Asaph Cathedral.

21pp., 4to. On 21 leaves held together with a brass stud. In fair condition, on aged and lightly-worn paper. Neatly written out with a few autograph emendations. Nightingale begins: 'I have been asked to make some observations this evening on the contents of the mediaeval part of this museum. The objects are however so multifarious that it would be impossible to do more than glance at the whole. I will therefore confine myself to two or three subjects connected with the habits and customs of our forefathers, and which can be illustrated by actual examples now in the museum.

1p., 4to. On lightly aged and creased paper. Ashton has made two emendations in manuscript: 'Dear Sir' is changed to 'My dear Ernest', and 'Yours faithfully' to 'Yours ever'. The letter reads: 'I beg to offer you our sincere thanks for the gift of a design for La Bohème, Act II, by Hans Strohbach, which we have much pleasure in accepting for inclusion in the collections of the Victoria and Albert Museum.'

Copp's letter: 1p., 12mo. Attractive letterhead, with embossed design. Addressed to 'The Hon: Geo. E. Hill Trevor | Brynkinalt | Chirk'. In good condition, with slight creasing and discoloration at foot. He is sending a receipt for Hill-Trevor's 'entrance fee and subscription to this Society', and discusses subscription matters. Head's letter: 2pp., 12mo. Very good, on lightly-aged paper.

366pp., narrow folio (16 x 40 cm). 43 lines to the page. In original vellum binding, with covers ruled in blue. On front cover printed label of 'PERKS & LLEWELLYN, | Dispensing & Family Chemist, | HIGH STREET, HITCHIN.' Marbled edges and endpapers. First leaf with 5 cm closed tear. Written out in black ink, in two or three different hands, with the granting of credit recorded in red. Containing a mass of information about local history, product and price. Early entries are stamped with date, later entries have date written out.

Edward John Long Scott (1840-1918), Keeper of Manuscripts and Egerton Librarian, British Museum, 1888-1891; Keeper of Muniments at Westminster Abbey (1891 to his death). Educated at Marlborough and Lincoln College, Oxford. Classical Scholar, 1859; Senior Exhibitioner, Goldsmiths Company, 1861; Boden Sanskrit Scholar, 1862; in College eight and eleven; BA in 1862; MA in 1866; D. Litt. in 1902. Among his works is an edition of Eikon Basilike (Elliot Stock, 1880), and an English translation of the Eclogues of Virgil (Kegan Paul, 1884).A collection of material from Scott's personal papers.

Both letters 2pp., 12mo, and both in good condition, on lightly-aged paper. The two items glued together along one edge. Letter One (3 February 1863): He is enclosing an account of her 'chiffres' from his colleague at the British Museum Vaux, and hopes they 'will be what you want'. He asks for more information regarding 'the drawings', and condoles with her on her husband's ill health: 'This has been a very unhealthy season.' Letter Two (19 December): Regarding his wife having the measles, which makes it impossible for them to accept her invitation.

1p., 12mo. In fair condition, on lightly-aged paper, with a small closed tear to one edge. He informs the recipient that his portrait of Garrick is 'the second state of the engraving: the first is before all letters. | The person who engraved the lettering evidently made a mistake.' He notes an inscription sometimes found on impressions of the second state of the engraving, and change made in the third state.

Harper's note is on the recto of the first leaf of a 4to bifolium, addressed by him to 'George Chalmers Esqr' on the reverse of the second leaf, which is docketted by Chalmers 'Notes of Documents from - 1760/67'.. Chalmer's memorandum is written lengthwise and upwards on the reverse of the first leaf. In good condition, on aged paper. Harper's note reads: 'Mr. Harper presents his Respects to Mr. Chalmers with many Thanks for the kind Notice with which he is pleased to honour him. | The Reading Room will be open to Mr. Chalmers whenever he finds it agreeable to avail himself of it'.

1p., 4to. In fair condition, on aged and creased paper. He announces the publication of 'a book of outstanding literary importance, namely Meyerstein's "Life of Chatterton". Meyerstein is undoubtedly the greatest living authority on this subject, and his book, the result of nine years original research, contains much unpublished material. I believe it will be recognised as the standard work on Chatterton for many years to come.' He states that he has 'put a great deal of money and time into this book', and asks Wilson to help him 'make it a success'.