LITHOGRAPHY

Both maps rolled up. The first around 9 feet long and the second around 24 feet long. Both made up of panels, laid down on cloth backing. Both aged and worn, with light fraying to extremities. ONE: Original map, drawn in black ink, and coloured in red, cream, purple, pink and blue. Title on reverse: 'NORTH LONDON RAILWAY | CITY BRANCH | DRAWING NO 1', and, on labels also on reverse, 'PLAN | Westmoreland St. to Dalston | 50 ft. Scale', and '20'. Dimensions: 53 x 281 cm. Scale: 500 feet to 10 inches. Signed at bottom right: 'William Baker | March 16. 1863' and 'Waring Brothers | 16 March 1863'.

1p., 12mo. In good condition, lightly aged and worn, with 'Conversazione' in a contemporary hand at head of first page. Addressing his letter to 'Dear Sir', Haghe begins by acknowledging the receipt of 'a card for the conversasione [sic] of the 5th. of June next', adding that he will be pleased 'to send you a couple of pictures at the appointed time'. He gives the dimensions of the two pictures. He ends by reminding the recipient that 'my brother Charles has not yet received the card you have usualy [sic] been kind enough to send him'.

8pp., 12mo. Stitched into grey card wraps. In good condition, on aged paper in worn binding. Ownership inscriptions on reverse of front cover of E. Shepheard Erpingham, dated 17 September 1830; and Elizabeth Ann Shepheard, dated 7 December 1848. The pamphlet contains 81 diagrams of shapes. This volume was issued during the first European Tangram craze. Scarce: no copies on COPAC and the only copy found on WorldCat at Harvard, whose entry states that it is without date or place, while assigning it to 'Paine & Simpson'.

On a piece of paper 20 x 22.5 cm, with the dimensions of the image 16.5 x 22 cm. Caption at foot: 'A Drawing on Paper transferred on Stone', with 'Drawn by S. Prout' beneath the bottom left-hand corner of the image. In fair condition, on lightly-aged paper, with the image clean, and foxing to the caption strip at the foot. Laid down on a leaf removed from an album. The original print, from the English edition of Senefelder's book, published by Ackermann in 1819, and not the version reprinted in 'Lithography and Lithographers' by E. R. and J. Pennell (London: T. Fisher Unwin, 1915).

An attractive Gothic Revival item, tastefully printed in red and black. Printed on nine 13 x 9 cm panels, laid down on a cloth backing opening out to 39.5 x 28 cm; in original 14 x 10 cm printed card cover, with engraved title on front, within a gothic arch. In fair condition: aged and worn in worn and rubbed covers, with small white circular label on front board. Arranged, appropriately enough, in four columns headed: Name of Style; Reign A.D.; Illustrative Examples; Characteristics.

2pp., 16mo. On bifolium. Good, on lightly-aged paper. After presenting his respects, Lane states that he'regrets that he is so engaged for three or four months that he must not undertake any more - / He has found the copying miniatures so injurious to his eyes and the drawings so unsatisfactory in the printing that he is at all times unwilling to engage in very small Drawings -'. He concludes by thanking her for 'her most kind & gratifying note'.

12mo, 73 pp. Introduction followed by bibliography (pp.11-19). In original red and black printed wraps. Good tight copy, in lightly-worn and chipped wraps. Unlimited edition, without illustrations. The only copies of this edition at the British Library and University of London.

Dimensions of print sixteen inches by eleven inches wide. Mounted on piece of irregular shaped card. 'J. D. H.' in bottom left-hand corner and Cattermole's monogram on barrow in bottom right. Good, with a little light spotting and aging, except for seven and a half inch closed cut from right margin around half an inch from the foot of the print. An attractive bustling street scene, suitable for framing. Original folio version, from John Parker Lawson's 'Scotland Delineated in a Series of Views' (London 1847-1854).

Landscape bifolium card on good-quality paper. Leaf dimensions 18.5 x 27.5 cm. In good condition, on slightly-aged paper, with a couple of small light patches of coffee staining. Printed in black and yellow. Elaborate design showing a winged youth (something of a cross between Jack Frost and Mercury), with winged heels, clutching a bouquet of flowers, flying over a buiding of modern design surrounded by fir trees. Signed in pencil 'luc simon' in bottom right-hand corner, with the limitation 'H. C. 15/100' in pencil in the bottom right.

Landscape, on one side of a piece of thick paper 24 x 30.5 cm. The print itself is 22 x 27.5 cm. The print is clear and entire on lightly-aged paper, with wear to extremities and some repair to reverse, to which a tissue guard has been attached. Enclosed within a decorative border of birds and flowers printed in burgundy, brown and gold, is a delicate illustration (9 x 15 cm), somewhat akin to a Baxter print, showing a sylvan scene with two young lovers in seventeenth-century attire.

Tow pages, 8vo, good condition. "I was at Mitchells' today on my way to you- and proceeded as far as the end of Piccadilly - but time failed me, & I returned at 1/2 of 3 - I had business on the way which I thought to put through - So I send the scraps - which I had put into the envelope & in the right place - though not directed to you - I mean to be with you very soon after you get this - but, for the fear of some unlooked for hundrance I send - I have seen the notice in the Ill[usterated] Lond[on] News - very nice."

Dimensions of print 11.5 x 19.5 cm. At the head of the recto of the first leaf of a bifolium (leaf dimensions 28 x 22.5 cm). The print itself is clear and undamaged, on aged paper. With traces of cuttings mounted onto the internal pages, and closed tear to the blank second leaf. An impressively detailed engraving, showing the bustling port and layout of the city, with church spires and prominent buildings. A copy of the item survives used as a letter home from a German girl in 1855. The copy in the New York Public Library is ascribed to 'C. Magnus, Lith. 22 N. William St.'

Dimensions of print 6.5 x 11 cm. On a piece of paper 7.5 x 12 cm. Neatly laid down on a piece of cream paper 20 x 27.5 cm. Good clear impression on paper with foxing to margins at extremities. A series of three concentric red borders on the mount surround the print. Charming image, with a couple of fashionable couples looking out over a bay with a steamship and sail boats.

Dimensions of print 6.5 x 11 cm. On a piece of paper 9.5 x 16 cm. Neatly laid down on a piece of cream card 15.5 x 21.5 cm. Good clear impression on lightly-aged paper. Charming image, with a couple of fashionable couples looking out over a bay with a steamship and sail boats.

Both items very good, each printed on one side only of a piece of thin shiny card, dimensions 11 x 15 cm. The arrangement of the text is the same in both cases, but one is printed in blue and green, and the other in blue and gold. An attractive piece of Victorian typography, laid out in a variety of decorative fonts and point sizes, with a strong hint of Gothic revival about it. Reads 'HANNAH WALLIS, | Plain & Ornamental Printer, | IN LETTER-PRESS, LITHOGRAPHY, & COPPERPLATE, | ACCOUNT-BOOK MAKER, | Stationer and Bookseller. | ARTISTS' MATERIALS OF THE BEST QUALITY.

Printed in red, black, blue, gold, orange and green on one side of a piece of paper, dimensions 20 x 12.5 cm. Good, on lightly-aged and spotted paper. Minor traces of stub on blank reverse. Attractive item, with twenty-six lines of rubricated text, surrounded by an ornated decorative border of foliage and birds in imitation of an illuminated manuscript. Headed 26, Queen's Row, Pimlico opposite the Royal Mews.', beneath which: 'Valentine Elkins Bookseller &c. of Baker St. Portman Sqe. Begs most respectfully to inform the Nobility & Gentry inhabitants of Belgrave Sqre.

8vo (dimensions roughly 21 x 16.5 cm): 24 pp. In original coloured illustrated card wraps. The whole bound with black thread. All edges silvered. Aged, worn and lightly spotted, but tight and in reasonable condition overall. Two small wormholes in back wrap, affecting the verso of the last leaf. Fifteen poems, seven of them by Nesbit: 'Song', 'Possibilities', 'Vie Manquees', To a Picture by Giovanni Bellini', 'The Better Part', 'Rondeau' and 'Lovers'. Every page of the volume carries illustrations of nature in black and light green. Similar designs in colour on the covers.

Paper dimensions roughly fifteen inches by ten and a half wide; print dimensions twelve inches by seven and a quarter wide. Good clear image with border a little dusty and aged. Full-length image of a dour Panizzi standing at a desk holding a book. Page of letterpress on separate leaf of same dimensions, containing spirited account ['he sought refuge in Switzerland, but he was expelled discreditably from that country, [...] Keeper of the Printed Books [...] the man in all Europe most competent to fill it.

Dimensions of paper roughly eight and a half inches by six and a half wide. Illustration roughly five and a half inches by five wide. Good on slightly aged and creased paper. A grey-haired Gregory, fashionably dressed in striped waistcoat and cravat, and wearing a white apron, stares at the viewer while holding a book in his left hand and writing its details in a ledger with a quill in his right hand. BBTI gives Robert Loder's trading dates as 1822-39, and Gregory's as 1793-1851.

EXCESSIVELY RARE. Apparently not present in the National Portrait Gallery collection. The portrait is on a piece of India paper roughly four and a half inches by three and a half wide, mounted on a piece of thick wove paper roughly eleven inches by eight and a half wide. The mount bears the text. Good, though somewhat grubby, and with the mount lightly creased and foxed. While Sayers is best-known as a Pittite caricaturist this image is certainly not a caricature.

The collection is in good condition, with each letter entirely legible. Two items particularly aged, and one with a couple of closed tears unobtrusively repaired with archival tape. Each item bears evidence of the fact that the collection was previously held together with a pin. An interesting sidelight into the musical culture of Victorian London. COPAC only locates one copy (at Cambridge) of Robinson's piece, published by W. Sprague of Westminster in [1874], copied by F. C. Wood, 'words by permission of Messrs. Hopwood & Crew'. All items 12mo.

English painter and sculptor (1781-1841). The recipient (1780-1860) was an English artist of Swiss descent. One page, quarto. Good, but with traces of previous brown-paper mount adhering to rear and minor damage to several corners. Reads 'My Dear Sir | When I asked you for an impression I had not seen the composition & had no idea that I was asking so much - believe me I feel very grateful for your kindness in putting me in possession of so very interesting a work - I do not mean to be understood as speaking of Lithography only.