CARLO

Black and white photograph of Kirsova in costume and dance pose, cut from a magazine. 13 x 9.5 cm. In fair condition, lightly aged and creased. Good firm signature across bottom left of image, reading: 'Hélène Kirsova | 1936'.

Black and white photograph of Panaieff in costume and dance pose, cut from a magazine. 15 x 10 cm, with border. In fair condition, lightly aged and creased. Good firm flourishing signature across the image, reading: 'Mischa Paniaieff | Lancks [sic] | 1936'.

3pp., 12mo. Bifolium. In good condition, lightly aged, the blank reverse of the second leaf laid down on card backing removed from autograph album. Writing of his trip to London to take part in the vote at the Royal Academy he writes: 'I had two inducements to come up - you & Marochetti [the Italian sculptor Carlo Marochetti, elected at the same time] - & for either I would have come up separately - not from private friendship - although that existed in both cases - but from a sense of duty & the advantage of the Academy of which I doubt not you will very soon be a full member'.

All items in fair condition, on six pieces of lightly aged and worn paper. ONE: Black ink pencil drawing, signed in bottom left-hand corner '"King Lear" | Peter Ustinov'. On 38 x 27.5 cm paper. Striking caricature of a hawkish and hairy Lear, eyes blazing, clutching his crown in his right hand while a courtier looks on from the bottom right. TWO: Black ink drawing, captioned by Ustinov at bottom right 'Carlo Goldoni'. On 38 x 27.5 cm paper. A head and shoulders portrait of a bewigged Goldoni, staring impishly to his right.

3pp., 8vo. Bifolium. On aged card, with wear to extremities. The text, attributed to Wallis by the British Library catalogue, is on the verso of the first leaf; and facing this, behind a tissue guard, is the print. Wallis discusses the 'feeble' nature of the 'various engaged portraits of Shelley', and explains Peacock's reservations in endorsing Lasinio's engraving of Leisman's painting. Uncommon: five copies on COPAC, the British Library entry attributing the publication to Henry Wallis.

The 'Ape' cartoon: 21.5 x 32.5 cm. In good condition, on aged paper, with a neat horizontal fold 4 cm up from the bottom. Hayward's autograph note: 1p., 32mo. In good condition, on aged paper. It reads: 'Mr Heywood presents his compliments to Viscountess Combermere and has much pleasure in accepting her invitation to luncheon on Wednesday 21 June. | 8 St. James St | June 9'.

4to, [iii] + 76 pp. In original orange titled wraps. Text clear and complete. Fair, on aged paper, in worn and frayed wraps. A three-act adaptation of Collodi's children's classic, with cast of characters, 'Synopsis of Scenes', and 'Musical Contents' listing the plays twenty-six songs.

Black and white studio photograph, postcard format (13 x 8.5 cm). On leaf removed from autograph album. Good, on shiny photographic paper, with margin making dimensions of image 12 x 8 cm, captioned in bottom right-hand corner 'PHOTO | LAIRD | ABERDEEN'. Showing a kindly-looking Coborn seated in country tweeds, with spectacles in hand and paper on his knees. In addition to a facsimile in the bottom-left, the picture has Coborn's genuine dated signature across his chest: 'Charles Coborn | 28/5/29'.

8vo, 3 pp. Bifolium with dimensions of leaf 18.5 x 14 cm. Good, on slightly grubby and lightly creased paper. Small slip of paper mount adhering to one margin (not affecting text). Written in a bold and distinctive hand. He will not be able to make 'an appearance with "Lhada" [?]' as he is 'sorry to see that I am in Brighton the 22nd and 23rd of April, where I sing with Madame Donalda'.

12mo: 1 p. On aged and creased paper, divided into two parts by a horizontal tear, which has been repaired with three paper labels. A square of paper from previous mounting (with 'Marochetti Sculptor' in contemporary hand) adhering to reverse. Accepting an invitation with the greatest pleasure and apologising ('je vous demande mille fois pardon') for not having been to tell her so. He did not know that she was there: no one told him anything and he thought her note had been sent from her house.

Paper dimensions roughly fifteen inches by ten and a half wide; print dimensions twelve inches by seven and a quarter wide. Good clear image with border a little dusty and aged. Full-length image of a dour Panizzi standing at a desk holding a book. Page of letterpress on separate leaf of same dimensions, containing spirited account ['he sought refuge in Switzerland, but he was expelled discreditably from that country, [...] Keeper of the Printed Books [...] the man in all Europe most competent to fill it.

Small octavo: 31 pages. Unbound and stapled. Very good, in grubby original pink printed wraps. According to one authority McGowan is the 'first fully qualified actuary in South Africa of whom there is record [becoming] Cape Government Actuary of the former Cape Colony in 1890'. COPAC (under mispelt name "MacGowan") only recordds the BL copy.

Dimensions of print roughly ten inches by six and a half wide. Mounted on a slightly larger piece of laid paper. Rubbed, worn and heavily aged, with small wormhole at foot. Ornate tomb with sphinxes, ivy, masks, palette, laurel wreath, etc. Central head and shoulders image of Carracci, above caption 'ANNIBALI CARRACCIO BONON. AETATIS SVAE ANN.XLIX Romae MDCXLVI'. 'A. Del.' in bottom left-hand corner. This is NOT the engraving by Pietro Aquila, after Carlo Maratta, in Aquila's 'Galeriae Farnesianae Icones' (1674).