MAURIER

1p., landscape 8vo. In fair condition, lightly aged and worn. He thanks him for his letter, but as he is 'not doing anything with one act plays' at present, he states: 'I won't trouble you to send me the manuscript'. The Oxford DNB gives the name as 'Gerald Du Maurier', but the signature clearly reads 'Gerald du Maurier'.

[179]pp., 8vo, paginated 167-189 (and magazine frontispiece); 329-350; 567-[587]; 721-741; 825-[847] [the last five from vol.88]; 67-87; 261-284; 351-374 [the last three from vol.89]. In a contemporary binding, with ticket of Goulden & Curry, The Royal Library, Tunbridge Wells. Very good, lightly aged and worn, in black leather half-binding with black cloth boards and gilt tooling. Ownership inscription on front free endpaper: 'Weldon | Didmarton | Janry. 1900 -'.

Four charming and amusing cartoons from Punch's golden age. All four are executed in a similar style, but the identity of the cartoonist or cartoonists is unknown. (The first of the two cartoons in Item Two below, as published by Punch, has the monogram signature 'F C' engraved in the bottom right-hand corner. No Punch cartoonist with these initials is apparent.) ONE: Captioned: 'Another Brilliant Idea, Only Brillianter!' 21 x 13.5cm. In good condition, on leaf of browned high-acidity paper torn from a notebook. Two men idle in a punt while two women hold up sheets.

Circa 78pp., used, some pages added, text worked over, red boards, hinge strain, mainly good condition. Indexes to Acts, lines through manysections. Contents include: questions for Wilfred [Josephs] ("Sets? | Scenes? | Act II???"]; stage directions; suggestions about characters; directions; music ("(5) Mrs v H [van Hopper] tells A. she is hopeless against Rebecca"); "final faults"; sets; dialogue; problems; phone numbers and addresses; more (detailed) points for Wilfred [Josephs]; suggested lines for a duet; characters with actors' names e.g. Mrs v. H[oppen] Nuala Willis (as happened); etc.

3pp., 12mo. Bifolium. Good, on lightly-aged grey paper. Fildes explains that he has just returned from Paris to find his correspondents' letter of 19 May, inviting him 'to hear Mr Du Maurier's discourse to-morrow night'. He cannot avail himself of the 'great pleasure', and of their' 'courtesy', as he has 'an engagement which cannot possibly be put off'. He ends by apologising for not answering sooner. On 25 May 1892 The Times reports a lecture that day at 'Prince's Hall: Mr. Du Maurier on "Social Pictorial Satire," Mr. Alma-Tadema, R.A., in the chair, 9.'

1p., 12mo. Good, on lightl-aged paper. He regrets that 'absence from London' will prevent him from 'attending the lecture' of his 'old friend Dumaurier', to whom he wishes 'every possible success'. He thanks the recipient for 'the compliment implied' in his invitation. On 25 May 1892 The Times reports a lecture that day at 'Prince's Hall: Mr. Du Maurier on "Social Pictorial Satire," Mr. Alma-Tadema, R.A., in the chair, 9.'

8vo (16.5 x 21 cm), 1 p. On lightly aged paper with a little chipping to one edge. Text clear and entire. Addressed to 'Dear France'. He apologises for 'a typewritten letter'. 'I fancy I have seen the house you mention. I believe my wife and I went and looked over it two years ago, and didn't think it would suit us.' He will nevertheless 'take an opportunity of going over it again soon'. Thanks France for letting him know about it. 'Hope you are having a nice tour.'