pantomime

Printed on both sides of a piece of paper, roughly 25.5 x 37.5 cm, folded three times to make a packet of 6pp., 25.5 x 12.5 cm. The title advertises 'All the old favourites, and new book by Pte. E. G. S. Staples. New Lyrics and parodies by 2 Lt. C. M. Hale. Additional music by Pte G. M. Rutt. Produced by Pte E. G. S. Staples.' Also 'Full Beauty Chorus of Macedonian Houris from the EASTERN THEATRE (of War) by kind permission of the Balkan News.' Other spoof advertisements include: 'Soap! Soap! Soap!

Mackenzie's letter is 1p., landscape 12mo. 16 lines. Good, on lightly-aged paper, with a crease to one corner. He thanks MP for his 'encouraging letter' and discusses his own 'silly slip about the Faery Queen's entrance' in a radio broadcast: 'I was so much concerned with giving listeners the difference between the O.P. and the Prompt side that it became a question of physician heal thyself.' He continues: 'I wasn't sure of the year Mille Le Garde [sic] sang that song. Probably '97. Rose Dering was the Aladdin. She was second boy. Ted Young was the Widow Twankey.

2pp., 12mo. The letter is on the recto of the first leaf of the bifolium, with the list, in three columns, on the recto of the second. Fair, on lightly-aged paper. Dibdin reminds Davidge that at his 'first Anniversary Dinner' he expressed a great wish to serve Dibdin by his patronage, but that 'absence from Town' prevented him. 'The Company were so well pleas'd that each present sign'd a Paper to come again - it is now fix'd for my Birthday (the 21st. Inst) and I take the freedom of enclosing you a List of the Patrons in the Hope I may be allow'd to add yours and enclose you a Ticket'.

3pp., 12mo. Good, on lightly-aged paper. Blanchard and his wife 'very seldom go out of a Sunday but should the weather be at all favourable' they will 'make a vigorous effort to avail ourselves of the strong temptation you have so kindly thrown in our way'. They will be 'quite content with an afternoon ramble in your beautiful garden and a chat with dear Mrs. Keeley'. He is sending 'impromptu lines written by my father nearly a Century ago' (not present) that he believes ought to be in Burgess's possession 'as a double ancestral inheritance'.

3pp., 12mo. 37 lines. Fair, on worn and discoloured paper. An interesting letter, casting light on the relationship between two great actors who, according to the Oxford DNB, 'disliked but respected each other'. Macready is not named, but Young ends by sending his 'Kind Comts to Mrs Macready'. Macready had taken over at Drury Lane on 4 October 1841, but the season would not begin until 27 December. The letter begins 'My dear Sir!

All three items are on stubs, within a card wallet. All good, on aged paper. Letter One: 'Weston Green 10th: July'. 1 p, 4to. On bifolium, with verso of second leaf addressed to 'Mr: Whitaker | St: Pauls Church Yard | London', with two postmarks (one 'KINGSTON - T | 12'), and docketed 'Mr; T.

12mo, 1 p. Text clear and complete. Fair, on aged paper. Docketed by Blanchard in top left-hand corner: 'Sent to Sat.

The Dictionary of National Biography states that T. J. Dibdin (1771-1841, closely associated with Sadler's Wells, Drury Lane and the Surrey Theatre) wrote 'nearly two thousand songs and about two hundred operas and plays'. This list, which covers the whole of his life from his earliest known work in 1789 to his death in 1841, is compiled with considerable care on the rectos and some of the versos of 79 bound and numbered leaves (most being the letterhead of the North-East Coast Exhibition, of which E. Rimbault Dibdin was the Director).

According to Frederic Boase's Modern English Biography William Ball (1785-1869) was the composer of 'hundreds of comic and sentimental songs', the most famous of which, 'Jack's lament for the loss of his tail', being 'one of the most popular songs of the day ever written'. All four letters 16mo, that of 22 January 1856 of 8 pages and the others of 4 pages. All are somewhat grubby with minor spotting but the overall condition is good. An extremely informative and intimate correspondence in a very close hand.

Actor and pantomimist (1804-1878), "the last true mime", who played opposite the great Joseph Grimaldi. One page, 8vo. Written in a florid hand, "W H S Payne / Theater Royal Covent Garden / Le Roi De Pantomime." The "S" in the signature is in superscript. In a smaller hand at the head of the page the signature of Gustave Garcia.

English comic actor (1795-1842) and manager of the Adelphi Theatre. 2 pp, 4to. Eccentric handwriting, of uncertain decipherment. "We must trouble you by return of Post to send us up the last tune but one & the finale to the Pantomime / Make Puck if you please come out of the Fairy Mounds tell Harlequin & Columbine the Chace is done. Then loves rewards and change to the last tune the Fairy Temple - Then dance & a short finale - one verse <?> & Chorus - / [...] / I hope all goes well with you. We are all alive - Let us have it by return of post".