SCOTTISH

Both on 4to biofoliums, and addressed, with postmarks, on the reverse of the second leaf. Both in fair condition, on lightly aged and worn paper. ONE (22 February 1844): Concerning the unfortunate state of 'the Glasgow congregation' since Harris's removal to Edinburgh. His successor 'Mr. T[aylor].' stated his 'present views' to 'Messrs C<?> & Smith', 'and they said at once he ought to resign the pulpit [...] The end cannot be far off. Mr. T. declared he would not quit the pulpit till he was dragged out of it'. The letter continues with references to 'Mr Taylor' and 'Mr Davidson'.

1p., 4to. On bifolium. Addressed, with broken seal in black wax, on reverse of second leaf, to 'Charles MacIntosh Esqr - &c &c'. In fair condition, on aged and worn paper. He apologises for being 'unable to attend to pay the usual last Duty to the Remains of your excellent Father & my Friend', but assures MacIntosh that 'no man more sincerely laments his Departure than I do'. He ends in the hope that 'the great & gracious God may sanctify this Dispensation to all concerned'. Signe 'Your much afflicted but very faithful & obedt. Humble Sert. | H: Macleod | College | 29 July 1807'.

1p., 12mo. In fair condition, on aged paper. He thanks him for sending 'Idylls of Spain' (by Rowland Thirlmere, 1897), which 'Mr. Milner' will settle with him for, and states that he is 'interested in the subject and would be glad of a note of any books you happen to come across on this subject'. In 1903 Crockett would publish 'The Adventurer in Spain'.

2pp., 12mo. Bifolium. In good condition, on lightly-aged paper. Addressed (with seal in red wax, and two postmarks) on reverse of second leaf: 'through France | Italie | Mrs Stisted | Villa Brodrick | Bagni di Lucca'. He thanks her for sending 'a very agreeable book', which he wishes had reached him ' a year ago when the Quarterly Review was taking Lady Travellers in hand'. If 'another batch of them' should be 'ready by & bye' her book 'will run no risk of being forgotten'.

The game was played on 21 November 1934 at Pittodrie, Scotland winning 3-2. 2pp., 12mo. on two leaves removed from an autograph album. Each team's autographs on a separate page. Both leaves in good condition, lightly-aged. ONE: On page headed 'Scotland Team', carries 14 autographs: 'C Napier [Charlie Napier (1910-1973), Celtic] | Alex Massie [ (1906-1977), Hearts] | | Pr.

3pp., 4to. Bifolium. In good condition, on lightly aged and worn paper. Addressed (with broken seal in red wax) on reverse of second leaf to 'Archibald Campbell Esq | Army Agent | Regent Street | London'. The letter begins: 'I have just seen a Letter from the Widow of the late Stuart Campbell with a Copy of yours to her, recommending her to try, the effect of circulating Subscription Papers amongst the Friends of her late Husband, and certainly there appears little chance of obtaining any other Relief for her and her destitute Family'.

Printed Programme, card, 8vo, 4pp., not bound as issued, nick at spinejoint strengthgened crudely within, decoration on front includes drawing of thistle, and there is a quotation aboit "industrious Scots" on back,. It includes a menu and a Toast List "The King The Chairman | The Rt Hon. J. Ramsay Macdonald M.P. | The Rt. Hon. T.P. O'Connor, M.P. | The Chairman".

Page detached from an autograph album, 17.5 x 11cm, good condition. On the recto the autograph signature of Harry Lauder with the trademark sketch of himself with bonnet and pipe. On the verso, the following by Logan "To | Archie | Many Happy memories | of Lauder and | Jimmy Logan [his signature] | Stonehaven | 1987." Note: [Logan] "His one-man musical based on the life of Scottish entertainer Sir Harry Lauder, was called Lauder (1976).[5] Logan collected Lauder memorabilia, which is now housed in the Scottish Theatre Archive at the University of Glasgow.".

[1] + 62pp., folio. On rectos only. Bound with metal studs into yellow card covers, with the spine reinforced with cloth tape. In fair condition, lightly aged and worn. Loosely inserted is a five-page carbon typescript describing 'Approximate number of costumes necessary'. Also inserted is a typed page beginning with an 'Extract from letter from Sir Donald Wolfit: 8.7.58. | At the moment it looks like an opening date in the second half of September out of London for six or seven weeks first. Mr. Laurence Irving will be in touch with you in the near future for a preliminary discussion'.

144pp., 4to. Stapled into red card wraps, with typed label on cover. A carbon copy with label of the London typing bureau Curtis and Page. The play was published in London by Victor Gollancz in 1941, with a second edition from the same publisher in 1954.

93pp., 4to. Bound with pink ribbon in buff card wraps. Creasing to front cover and first few leaves, otherwise in good condition, on aged paper, in aged and worn wraps. Ownership inscription on front cover and title-page: 'Robins MIllar | 9 Park Quadrant | Glasgow C3'. A high-society comedy, set in London. No record regarding this play has been discovered. Millar's papers are in the University of Glasgow.

107pp., 4to. Stapled and attached with pink ribbon. Aged and worn, with last few leaves detached, with worn front cover only also detached. With a couple of manuscript emendations. Millar begins a full-page introduction: 'The mood of this play is gay comedy. | It arises from the threat of gossip in a small country town.' No record regarding this play has been discovered. Millar's papers are in the University of Glasgow.

For more about Corrie see his entry in the Oxford DNB, which states that 'His most effective mature work, A Master of Men, about the conflict between a mine manager, the mine owners, and the miners, was performed by the Glasgow Citizens' Theatre in 1944.' 111pp., 4to. On paper of various colours. Autograph title-page: 'English Version | A Master of Men | A Play | Joe Corrie | Hill's Hotel | 41 Princes Sq. | London W2 | Tel. Bay. 0118'. (Many of Corrie's plays were written in Lowland Scots.) In good condition, lightly-aged, in worn buff card wraps. With a few autograph emendations.

1p, 12mo. In good condition, lightly-aged. He is declining his request as he has 'many, & much more pressing claims to meet in the way of Church building'.

2pp., 12mo. On bifolium with mourning border. In fair condition, on aged and worn paper, with 6cm vertical closed tear to first leaf, affecting a couple of words. The reverse of the second leaf carries a broken seal in black wax, and is addressed to Clanricarde. The letter begins: 'My dear Ld C: | We are in a great difficulty at the H. of Lords today for want of a third Peer.' He will esteem it a great favour if Clanricarde 'will come at ten and enable me to go on with the Causes - for otherwise there will be the whole expence thrown upon the packs'.

1p., 12mo. Mourning border. In good condition, on lightly-aged paper. He writes that his 'visit to the Gallery' has to be on the following Friday, but asks the recipient not to 'in the least inconvenience yourself on my account, though I certainly should consider it a great pleasure to see you on the occasion'. According to his entry in the Oxford DNB: 'In 1860 William Chambers returned to Edinburgh and the firm. Robert Chambers and his wife travelled to America before he and his family moved to London so that he could oversee the firm's new London offices.

3pp., 12mo. Bifolium. Very good, on lightly-aged paper. He finds that he will be able to arrange 'a course of 3 afternoon lectures for you on Welsh and Irish Music . . at the Royal Institution during next week'. He asks Graves to 'communicate with the Assistant Secretary as to date and exact title'. He ends by stating the fee.

5pp., 4to. In good condition, on aged paper, with rust stains from paperclip. He begins by stating that he was 'an interested listener of your lecture against Theosophy yesterday afternoon, and as you were kind enough to invite questions I venture to make one or two criticisms which occurred to me'. The main purpose of the recipient's lecture, it seems to Boyd, is 'to demonstrate that Theosophy is incompatible with Christianity'. He proceeds opposes this strenuously, with reference to reincarnation and Kant.

148pp., small 4to. In contemporary red leather half bindings with marbled boards and edges and gilt tooling. In very good condition, on lightly-aged paper, in lightly aged and worn binding. Signed on reverse of front free endpaper: 'J. Borthwick | 1820', and on the page facing this: 'General Account | book. | N.B. The Vouchers are tied up with Labels marked for the respective years. Where particulars will. | See also my Journal.

Both items 1p., 12mo. ONE: Letter to Mary. In good condition, lightly-aged. He thanks her for 'the beautiful Plums', before continuing, 'The wee lassie was a little at home with me - She is very bonnie.' Faed's daughter was named Beatrice, so it is likely that the note was addressed to his daughter-in-law, the wife of Jack. TWO: Note to Jack. In fair condition, lightly-aged and creased, with traces of wax from mount on reverse. Reads: 'My Dear Jack | Very glad that Mary is a ltitle better. | Your aff Father | Thomas Faed'.?>

1p., 12mo. In fair condition, lightly-aged and spotted, with minor traces of glue from mount on reverse. Reads: 'With the Compliments of the Season to all | from | Thomas Faed | 25 Der. 1881'. For information on Faed, see his entry in the Oxford DNB.

1p., 12mo. Nicely printed on one side of a piece of laid watermarked paper. In good condition, lightly aged and worn, with slight loss to one corner caused by removal from an album. Sixteen-line poem in four four-line stanzas. Signed in type at foot 'TOM FAED.' The poem is a lament by the betrothed of a sailor drowned in the Firth of Forth. The first stanza reads: 'Oh wae is me!

1p., 12mo. In fair condition, lightly-aged, and laid down on a piece of card. Reads: 'July 26 | My dear Faed, | Would you mind seconding me at the Athenaeum? I believe Tom Hughes has put down my name. | Yours faithfully | William Black.' According to Black's entry in the Oxford DNB, he 'studied landscape painting for a short time in the Glasgow School of Art, but, becoming connected with the Glasgow Citizen, gradually exchanged art for journalism'.

8vo. 310pp. Red cloth, gilt extra, with ornate design to front board and spine. First edition with King's illustrations. A good copy of an extremely attractive book, in binding with light fading in parts, but gilt still bright, and with the merest wear at head of spine. Bookplate by Isabel Bonus for Annie C. Dolamore. Collated and complete. All of King's ninety-five illustrations are present, with twenty-four of them, including the frontispiece, on shiny art paper. A sumptuous item, produced at the high point of King's Art Nouveau period.

1p., 12mo. In good condition, lightly-aged, with small part of paper mount adhering at head. Accepting a dinner invitation on 20 November.

Good firm signature, written diagonally across a 9 x 12 cm piece of grey card, the reverse of a printed advertisement for the American & Colonial Exchange, 8, The Haymarket, London, S.W. In good condition, lightly-aged, with minor traces of glue from mount on the printed side of the card.

2pp., 16mo. In fair condition, lightly-aged, with trimmed margins and slight damage at head from removal from album. He asks her to accept a 'Copy of Titian's "Ascension of the Virgin". You seemed to like it and it may fill a corner in your Boudoir.' He apologises if the frame is 'not as it should be but some might prefer he quaint old pattern to a more modern one.' From the papers of Faed's nephew John Francis Faed, son of the Royal Academician Thomas Faed (1826-1900), and so probably addressed to a family member.

On 8 x 22 cm piece of paper. In fair condition, aged and creased, and laid down on piece of card. Note in a contemporary hand in red ink in the margin: 'George Combe the Phrenologist | (Holograph) [sic]'. With five emendations and deletions.

A watercolour drawing in ink, coloured in yellow, blue and red, against a sepia ground. The drawing is on a 24.5 x 18.5 cm piece of thick white paper, laid down on a 28.5 x 29.5 cm piece of grey paper. In good condition, with light signs of age. In pencil in a contemporary hand on the grey-paper mount: 'Mrs Mackinnon - hanged | done by Charles K. Sharpe Esq | She had been a great beauty | murdered a man'. The drawing is not signed, but is in much the same style as other examples of his watercolours (for example those in the Victoria and Albert Museum, London).

1p., 16mo. In fair condition, on lightly aged paper, laid down on card backing removed from an album. He writes that he only received Ballantyne's letter on his return from Melville Castle (seat of Robert Dundas, 2nd Viscount Melville), where he was 'obliged to go for a day'. He is now returning 'sheets P. & Q to press and will soon send copy'. He has been 'pleased with a note from Cadell that we had a Pisgah peep of <?>'. The letter ends with the Latin tag: 'post tot discrimina rerum' ('after many dangers').?>