MUNICH

91pp., 12mo. In good condition, lightly aged, in aged and worn notebook with cloth spine and brown marbled covers, with label on front cover. Carefully and neatly written, with date, venue, title and musicians and actors names. The volume begins with concerts at St Andrew's Hall, Glasgow, with other performances in London, Cambridge and Liverpool, but 29 September 1904 on p.32, the performances are seen in Munich. Among the artistes are Leonard Borwick, Bernard Stavenhagen, Felix Weingartner, Berthe Marx-Goldschmidt, Theresa Carreno.

The present diaries paint a vivid and evocative picture of four 'seasons' of study at the Royal Academy of Music, Munich, by an intelligent, articulate, talented and ambitious female student, from a privileged Scottish background, and present an informative account of the musical milieu in Munich at the turn of the twentieth century, with assessments of various notable musical figures including Edvard Grieg, Ferruccio Busoni, Felix Weingartner, Joseph Joachim, Théophile Ysaÿe, Édouard Risler, Emil von Sauer, Aleksandr Abramovich Pechnikov, George Liebling, Frederic Lamond, Teresa Carreño, Bert

A total of 36 pp in 8vo. First section (12 June 1847 to 22 July 1852): 16 pp, at around 30 lines per page. Second section (1 January 1862 to 29 December 1864): 20 pp, at around 40 lines per page. All text clear and complete. Good, on aged paper, with minor unobtrusive repair to last two leaves of first section. Both sections unbound, in separate sewn gatherings. The diary is unsigned, but the context establishes the author beyond doubt as Lonsdale's wife Mary Jane, daughter of Mary Littledale (1779-1855), widow of Anthony Littledale of Bolton Hall, Yorkshire.

8vo (dimensions roughly 21 x 16.5 cm): 24 pp. In original coloured illustrated card wraps. The whole bound with black thread. All edges silvered. Aged, worn and lightly spotted, but tight and in reasonable condition overall. Two small wormholes in back wrap, affecting the verso of the last leaf. Fifteen poems, seven of them by Nesbit: 'Song', 'Possibilities', 'Vie Manquees', To a Picture by Giovanni Bellini', 'The Better Part', 'Rondeau' and 'Lovers'. Every page of the volume carries illustrations of nature in black and light green. Similar designs in colour on the covers.

4to (leaf dimensions roughly 27 x 21.5 cm): 1 p. Fifteen lines of text. On the recto of the first leaf of a bifolium, with the address on the reverse of the second leaf. Text complete and legible, on aged paper, grubby, worn and creased paper. An unusual and interesting letter of introduction, pointing out the international links in the European booktrade of the early nineteenth century.

On one side of an 8vo leaf. Worn and creased, but with text clear and entire. Printed in red ink, and headed 'POST OFFICE TELEGRAMS, S. RHODESIA.' Four strips of text, reading 'CHAMBERLAIN POINTS AT BERCHTESGADEN HITLER SAID THE SUDETENS MUST HAVE SELF DETERMINATION AND RETURN TO THE REICH IF THEY DESIRED AND THAT RATHER THAN WAIT HE WAS PREPARED TO RISK A WORLD WAR = END MESSAGE'. From the archive of James Pollock, accredited Correspondent of Argus South African Newspapers Ltd.