JANE

Both letters in good condition, lightly-aged. Two evocative and well-written letters. With her close-cropped hair and mannish ways (the Shah of Persia refused to believe she was a woman) Dieulafoy would have appealed to the decadents. ONE. '14 Mai 1892'. 2pp., 12mo. Bifolium. In matching grey-paper envelope, addressed by Delafoy to Scheffer at 60 Rue de la Tour.

[2] + 170pp., 8vo. On 172 leaves, held together by a steel stud. In good condition, lightly aged, with discoloring to first leaf and the last seven leaves dogeared. The names of the crew are given on the first covering page, and the cast of characters (but not the names of the actors playing them) on the second. An interesting artefact, indicative of the continuing reassessment and reinterpretation of the works of one of Britain's great writers.

J. F. Austen was the son of John Austen VII. For his relation to the novelist see 'Jane Austen's Letters', ed. Le Faye (OUP, 2011). The present item is excessively scarce, with no copies traced on either COPAC or OCLC WorldCat. 4to, 18pp. on ten leaves, paginated [1-2], 17-24, 57-63, 79. In original brown printed wraps. Aged and worn, with rusted staples.

The three letters in very good condition; the first two attached to one another in one corner by a stud. Also included is Dorothea Stephen's copy of Annan's biography ('Leslie Stephen: His Thought and Character in Relation to his Time', 1951), worn and without dustwrapper, with her ownership signature ('D J. Stephen'), and a page of autograph notes critical of the book at the rear.

On one side of a piece of vellum (roughly 11 x 42 cm). In good condition, with light signs of age. In an attractive somewhat calligraphic hand. Scan on application.

Austen-Leigh's three letters are all signed 'R A Austen Leigh'. ONE: ALS to Vellacott. 3 May 1942; 'as from | D2 Albany | Piccadilly W.1'. 2pp., 12mo. He asks if Vellacott can 'enlighten me on the following point - I am editing some letters of Dr. Goodall, who was Provost of Eton 1809 to 1840. There follows a sixteen-line transcript of a letter written in May 1838 from Goodall to his brother, regarding which he writes: 'Who would Mr.

2pp., 12mo. Headed 'Mr David Williamson to Jane Dalgliesh'. Twenty items, each with separate charge, beginning with 'April 7th 9 Shirts - -

2pp., 12mo. Aged, creased and worn. This would appear to be the first printing of Havergal's best-known hymn. The poem is printed on one side, within a decorative border, and with the title in fancy type. Printer's slug at foot of page beneath border. The reverse is filled with biblical texts, under the heading 'Consecration.' Within the a similar border, beneath which: '25 copies, post-free 4d.' Havergal's inscription is at the head of the page bearing the poem: 'J. W. | From F. R. H. Jany 19, 1876.' No other copy traced, either on COPAC or WorldCat. From the Jane Williams papers.

3pp., 12mo. Bifolium. Very good, on lightly-aged paper. The recipient presumably held a living near Leigh's Warwickshire mansion Stoneleigh Abbey (said to be the model for Sotherton Court in his cousin Jane Austen's 'Mansfield Park'). Leigh apologises troubling Brodie 'with the enclosed rather singular letter which I have received from one of your Parishioners'.

The material is loosely inserted in a copy of 'Passionate Nomad. The Life of Freya Stark' by Jane Fletcher Geniesse (New York: Random House, 1999). xxvi + 402 + [2]pp., 8vo. Very good, in like price-clipped dustwrapper, and inscribed to Drower by her daughter. Drower is described on p.296 as 'daughter of Freya's old Baghdad friend Lady Drower, [who] followed Pam Hore-Ruthven as her assistant and spent two years trying to get repaid for the cost, not to mention the enormous effort, of packing up Freya's belongings and sending them to Asolo after the war'.

Scholar (esp. Johnson and Austen studies) and University Publisher, 1881-1960, see DNB. Total 3 pages (excl. pc), 8vo and 4to. Subjects include (with quotations): writing on a train; misreading "The cup of your patience (p.29) as the CROP"; significant postscript, a nunc dimittis, "I have not lived in vain - I have negotiated the purchase of the Brit. Museum of all that survives of the MS. of Persuasion [underlined]"; (he obviously sends scripts to Hudson) "I have no present intention of printing this . . . It is possible [underlined] (I think very unlikely) that the Eng.

9pp., 12mo. In makeshift unbound pamphlet, made up of six bifoliums pinned together. In good condition, on aged and lightly-worn paper. While short, the account is vivid, its first-person account of a whirlwind Regency romance evoking the inevitable comparison with Jane Austen. Written with the long s, the journal begins: 'On Monday July 31st.

3pp., 12mo. Bifolium. Very good, on lightly-aged paper. He writes that her letter has 'exhilarated' him: 'I think there is nothing wh. gives one such thorough pleasure as praise frm those of whom one is fond. But I wish you would write some stories in the style of "Scenes of Clerical Life" (if that is the book I mean).' He has received 'cheerful telegrams from Mentone' and was 'pleased to get a note from old Weatherby who was in front the other night - & who left after the first piece'.

110pp., foolscap 8vo. Mimeographed 'copy of all the talks delivered at the series of Seminars held at the University of Witwatersrand, Johannesburg, on the 9th, 16th and 30th August, 1975'. In original blue printed card wraps. In very good condition, on lightly-aged paper. Fifteen contributors: Marian Nell; Senator Anna Scheepers; Stella Sigcau, M.P.; Professor Lily Gerdes; Margaret Lessing; Nabawaya Wessels; Professor Catherine Smith; Lucy Mvubelo; Margaret Naidoo; Jane Raphaely; Professor Judith Stiehm; Joan Phillips; Beryl Mullins; Fatima Meer; Deborah Mabiletsa.

1p., 12mo. Laid down on a leaf removed from an album. Fair, on aged and dusty paper, with slight creasing to one corner. Reads: 'I shall probably look in at your homes on Monday | Yrs trly | [signed] W Carus Wilson | Aug 26 | Carterton Hall | Kirby Lonsdale'. Wilson ran Clergy Daughters' school which the Bronte sisters attended (fictionalised as ''Lowood' in 'Jane Eyre'). Charlotte Bronte blamed the harsh conditions at the school for the early deaths of her two elders sisters, and for the ill-health of her younger sisters, Anne and Emily.

2pp., 12mo. 33 lines of text, written in a close, neat hand. Good, on lightly-aged paper. She begins with a five-line 'encomium', before assuring Mrs Drysdale that she is 'pretty safe': 'I have been considered By People of the Highest Rank to whom I was known merely as a private teacher &c &c of moral virtues To possess of <?> for the highest talents & the purest Virtues I have been familiar I need not say why. None of these I ever flattered.

Printed on one side of a 4to leaf, to which a black mourning border has been given by hand. Well printed on wove paper. Fair, on lightly-aged and ruckled paper. The author's name is not given, and the title reads 'SONNET | ON THE LATE | DUTCHESS [sic] OF GORDON.' The poem begins: 'IS then the bright expansive spirit flown, | That wont to animate the admiring throng? | Does the fair theme of many a poet's Song | Exist in pleasing memory alone?' The poem was also printed in 'The Poetical Register, and Repository of Fugitive Poetry, for 1810-1811' (London: F. C. and J.

4 pp, 12mo. Bifolium. 73 lines. Text clear and complete. Fair, on aged paper. Hood returned to England from Ostend in 1840, moving into Devonshire Lodge after trying other lodgings. A fine letter, informative, energetic and moving. Jane begins by thanking Mrs Elliot for the 'kind present to my Tom [the couple's son Thomas Hood the younger (1835-1874)]': 'I only wish you could have seen the happy boy - how proud he was - and indeed is, of his new appearance - he sends his love & best thanks. I am sorry to say he does not yet write a readable letter'.

In fair condition, on lightly-aged paper. Twelve of the engravings are on paper roughly the same size (12mo), with the thirteenth smaller, but laid down on a leaf of the same dimensions. The majority of the women are writers, and the collection may well have been assembled to illustrate a work such as Byron's Letters and Journals. The thirteen women depicted are Hannah More, Maria Edgworth, Lady Noel Byron, Teresa Guiccioli, Caroline Lamb, Mrs Henry Tighe, Lady Morgan, Joanna Baille, Felicia Hemans, Mary Russell Mitford; Anne Maria Porter; Jane Porter. Artists are G. Freeman, W. J.

A total of 36 pp in 8vo. First section (12 June 1847 to 22 July 1852): 16 pp, at around 30 lines per page. Second section (1 January 1862 to 29 December 1864): 20 pp, at around 40 lines per page. All text clear and complete. Good, on aged paper, with minor unobtrusive repair to last two leaves of first section. Both sections unbound, in separate sewn gatherings. The diary is unsigned, but the context establishes the author beyond doubt as Lonsdale's wife Mary Jane, daughter of Mary Littledale (1779-1855), widow of Anthony Littledale of Bolton Hall, Yorkshire.

4to, 1 p. Ten lines. Text clear and complete. Fair, on lightly-aged paper, with some creasing at head. The delay in replying is due to 'a rather severe attack of influenza'. She has no photograph to send ('I have been meaning to have some new ones taken, but never seem to get time'), but is 'so glad that my books give you pleasure, & I hope that I shall be able to continue to entertain you with them'.

The author identified as the 'Margravine of Anspach' beneath the signature in a contemporary pencil hand. 8vo, 3 pp. Bifolium. Fifty-five lines of text. Clear and complete. Fair, on aged and spotted paper, with remains of stub adhering to the reverse of the second leaf, which is addressed to 'Mrs. Jones'. A characteristic and energetic letter, reminiscent in tone of Jane Austen, showing why the Margravine was held in such high regard by Horace Walpole.

4to bifolium. The text, in small print, covers the final three pages. On aged and foxed paper. Inscribed, at the head of the title, 'from R. W. C.' The recipient was Cecil Harmsworth, who has written in pencil, beneath the inscription: 'C H | 26/ii/ 1927'. (Harmsworth was the proprietor of the Johnson house, which he had bought in 1911.) Scarce: no copy in the British Library, and the only copy on COPAC at Oxford.

12mo, 32 pp (paginated 225-256). Stapled. In original grey printed wraps. Contains the articles 'Where Time hangs heavy' by Jane Barlow, 'The Church and the Future' by 'Irial', 'In Praise of the Gaelic League' by Stephen Gwynn, 'Jane Austen' by T. W. Lyster and 'Literary Causerie' by F. M. Atkinson.

On piece of paper 13 x 8.5 cms. Lightly spotted and discoloured. Traces of previous white paper mount on blank reverse. Reads '<...> certainly go, & see with a true sentiment of respectful Love, the Bust you mention. I have been very ill for sometime, & I am very much still of an Invalid. I am very | Truly Yours | [signed] Jane Davy | Monday | May 19th. 1851.'

Wife of the noted Scottish naturalist (1830-82). The recipient (1812-1904) is author of the celebrated 'Self-help' (1859). Three pages, 12mo, with mourning border. Very good on slightly discoloured paper. She has found among her late husband's letters 'one from you in which you ask for any information which was in my husband's power to give about the late Mr. Robert Dick of Thurso and for any letters of his which might be of use in preparing a Memoir of Robert Dick's life'.

12mo: 159 + [9] pp. (Publisher's catalogue of 'Books Printed for Nath. Crouch at the Bell against Grocers-Alley in the Poultrey near Cheapside.' begins at foot of p.159 and continues for nine unpaginated pages, ending 'FINIS.') Lacks frontispiece. Woodcuts on pp.26, 61 and 121. In worn original calf binding. No endpapers. Aged and with worn fore-edge. Separate title to second part on p.89 ('The Secret History of the Lady Jane Gray', 'London: Printed for Nath. Crouch. 1710.') Scarce: COPAC only lists reproductions, with the note: 'R.B.

12mo, 4 pp. Bifolium. Good, on lightly-aged paper. He was introduced to the recipient 'by Mr. Philip Malleson of Croydon, when I wanted to send an Essay to The Albemarle'. Asks if he 'might be disposed to let me write a volume on Jane Austen or Leigh Hunt for your Dilettante Library', Austen being 'specially before the public just now'. He has edited Austen's novels and two 'well received' volumes of selections from Hunt for 'Mr. Dent's Temple Library'. 'If you do not care to arrange for either of these authors I would suggest Miss Burney[,] Hazlitt or T. L. Peacock.

8vo bifolium on good wove paper. Leaf dimensions roughly 22.5 x 14.5 cm. Good, on lightly creased paper. Illustration of horse, 7.5 x 9 cm, on recto of first leaf, with 'JANE BISSELL GRABHORN | 1911-1973'. Memorial, with same title, across inner pages, signed in type by Magee. The following on reverse of second leaf: 'This memorial is presented to the members of the Book Club of California by Andrew Hoyem, who composed the text in Friar, a type given to Jane by its designer, Frederic W. Goudy, and by Lawton & Alfred Kennedy, who did the press work, Nov. 1973.'

4to bifolium: 3 pp. Good, on lightly aged laid paper, with slight damage to second leaf caused by the breaking of the red wax seal, parts of which still adhere. Address, with black ink Salisbury postmark, on verso of second leaf. The 58 lines of text clear and entire. A chatty, spirited and interesting letter, casting valuable light on the doings of the better class of Hampshire society in Jane Austen's time. Addressing 'My Dear Mr. Jervoise' she begins by explaining that she 'wrote in such a hurry yesterday to save the Post, that I can scarcely know what I said'.