EDITH

Letter: 1p., 8vo. In fair condition, lightly creased and aged. With a few autograph emendations. In a characteristically eccentric letter he writes that their common friend Jimmy Linton has told Bowman that Duncan 'may be able to give me some particulars and perhaps a photo of Edith LORAINE who played Godiva in F. B. Woulfe's Company, presenting the famous historical play by Max Goldberg, (John F. Preston.) He refers to Mabelle F. Barlow, Lady Astor and his own play 'Divorce or Dishonour'. As a boy he was greatly impressed by Loraine's performance, and it 'started my interest in Coventry.

106pp., 4to. In good condition internally, on lightly-aged paper, in worn grey-cloth binding, with large and wordy French label on front cover. Rubens's score is not present. The text is preceded by twelve pages carrying: a 'List of Scenery and Properties', 'a 'Scene Plot', 'Light Plots', 'Property Plot', 'Hand Properties', 'Prompter's Cues' and 'Costumes and Wigs'. Possibly a prompt copy, with a number of passages deleted, and a few minor emendations made, in pencil, as well as call notes typed on the versos of some leaves, opposite the relevant text.

Printed in black ink on one side of a 14 x 11 cm piece of wove paper. At the foot, in blue ink, is a good firm signature: 'E. Nesbit | 1921.' Above a central engraving of the façade of the Cathedral is written in stylised lettering: 'THE RECONSTRUCTION OF RHEIMS CATHEDRAL AS A MEMORIAL TO THE ALLIED FALLEN'. Beneath the illustration is printed, in conventional lettering: 'May France and the British Empire ever walk side by side in the paths of Peace!' Restoration of the cathedral began in 1919, and is still in progress.

The three items totalling 11pp., 12mo. On three bifoliums. In good condition, lightly aged. ONE: 23 February 1860. 3pp., 12mo. She begins: 'I cannot receive yr. repeated welcome remembrance of old Remp[ston]e. days, without a line of thanks for the pleasurable thoughts they awaken - a boon, to a Recluse, who lives much on the past & on the far-off present, which a friendly telescope may bring before her'. She congratulates him in graceful terms on his 'success'.

Married to one of the richest men in England, Lady Wimborne was lover and patron of the young Sir William Walton (1902-1983). She was, according to Stephen Lloyd ('William Walton: Muse of Fire'), 'extremely musical and Wimborne House in London became home to many musical soirées, including the private subscription concerts of the Quartet Society and even a chamber orchestra conducted by Hyam Greenabum'. Both items in very good condition, with light signs of age. ONE: Marsh to Strutt. 2pp., 12mo.

5 + [1]pp., 8vo. In fair condition, aged and lightly-worn, with slightly rusted staples and rust stain from paperclip. Scarce: the only actual copy on COPAC or OCLC WorldCat at the LSE in London.

Wood Engravings by Edward Carrick.8vo, [11]pp., printed privately for Terence Fytton Armstrong [John Gawsworth, ]Number 7 of 290 (305) copies printed on Charles I hand-made paper, engraved title-page and two other decorations, mottled pale green paper-covered boards, sl. speckled, with original glassine-type thin paper wraps, sl. chipped and speckled, yellow printed label with an additional engraving on the front, endpapers sl. browned, a little faded, generally good to very good.

Both letters in good condition, on lightly-aged paper. Each in its envelope, addressed to Mrs Strutt at 12 Somers Place, Hyde Park. Letter One: 1p., 12mo. He apologies in florid style about a clash in dinner engagements. 'I made a desperate attempt to avoid a dinner-party tonight with the Wimbornes and was told that I should

18 long letters, totalling 106pp., 4to, and 2pp., 8vo. Fourteen signed 'Seymour Fortescue' and four 'Seymour F'. Three with the year stated by Fortescue, ten others dated in pencil in another hand. In very good condition, on lightly-aged paper. For biographical information about Fortescue, see the end of this entry.

43pp., 12mo. Closely written in a ruled black cloth notebook, titled on first page 'CHILDREN'S BOOK'. Internally in good condition, on lightly-aged paper; torn scraps of paper adhering to the waxed cloth covers. Containing such information as date and time of birth, weight of child, name of doctor and 'nurse-housemaid', teething ('R. J.s first eye-tooth'), first walk, first words ('R. J. said ("I'm a pe-pe" - this probably only imitation; since called himself Baby).

1p., 8vo. Printed in blue on shiny art paper. In good condition, slightly-aged. Headed: 'Greenway Court, Hollingbourne, Kent', followed by a 7 x 10 cm photograph of the 'Dining Room, Greenway Court'. The text begins 'Miss Edith Bradley and Miss Baillie-Hamilton receive a few Resident Students at Greenway Court, to train for practical work in Dairy and Fruit Farming, Market Gardening and Bee Keeping.' Details of the 'complete course' are given, and of the fees. 'The Farm consists of Fifty Acres of Orchards, Pasture and Arable.

4pp., 12mo. 49 lines. Bifolium. On aged and creased paper, with remains of stub. In what appears to be a reference to the memoir by Lady Ponsonby that was published after her death (London: John Murray, 1927), Sichel (at the risk of appearing 'an impertinent Bore') thanks her 'for that adorable manuscript': 'You have made me so happy these days, transported me so entirely to the world I longed to see, that it would really be ungrateful not to say how much I thank you. The whole Court lives, and the Queen most of all, & Prince Albert.

12mo, 1 p. Good, on lightly-aged paper. Punch-hole in top left-hand corner. Replying to an autograph hunter, she states that she has 'signed the programme' and has 'much pleasure in returning it with every good wish'. Good, firm signature.

Sitwell and Renishaw collaborated on the play 'Gentle Caesar' (published in 1942), and the last two letters would appear to concern a possible film adaptation. All three items very good on lightly aged paper. Letter One ('Friday Renishaw'): 12mo, 2 pp. 18 lines of text. Apparently written around the time of the play's composition. Sitwell is 'delighted' that Minney is 'already immersed in Pares's book. I have just read the Czar and Empress Marie's Letters.' He has 'marked (in the preface mostly) what I thought helpful for atmosphere, or amusing'.

8vo (dimensions roughly 21 x 16.5 cm): 24 pp. In original coloured illustrated card wraps. The whole bound with black thread. All edges silvered. Aged, worn and lightly spotted, but tight and in reasonable condition overall. Two small wormholes in back wrap, affecting the verso of the last leaf. Fifteen poems, seven of them by Nesbit: 'Song', 'Possibilities', 'Vie Manquees', To a Picture by Giovanni Bellini', 'The Better Part', 'Rondeau' and 'Lovers'. Every page of the volume carries illustrations of nature in black and light green. Similar designs in colour on the covers.

12mo, 2 pp. Very good. Attractive letterhead with engraved illustration of 'Renishaw Hall | Derbyshire' (last word crossed out by Sitwell). Written in purple ink. Asks if there is 'anything to be made of a curtain-raiser, or short film, which wd. show Napoleon catching the cold, which lost him the Battle of Waterloo? . . It is an amusing idea.' He considers that it is 'sure to have been some very silly person who sneezed at him . . . Or is the idea nonsense!'

12mo: 1 p. On discoloured paper with wear at head and traces of previous mount adhering to blank reverse. He sent the publishers Chatto & Windus her novel the previous Monday, 'begging them to write to you on the matter, and giving your work my best recommendation'. He has not heard anything from them himself, but expects it will 'take a week or two, before they can give an opinion'. The recipient may be Edith Nesbit, although this is unlikely as Nesbit was her maiden name. She became Edith Bland in 1880. None of her works appear to have been published by Chatto & Windus.

Edith Evans (1888-1976), distinguished English actress, created Dame of the British Empire in 1946; Claude Rains (1889-1967), English-born film actor, best known for his part in "Casablanca"; C. Aubrey Smith (1863-1948), England cricketer and actor, Hollywood's idea of the quintessential Englishman. Their signatures on a piece of paper, 7 by 4½ inches, mounted on a piece of pink card, along with those of six other members of the cast of the play "Daniel", performed at the St James's Theatre in London in 1921.