SCORE

6pp. by Boulanger, out of 46pp. in a landscape 14.5 x 23 cm notebook of printed staves, stitched within plain white covers. In fair condition, lightly aged and worn, with five leaves loose and a sixth leaf with loss to one corner. Eleven pages in ink (all by Tennant), the other 35pp. in pencil. In pencil at head of front cover: 'Lundi 4 h.' The initial three leaves (the third of them loose) carry the six pages of musical composition and text by Boulanger; the rest of the volume (40pp.) comprises musical composition by Tennant.

All items in good condition, lightly aged and worn. ONE: Autograph Score. 7pp., 4to. On printed music paper. Sewn into green card printed wraps. Title: 'Henry Purcell | "Fantazia In Nomine" | (1680) | in seven parts for strings (viola da gamba a. s. on) | Adaptation for 12 parts for the 12 Cello-players of the Berlin Philharmonic Orchestra from the original manuscript in The British Museum, London, from Martin Fischer | (This is my first version of the adaptation) | Meinem lieben Freund Richard Hutchins, Waynflete, England, in Dankbarkeit zugeeignet. Berlin, 1976/77'.

Both items in good condition, on lightly-aged paper. ONE (letter): 1p., 12mo. In a neat and elegant hand, it reads: 'Tuesday Night | Dear Laura | I send the tickets; as Goldsmith sent the portion of Lord Clare's haunch of venison to Sir Joshua - | "To paint it or eat it, whichever he pleased" | I am glad you like the Philharmonia | Your affecte. Friend | John Hullah'. TWO (cutting of sheet music): Written in pencil on one side of a 6.5 x 15 cm piece of paper, docketted 'Written by John Hullah 1861 | for

'. With a few words in Hullah's hand at head.

Elegantly designed by the architect William G. Murray, the Dublin branch of Cramer, Wood & Co had a fine exterior. It is referred to in the Nausicaa episode of Joyce's 'Ulysses': 'That widow on Monday was it outside Cramer's that looked at me.' The collection of c.130 items is in good condition, lightly aged and held together with its original brass stud. 19 of the items relate to Dublin Rates and the Income Tax (including an account of 'Municipal Rates 1920/1921', amounting to £639 9s 0d).

2pp., 8vo. On both sides of a leaf of scored 29.5 x 23 cm paper. Aged and folded. The first page is numbered 330 in the top left-hand corner, and headed "I love to hear the Story"'. The first page carries the first and third verses of Miller's hymn, scored for piano, signed at foot 'Frederic Clay.' On the reverse, with no heading, is the score of the second verse: 'I'm glad my blessed Saviour was once a child like me / To show how pure and holy His Little ones might be'.

Scored on two facing pages, on two 25 x 34 cm leaves of music paper attached to one another along one edge with a thin strip of glue. Good, on lightly-aged paper, in red card folder with white label. Scored for voice and piano, with the two verses of libretto by Tom Taylor. Signed at end 'Frederic Clay. / Tenor Ballad from "Court & Cottage".', with ownership inscription alongside: 'Henry Wodehouse / 24 Upp. Brook St.' (According to the Survey of London, Hon.

On both sides of a piece of paper, roughly 18 x 23.5 cm, taken from an album. Very good, on lightly-aged paper. Thirty-two grand staff bars, in black ink, with title and signature in blue. Signature, following the score, reads 'Douglas Hopkins | September 2nd. 1926'.

On one side of a leaf, roughly 18 x 24 cm, removed from an album. Good, on lightly aged paper. Sixteen grand staff bars, followed by 'from Minueta Trio for pianoforte | [signed] Leslie Regan | 10 July 1919.'

On one side of a leaf of pink printed music paper, roughly 18 x 23.5 cm, removed from an album. Very good on lightly-aged paper. Twenty-one grand staff bars. Signed 'Frank Wright. | 21st. December 1927.' in bottom right-hand corner. According to Newsome ('The Modern Brass Band'), Wright was 'a highly influential figure in the brass band movement'.

12mo, 2 pp. Ten lines of text. Good. Asks 'upon what terms' he may 'publish some of the songs I have set from the charming volume you sent me'. He is 'acquainted with the Gentleman' to whom Bennett has dedicated his book: 'it was in his shop I was introduced to Longfellow'. Possibly referring to Bennett's 'A Sea Song' and 'The Sea-Boy's Dream', set to music by Hatton and both published in 1861.

On one side of a pink leaf, roughly 18 x 23.5 cm, removed from an album. Good, on lightly aged paper. Staves ruled out in red, with notes and text in black. Seventeen bars, with staves for soprano, alto, tenor and bass.Titled 'Quartet (unaccompanied)' at head, with 'from "The Lord is King" | Stanley Marchant. | Jan: 10: 1909.' at foot. Beside this, in a larger, looser hand, in green ink, is a later signature: 'Stanley Marchant | Sept: 20: 1936'.