SHEET

409 + [6]pp., 8vo. In blue cloth, with ornate design printed in silver on front cover, around a laid down photographic portrait of 'The late Alderman J. Rhodes, J.P. Founder of the Firm in 1824.' Spine reads: '1824. J. RHODES & SONS, LTD., 1901.' Text embossed on back cover. In fair condition, on aged paper, in lightly-worn and aged binding. Two leaves of addenda tipped-in, the first, with text printed in red, headed 'Notice. - American Competition!'; the second carrying text and illustration of the '"Rhodes" "Excelsior" Treadle Guillotine Shear'.

6pp., 8vo. On three leaves stapled together, with punch holes for ring binder. In good condition, on lightly-aged paper. With 'RESTRICTED' at head and foot of each page. Corps badge at head of first page and six illustrations in text. Divided into 24 sections, with headings: Formation; Early History; The First World War; The Second World War; Post War; Alliances; The Badge; Corps Colours; Dress Distinctions; Corps Day; Official Music; Patron Saint; Corps Motto. Written in a no-nonsense style. For example, the final two sections read: 'Patron Saint | 23.

SCORE: [4] + 75pp., 4to. In printed wraps with decorative cover and advertisements. A fair copy, on aged paper, in worn and chipped wraps repaired at the spine. Unusually positive and forward-looking for its period, on the subject of women in the workplace. Note on reverse of title: 'The writer of the Libretto wishes to acknowledge his obligations to "Work and how to do it," by Mrs.

Both items in good condition, on lightly-aged paper. ONE (letter): 1p., 12mo. In a neat and elegant hand, it reads: 'Tuesday Night | Dear Laura | I send the tickets; as Goldsmith sent the portion of Lord Clare's haunch of venison to Sir Joshua - | "To paint it or eat it, whichever he pleased" | I am glad you like the Philharmonia | Your affecte. Friend | John Hullah'. TWO (cutting of sheet music): Written in pencil on one side of a 6.5 x 15 cm piece of paper, docketted 'Written by John Hullah 1861 | for

'. With a few words in Hullah's hand at head.

2pp., 4to. On a single leaf, both sides of which are headed 'Répertoire Lecombe'. Printer's slug at foot of 'Verdun on ne passe pas!' Both lyrics printed in two columns (no score to either). In good condition, on aged and worn high-acidity paper. 'Ce sont les Yeux' begins: 'Chacun dans la vie cherche son idéal.' The 'Dernier Refrain' reads: 'Et bien des yeux de mère, | Sont tournés vers la frontière | Où là-bas leurs chers petits enfants | Pour sauver la France donnent leur sang.

Elegantly designed by the architect William G. Murray, the Dublin branch of Cramer, Wood & Co had a fine exterior. It is referred to in the Nausicaa episode of Joyce's 'Ulysses': 'That widow on Monday was it outside Cramer's that looked at me.' The collection of c.130 items is in good condition, lightly aged and held together with its original brass stud. 19 of the items relate to Dublin Rates and the Income Tax (including an account of 'Municipal Rates 1920/1921', amounting to £639 9s 0d).

In black 19.5 cm square sleeve, with striking cover design showing the aftermath of Sharpeville, and notice 'The American Committee on Africa receives royalties from the sale of this record.' The four songs are Tina Sizwe (We, The Brown Nation); Nkosi Waqcine (God Save the Volunteers); Asikatali (We Do Not Care If We Go To Prison); Liyashizwa (Pass-Burning Song). Very good, lightly-aged, with the record itself (in brown paper sleeve) seemingly unplayed. The twelve-page booklet is stapled, with illustrated cover and three photographs of the Sharpville Massacre.

Handbill, one page, crudely coloured border with images of a black troubadour with banjo[?] , a native American, and a trapper [?], 26 x 17cm, three stanzas each eight lines plus chorus, edges chipped, laid down on a larger page. Commences, "Oh! listen a while., a story I will tell; | It will please you to death, I know berry well [...]" Decorative border signed "E A Sparks" ("Printed within colored pictorial border (De Marsan trapper border J, in Wolf, E. Amer. song sheets)." One copy of this imprint listed by WorldCat, two of another imprint (later).

A loose 8vo leaf, roughly 26.5 x 19.5cm. In fair condition, on aged paper, with the edges strengthened with cream paper strips. The cover is decoratively printed, in a variety of types and point sizes. Priced at two shillings, and stated to be entered at Stationers' Hall. At the foot of the page, in capitals: 'The present arrangement is copyright; and the only correct edition of this beautiful negro melody in which the words are faithfully true to the original story, so popular among the negros [sic] in Alabama.' The reverse carries the beginning of the song, by 'Edwd.

2pp., 8vo. On both sides of a leaf of scored 29.5 x 23 cm paper. Aged and folded. The first page is numbered 330 in the top left-hand corner, and headed "I love to hear the Story"'. The first page carries the first and third verses of Miller's hymn, scored for piano, signed at foot 'Frederic Clay.' On the reverse, with no heading, is the score of the second verse: 'I'm glad my blessed Saviour was once a child like me / To show how pure and holy His Little ones might be'.

Scored on two facing pages, on two 25 x 34 cm leaves of music paper attached to one another along one edge with a thin strip of glue. Good, on lightly-aged paper, in red card folder with white label. Scored for voice and piano, with the two verses of libretto by Tom Taylor. Signed at end 'Frederic Clay. / Tenor Ballad from "Court & Cottage".', with ownership inscription alongside: 'Henry Wodehouse / 24 Upp. Brook St.' (According to the Survey of London, Hon.

4to, 4 pp. Bifolium. In light-grey printed wraps with design by Lieberman printed in dark-grey and pink (price on front amended with stamp). Score on central two pages. Last page carries an advertisement for another of Bowles's piano pieces, and a short biographical notice, headed 'ABOUT THE COMPOSER' ('[...] He is best known as composer of music for the theatre. In this medium he has written incidental scores for the two Orson Welles productions: [...] Mr. Bowles has also done several film scores, and the music for two ballets commissioned by the American Ballet Caravan: [...]').

4to, 3 pp (paginated 3-7). Bifolium loose in grey wraps printed in red. Good, on lightly-aged paper with slight wear to spine.

4to, 12 pp. On six loose bifoliums. Good, on lightly-aged paper, with minor spotting on reverse of last leaf (page of advertisements).

4to, 13 + [i] pp. On four loose bifoliums. On aged paper with small closed tears to spine and last leaf repaired with archival tape.

4to, 3 pp. Loose leaf inserted in bifolium. Good, on lightly-aged paper. Front page printed in black and red. Advertisements on reverse of last leaf.

4to, [i] + 4 pp. On two loose bifoliums, in tan printed wraps. No. 73 of 110 copies (one of the hundred numbered copies and NOT one of the ten copies signed by author and composer). Limitation inside front wrap. Title-page states 'This arrangement is dedicated by the composer to the Berkshire School Musicale Association'. No copy on COPAC.

On both sides of a piece of paper, roughly 18 x 23.5 cm, taken from an album. Very good, on lightly-aged paper. Thirty-two grand staff bars, in black ink, with title and signature in blue. Signature, following the score, reads 'Douglas Hopkins | September 2nd. 1926'.

On one side of a leaf, roughly 18 x 24 cm, removed from an album. Good, on lightly aged paper. Sixteen grand staff bars, followed by 'from Minueta Trio for pianoforte | [signed] Leslie Regan | 10 July 1919.'

On one side of a leaf of pink printed music paper, roughly 18 x 23.5 cm, removed from an album. Very good on lightly-aged paper. Twenty-one grand staff bars. Signed 'Frank Wright. | 21st. December 1927.' in bottom right-hand corner. According to Newsome ('The Modern Brass Band'), Wright was 'a highly influential figure in the brass band movement'.

4to, 1 p. Bifolium, addressed with postmarks, penny red stamp, and remains of black wax seal, on reverse of second leaf to 'Mr Blanchard, 5 Hackney Terrace, South Hackney'. Text clear and complete. In poor condition, on aged, ruckled and stained paper. Following their 'conversation of Saturday Morning' Brewer agrees 'to purchase the Copyrights of the "City Polka's [sic] & also the Song entitled "Ever the Same" upon the following terms [...]'.

Roughly twelve and half inches by nine and a quarter. Neatly mounted on piece of cream paper, with surrounding ink rules. Good, with some ruckling and wear to corners. Characteristically arresting arrangement of type. Reads: 'CAUTION. | THE ONLY CORRECT COPY | OF DONIZETTI'S OPERA | THE FAVOURITE | AS PERFORMED IN ENGLISH AT THE | THEATRE ROYAL DRURY LANE, | IS PUBLISHED BY | JEFFERYS AND CO.

The collection is in good condition, with each letter entirely legible. Two items particularly aged, and one with a couple of closed tears unobtrusively repaired with archival tape. Each item bears evidence of the fact that the collection was previously held together with a pin. An interesting sidelight into the musical culture of Victorian London. COPAC only locates one copy (at Cambridge) of Robinson's piece, published by W. Sprague of Westminster in [1874], copied by F. C. Wood, 'words by permission of Messrs. Hopwood & Crew'. All items 12mo.

Quarto bifolium. Four unbound pages. Very good with a little light creasing. Illustrated cover in blue ink by E. Coolin showing a warship and plane and a British soldier holding an axe and the decapitated head of Hitler. INSCRIBED on cover 'With deepest regards from the Composer H M King'. 'This song, inspired by Quentin Reynolds' famous broadcast to Mr.

British composer (1876-1968) of light classical music and singer. 16mo. 2 pages. In good condition, with one neat vertical crease and one dog-eared corner. She thanks him for the 'charming lyrics'. 'I don't think I had better embark on any more at present, as I find it increasingly difficult to get things published, & my Store of MSS. is very large!' The two letters of his that she has are signed 'Grey' and she will be interested to see his 'real signature'. She wonders whether he has a spare copy of 'A recall'.