OPERETTA

2pp., 12mo. On aged paper, with creasing and short closed tear at foot of leaf (affecting first letter of signature). The letter reads: 'My dear Sir | So many thanks for your most beautiful lines. I should be grateful if you would dedicate them to me | Yrs Truly | Henry A. Lytton'. Lytton gives his Chiswick home address on the reverse.

SCORE: [4] + 75pp., 4to. In printed wraps with decorative cover and advertisements. A fair copy, on aged paper, in worn and chipped wraps repaired at the spine. Unusually positive and forward-looking for its period, on the subject of women in the workplace. Note on reverse of title: 'The writer of the Libretto wishes to acknowledge his obligations to "Work and how to do it," by Mrs.

23pp., 12mo. Stitched pamphlet. In fair condition, on aged and chipped high-acidity paper with floral watermark. Elegantly letterpress printing. Priced at 6d on front cover. The third page carries an 'Index to Music', at the end of which the address in the following - 'Copies of the Music may be obtained at 7, Harpur Street, London, W.C., Price 2s.' - has been altered in manuscript to 'from Miss C. E. Few | Shalford | Guildford'. Excessively scarce: no copies on COPAC or OCLC WorldCat.

35 items, in very good condition, on lightly-aged paper. Ellerman's fifteen letters, all signed 'John Ellerman.', total: 10pp., 4to; 1p., 8vo; 7pp., 12mo. Rollins was co-author with R. John Witts of 'The D'Oyly Carte Opera Company in Gilbert and Sullivan Operas' (1962), and Ellerman's good-natured correspondence is entirely devoted to the same subject, with references to singers, current productions, historical information and Rollins's 'great book'. Two examples will indicate the tone. On 5 January 1968 he writes: 'I am indeed glad to get a little news of the G. & S. front; Mr.

1p., 16mo. On a piece of watermarked laid paper, 17 x 10.5 cm. Fair, on lightly-aged paper, with a manuscript correction ('tracts' to 'tracks'). In three numbered stanzas, Farnie's version being in effect an entirely new poem: 'This Fish was indeed Oh! | A Woolwich Torpedo, | But Oh! But Oh! | The big whale did not know.' 'Les noces d'Olivette' was first performed in Paris in 1879; Farnie's English language adaptation starring Florence St. John was performed at the Strand Theatre in London from 1880 to 1881.

1p., 4to. Fair, on lightly-aged paper, with unobtrusive closed tears along crease lines. 'Mr. Ben Fack [Falk?], the photographer, will, I am sure, give you such a photograph of me as you may select from the assortment he has, if you inform him of your business.' She asks him to send her a sample, if 'the tumblers prove a success, as far as my likeness is concerned [...] If I like it I will possibly order a quantity.'

Small 4to, 4 pp. Bifolium. Text clear and complete. Fair, on browned high-acidity paper. Neat strip of stub from mounting in album still adhering to inner margin of verso of second leaf. Headed 'Words.' All but first chorus in double-column. A mixture of the original 'House that Jack built' with 'Jack and Jill'. Begins with 'Chorus. - "This is the house that Jack built."', the first lines of which are 'Our labours are done, our recompense won, | And anger has been on no back spilt, | So now with one voice we'll laugh and rejoice | As this is the house that Jack built.' Characters are: Mr.

4to: 1 p. Text complete and clear, on aged, spotted and lightly-creased paper. He has exchanged letters with 'Mr Morell' 'with reference to "Faust up to Date" ', but does not believe any contract has yet been arranged. He does not have a copy of 'the Score and Band Parts': 'I should say Mr Geo. Edwardes or Mr Meyer Lutz has these.' Sims co-wrote 'Faust up to Date' with Henry Pettitt. The music was by Lutz. It was produced by Edwardes, and first performed at the Gaiety Theatre, London, on 30 October 1888.