Literature

Small 8vo. Pages: viii + 24 + [4 blanks]. Original cream paper wraps: title and price in red and engraving in green on front. Wraps discoloured, rubbed and stained, with covers loosening and loss at foot of spine. Internally sound and tight, but quite heavily foxed. Dated ownership inscription on flyleaf. Titlepage vignette and 15 engravings. Collection of whimsical poems about places like Hampstead Garden Suburb and people like G. K. Chesterton and Bernard Shaw. Taylor & Sewell A125b.

Museum Director and Bibliophile (DNB). One page, 4to, with conjugate blank, good quality paper, edges sunned irregularly, text clear and complete. The page is headed with a substantial view by E.H. New of the Museum. The text comprises a printed acknowledgment of a contribution for "the addition to our Collection" which Cockerell has dated and signed in manuscript. He has also written the name of the correspondent ("Mrs A.J. Finberg") and the title of the contribution ("Study of Apple boughs by Samuel Palmer").

(John Bull) William Mudford (DNB) (7; 1844), author and journalist. Five letters are signed "The Editor of the John Bull" or similar but two are signed by Mudford who suggests that his name is no longer a secret to Hewlett because of Barham. (Although the article in DNB on Mudford says that he succeeded Hook as Editor in 1841, no other authoritative source gives this information, from CBEL to the Waterloo Directory.) He tells Hewlett the Proprietors' requirements and his policy, presenting Theodore Hook, former Editor, as the model writer for the periodical.

William Naisby (1; [1843]), giving a detailed and hostile critique of Hewlett's College Life. Originally from a larger archive, the residue of which is described in #3157 (Hewlett's papers), this and other items appear in my ABE inventory in book id#s 3124-3156.

Andrew Spottiswoode ( Boase), of the printers and publishers (BBTI as printers only), proprietor of Hood's Magazine from early 1844 (see Jane Hood #3138). Hewlett has obviously followed Hurst's suggestion (above) that he contact Spottiswoode about the editorship of the Pictorial Times and contributions. The latter here replies that there is no vacancy and comments that it is not desirable "to fill up the Pages of a Newspaper with Novels".

Drinkwater Meadows (DNB), actor, taking up Hewlett's offer of help to get him published in the New Monthly Magazine. (Nothing by Meadows is listed in the Wellesley Index for NMM, but he contributed a series to Ainsworth's Magazine, Oct. 1845-August 1845.) Originally from a larger archive, the residue of which is described in #3157 (Hewlett's papers), this and other items appear in my ABE inventory in book id#s 3124-3156.

Samuel Phillips (DNB), journalist and novelist, editor and owner of John Bull (see #s3131, 3132) at one time. He refers to an introductory letter to Blackwoods and sympathises with him in ill health: "Essex is not the place for poor curates or . . . poor literary men". Originally from a larger archive, the residue of which is described in #3157 (Hewlett's papers), this and other items appear in my ABE inventory in book id#s 3124-3156.

[J. Newby?], looking forward to a meeting to discuss Hewlett's "series of papers" (periodical unknown). Originally from a larger archive, the residue of which is described in #3157 (Hewlett's papers), this and other items appear in my ABE inventory in book id#s 3124-3156.

American novelist (see American DNB). Three pages, 8vo, laid down on a piece of card, sl. soiled but text clear and complete. He acknowledges receiving a letter and goes on "I red the fascinating book with the greatest possible pleasure. It is charmingly written, and so interesting that when it ended I wished for more." He thanks Mrs Blake for "the delightful hours she has given me in following her adventures and yours." [Book unidentified] He asks the to let him know when they return to America.

George Alder (1; [1844?]) discusses the nature of a "new periodical" for which he hopes Hewlett will write (prob. the short-lived "Great Gun" - see Bell (#3128) and Gruneisen below), naming potential fellow-contributors in confidence. Originally from a larger archive, the residue of which is described in #3157 (Hewlett's papers), this and other items appear in my ABE inventory in book id#s 3124-3156.

C. L. Gruneisen (DNB), journalist, music critic, editor of the Great Gun. He explores the possibility that the author of Peter Priggins might write for the Great Gun, explaining his policy and agreeing "in Masonic confidence" to give him the names of the principal contributors.(Presumably these names were sent by George Alder above.) According to DNB, Gruneisen edited the Great Gun from 16 Nov. to 28 June 1845, prob. the life of this weekly. (Copy in British Library Newspaper Library.) WITH: Mrs. C.L.

4 volumes, 4to, each with a preface by John Oldcastle. Number one: Sir Charles Grandison, 36 pages, 6 illustrations; number two: Solomon Gessner ("The Swiss Theocritus"), 28 pages, 6 illustrations and extra portrait; number three: Thomson's Seasons, 32 pages, 4 illustrations and extra portrait; number four: Tristram Shandy, 28 pages, 6 illustrations. All four numbers replete with attractive vignettes. Only these four numbers were published (vide number four, page 4). Each of the four numbers has an eight-page publishers' catalogue at the end.

Robert Bell (DNB) (4; 1845), author and editor. (Jan.) He encourages Hewlett to contribute to a "publication called the Great Gun, the scope of which is more comprehensive than Punch". (See George Alder (#3127)). He characterises the sort of contribution required, and gives other detail including payment terms. He refers him to the editor, C. L. Gruneisen (see below). (July) He is unhappy to have introduced Hewlett to the "Great Gun" whose proprietor, Edwards (below), appeared to have committed suicide (not so, it transpired).

Henry Flower, presumably the bookseller and publisher in BBTI, discussing Hewlett's Dunster Castle in congratulatory terms, hoping for a meeting. Originally from a larger archive, the residue of which is described in #3157 (Hewlett's papers), this and other items appear in my ABE inventory in book id#s 3124-3156.

Joseph Schroder Moore, barrister (Post Office Directory 1846), brother to J.C. Moore ("The Letters of Thomas Hood", passim). Initially he is chasing up a manuscript promised by Hewlett. He then explains why the delivery of the manuscript was declined by his brother, suggesting that the proprietors of the Rejected's Magazine (see Francis Brown, #3130) would not have stopped its publication if his manuscript had come to hand.

(John Bull) W. Shackell (2; 1844), prob. printer (BBTI) and publisher and/or joint-proprietor of John Bull. He encourages contributions and anticipates "the Proprietor" making a proposition "for your further and permanent connexion with [John Bull]." See immediately above and below for more material from the J.T.J. Hewlett archive. Originally from a larger archive, the residue of which is described in #3157 (Hewlett's papers), this and other items appear in my ABE inventory in book id#s 3124-3156.

[William] Edwards, possibly the proprietor of the Great Gun mentioned by Robert Bell (above #3128)), Mrs Gruneisen (with husband #3134), and in Diaries (J.T.J. Hewlett below). He accepts a Bill of Exchange and discusses it. Originally from a larger archive, the residue of which is described in #3157 (Hewlett's papers), this and other items appear in my ABE inventory in book id#s 3124-3156.

Frederick Oldfield Ward, temporary editor of Hood's Magazine (see "The Letters of Thomas Hood", passim). He discusses the prestige of a name (such as "Peter Priggins") and speculates that authors write better under the name "to which their fame is attached". Colburn is trying to insist that Hewlett cannot use this name, but Ward advises a "more independent and more honorable position with regard to Colburn." He mentions Hood's health on several occasions, later mentioning his death. He asks for stories not dependent on College life, explaining why.

Scottish poet and editor (1777-1844).

Widow of Frank Harris. One page, 8vo, good condition. She reminds him that she signed a contarct for the publication of an abridged version of her "husband's "Book". "Life & Loves". She has yet to receive proofss for her approval, arguing that the book is not yet published. She asks when he will do so.

"Frank Fairleigh". Novelist (1818-1864). Three pages, 8vo, bifoliate, sl. dusted, mainly good. "Mr. Austen seems to have written word for word what you wished said abt. Tobacco, but if there is to be much attraction abt. the article, your clever pencil must put it in, for, as it stands it is dull as . . . I was going to add ditch-water ("water" underlined] but I beg to apologise for the inadvertence - as [page 2] the worst kind of fermented liquors! -/ I send by todays post a Prospectus to Mr.

Private pressman and monk. 2pp., 4to. She is still in time to get a copy of his and Cecil Woolf's "Corvo", he thinks, but will check with Woolf. They have been awaiitng an introduction from Pamela Hansford Johnson. Their press cannot help her with her bit of printing ("our press here is closing this week and the staff --one laybrother and one employee transferring to our'commercial' press at Faversham"). He discusses a portrasit of George Anne Bellamy and the "Memoir of Montague Summers ("going round the publishers"), anticipating criticism and a later limited edition.

pseud. for Alfred Forrester. Oblong 8vo, paper covers (front dec.), 8 pp. only recto printed with cartoons, covers soiled, mainly good condition.

Novelist, essayist and dramatist, both in French, signed "Montherlant. ALS, in original envelope, 2pp., 4to. In the letter, he is sorry to have missed him and includes him among the few people he does want to see again. "Je pense rester en Afrique jusque vers mai". A "Mr Bradley left for New York. "Il devait, pendant son sejour las-bas, s'occuper du lancement des Bullfighters et m'ecrire pour me servir au courant. . .". He thanks him for his article ("intelligent et sympathique") asking if he knows anything of the author.

Sidgwick and Jackson/Leroi Jones, 4pp., fol., punch-holes sl. damaged, mainly good, marked "File copy", revisions in biro, additional clauses attached and initialled by Jones, document signed by Jones. Stapled to document: letter from Jones's agent, Ronald Hobbs, to Sidgwick and Jackson, clarifying the payment of advance payments on the book.

Four pages, 8vo. She declines to translate "White Fang" because the similarity of its "most important scenes" to those in "The Call of the Wild" ("leading" Paris editors agree with her) would jeopardise sales, suggesting that compression into one third of the original length would be necessary. She remits eight guineas to be forwarded to Jack London, and makes a play for the rights to translate a new Robert Hichens novel. WITH: typed note signed, 8vo, in German, from the publishers, Ferdinand Schoningh, to A.P. Watt, 20 Nov.

Full lea., rebacked, raised bands, gt.dec., corners and edges bumped and worn, some foxing of mainly endpapers, contents g-vg. INSCRIBED by the author to Hans Sloane , physician and collector (collections formed basis of British Museum).

Newspaper editor (1846-1932). One page, 8vo, acknowledging good wishes for his 70th birthday.

Novelist. Part of an autograph letter, 4.5 x 3.5 ins, probably 8vo when intact. Surviving text as follows: "34 De Vere Gdns,/ W./ Oct. 29th// Dear Florence./ The acquaintance that I have been [fragment of page concludes but crosswritten text continues as follows]" int) & believe the [...?]/[...?] faithfully yours/Henry James". On verso as follows: "3// al - Tinsley Bros. or V[?] R. Maxwell (Miss Braddon's.) I don't know [word underlined] any of these people, but" [fragment ends.

French authority on English literature, and in particular on the poet Algernon Charles Swinburne. The recipient (1878-1959) was editor of the 'London Mercury' at the time of writing. One page, quarto. In poor condition, with fraying and closed tears to edges. 'I herewith return revised proofs of my French Novelists. | May I remind you that I should be glad to have some galley proofs if it can be easily arranged?' Signed 'Georges Lafourcade'.