hans

A Fellow of the Royal Society, Marlborough's main scientific interest was astronomy, a subject on which he corresponded with von Brühl. The four items in good condition, with light signs of age and wear. They are accompanied by a typewritten (1960s?) report (3pp., folio), whose purpose is to disprove any connection between them and 'the name of Henry Cavendish and his work on the barometer'.

In very good condition, on lightly-aged paper. The poem (24 lines in six stanzas) is written out on the letterhead 'Leam, | Leamington'. 1p., 12mo, with the blank second leaf of the bifolium tipped-in onto an 8vo leaf.

1p., 4to. On lightly aged and creased paper. Ashton has made two emendations in manuscript: 'Dear Sir' is changed to 'My dear Ernest', and 'Yours faithfully' to 'Yours ever'. The letter reads: 'I beg to offer you our sincere thanks for the gift of a design for La Bohème, Act II, by Hans Strohbach, which we have much pleasure in accepting for inclusion in the collections of the Victoria and Albert Museum.'

Founded in 1818, the Ipswich firm of W. S. Cowell Ltd ('The Press in the Butter Market') grew into one of the leading British printers, known for its high-quality catalogue work. The firm's papers are in the Suffolk Record Office at Ipswich, whose catalogue entry provides a good summary of its history.

Forty-Four (44) Autograph and Typed Letters Signed (and a telegram) from (partially) distinguished people who attended the Phillipps Centenary Dinner at Stationers' Hall in 1972, usually saying more than a bald thank you. They are addressed, except in one instance - Wolfenden, mentioned below) to one or both of the Robinson Brothers (Lionel and Philip) who had made the significant and bold purchase, and presumably organised the celebration.

The nine items are in good condition, on lightly-aged paper. Items One, Three and Four, from 1962, and stapled together, as are the other six items, dating from 1964-5. ONE: Autograph Letter Signed ('Benjamin Britten') from Britten to Juda. On letterhead of The Red House, Aldeburgh, Suffolk. 25 July 1962. Responding to Item Three below, Britten thanks Juda for 'sending the magnificent book on Graham Sutherland', which Britten is 'very glad indeed to have'.

1p., 8vo. Good, on lightly-creased paper. He writes that he was 'very interested' to get Brill's letter. 'I will certainly work on something: I have many ideas, and you will probably be able to select something from what I will show you.' He suggests 'a drink at the Chelsea Arts Club one evening? I now have an answering machine, so you can leave a message there - or even with Monica at the College'.

ONE: Typed Letter Signed ('Henry') from Moore to Juda ('Dear Hans'). On letterhead of Hoglands, Perry Green, Much Hadham, Herts. 29 March 1973. 1p., 12mo.

1p., 8vo. In fair condition: lightly-aged and creased with light wear at head. Stapled to air mail envelope (lacking stamp), addressed to Juda at The Penthouse, 10 Palace Gate, London. She thanks him for the catalogue, which is 'très bien fait'. She thinks back 'avec plaisir' to her stay in London, and will be very happy to receive him at her Paris address, whose telephone number she gives. Postscript reads: 'J'èspere [sic] que l'exposition a une bonne presse? [signed] N. K.'

1p., folio. Fair, on lightly-aged paper; with staple- and punch-holes in left-hand margin. Docketed in pencil, at head 'file Oliver MESSEL', and at foot '2/XII/52'. He thanks him for 'your charming messages [...] about the designs for the Glyndebourne brochure', which were 'given me by Vagn' (Messel's partner Vagn Riis-Hansen). 'For the one design ie.

12mo, 1 p. On bifolium. Good, on aged paper. Addressed, on reverse of second leaf, to 'Mr. Simco | Warwick St. | Golden Square.' Asking Simco to send a book 'by the Bearer', as well as ' a remittance upon his account of Holbein', as 'he has some large payments to make at the beginning of next week'.

8vo bifolium (leaf dimensions 30 x 18 cm): 4 pp. Fair, on aged paper with slight wear to extremities, and minor damage to the area around the breaking of the black wax seal, which adheres, with a clear impression of a crest, to the reverse of the second leaf. Damage to a couple of words: otherwise text clear and complete. Circular 'F' postmark in red ink. Docketed. An impassioned, anguished letter, long and unguarded, and unusual in the valuable light it casts on the state of West Indian colonial affairs. The first three-quarters of the letter from 12 February and the rest from 13 February.

Literary Characters'. 12mo (leaf dimensions roughly 18 x 12.5 cm): 32 pp. Stitched with brown thread. Fore-edge and top-edge rough. Unbound as issued. Very good. Cartoon in red ink of man seated at typewriter on front cover, and another, in black ink, of a hatted-figure skulking away with a walking stick held behind his back on back cover. Initial note, with publisher's colophon, on p.2: 'This series of Literary Characters appeared in Now & Then numbers 77-87 and is here reprinted by Jonathan Cape Limited for their friends | Christmas 1954'.

Quarto: 196 + xii pp. 58 facsimiles in text, but lacking frontispiece. No dustwrapper. In original cloth binding, decorated on the front board in yellow, grey and black. Good, with spotting to edges and boards. Concentrating exclusively on German autographs. Wolbe was removed from his teaching post by the Nazis in 1933.

12mo: 1 p. On discoloured paper slightly damaged in one corner (not affecting text) by breaking of wafer. Second leaf of bifolium carrying address and postmarks. He received Fuller's letter containing a bill of twenty pounds from his brother. 'All here join in best love to you and believe me Ever Yrs.' Addressed to 'John Fuller Esqr. Junr. | Clement Lane | Lombard St. | London | [signed] Hans Sloane'. Circular frank in red ink, 'FREE'. Postmarked in black 'SOUTH | AMPTON'. Third circular postmark in black in two parts.

Full lea., rebacked, raised bands, gt.dec., corners and edges bumped and worn, some foxing of mainly endpapers, contents g-vg. INSCRIBED by the author to Hans Sloane , physician and collector (collections formed basis of British Museum).