BODLEY

8vo. 310pp. Red cloth, gilt extra, with ornate design to front board and spine. First edition with King's illustrations. A good copy of an extremely attractive book, in binding with light fading in parts, but gilt still bright, and with the merest wear at head of spine. Bookplate by Isabel Bonus for Annie C. Dolamore. Collated and complete. All of King's ninety-five illustrations are present, with twenty-four of them, including the frontispiece, on shiny art paper. A sumptuous item, produced at the high point of King's Art Nouveau period.

Printed in black on one side of 13.5 x 18.5 cm card. Plate dimensions 11.5 x 16 cm. Aged and spotted. An attractive and elegant production with both illustration and text engraved. The illustration, with engraved signature of 'E Marolda' shows six putti playing with a string of foliage, with one in the bottom left-hand corner swathed in ribbon and standing beside an architectural feature. The text reads: 'Les Muses réunies prient ['Mr. George Bodleys' inserted in mansucript] de vouloir bien honorer de ['sa' inserted] presence le nouvel atelier de Sigr.

Both items in fair condition, on lightly-aged paper. ONE: 3pp., 12mo. Bifolium. The letter begins: 'Dear Mr Lane, | Conscientious research in Titmarshian activities seems to point to the fact that you owe to the club the sum of 22/- for two dinners in October 1907.' He continues on this theme for a while, before turning to Reynolds: 'I am very glad to hear that you are going to bring out the Holy Mountain & Poor Mans House by Reynolds. As partly responsible for the suggestion of the Mountain & the location at Acton, I take some interest in the book & also in its author.?>

[10] + 288pp., 4to. In original quarter-binding, with blue paper boards and cream buckram spine with gilt lettering. A handsome book, profusely illustrated, with 49 plates (some with guards) and the two signed 'Extra Plates', and numerous illustrations in text. Announcement on reverse of first page: 'THIS edition, with an original etching and an original lithograph by Frank Brangwyn, is limited to 65 copies, of which this is No. 41'. The etching, facing p.1, is titled 'A Back Street, Tours', and the lithograph, facing page 180, is titled 'Newcastle'. Both are signed by Brangwyn in pencil.

2pp., 8vo. Neatly written out on two leaves of laid paper with watermark of Caxton Superfine Vellum. In very good condition, on lightly-aged paper. The poem consists of twenty-eight lines arranged in seven four-line stanzas, the first reading: 'On lake and fell the loud rains beat, | And August closes rough and rude.

On piece of laid paper roughly 6.5 x 13. Good, with a couple of spots. Interesting signature, roughly 1.5 x 7 cm. In black ink and with a broad-nibbed pen, giving it a calligraphic quality.

Antiquary (1787-1857) and Keeper of the Archives at Oxford, 1826-57. On slip of grey paper roughly two and three-quarter inches by three-quarters of an inch, neatly mounted on larger slip of thicker paper. Reads, in Bliss's distinctive and disciplined hand, 'a true Copy | Philip Bliss.' Presumably found inside a volume from Bliss's extensive library.