GOTHIC

One page, 12mo, bifolium, fold mark, good condition. £I have obtained a photograph of my Academy drawing before I coloured it, & beg to send you a copy." Postscript written at an angle, "I shall be very glad to go out with the working drawings of the first wing, when you say the word." Note: further enlightenment welcome.

Printed in black on one side of 13.5 x 18.5 cm card. Plate dimensions 11.5 x 16 cm. Aged and spotted. An attractive and elegant production with both illustration and text engraved. The illustration, with engraved signature of 'E Marolda' shows six putti playing with a string of foliage, with one in the bottom left-hand corner swathed in ribbon and standing beside an architectural feature. The text reads: 'Les Muses réunies prient ['Mr. George Bodleys' inserted in mansucript] de vouloir bien honorer de ['sa' inserted] presence le nouvel atelier de Sigr.

[2] + 34 + [8]pp., 8vo. Each page on the recto of a leaf, and all 44 leaves held together by a brass stud. In fair condition, on aged and worn paper. Ownership or authorship inscription at foot of title page: 'Albert E. Bullock | 45 Fairlawn Av: | Chiswick.' With occasional manuscript emendations, apparently in the same hand.

[1] + 111pp., 16mo. Unbound or lacking wraps (?). Aged and worn, with slight ink staining to title-page. The text is preceded by a full-page 'Prologo' from the publishers. No other copy traced on either Worldcat, COPAC, or PORBASE, and does not feature in the list of 'Later Editions' of the novel on pp.66-67 of A. T. Hazen's 1948 Walpole bibliography.

2pp., 16mo. On first leaf of bifolium of watermarked laid de la Rue paper. In good condition, on aged and lightly-creased paper. A fair copy, neatly written out in a delicate hand. The poem is 28 lines long, arranged in four 7-line stanzas. Short and effective, with no hint of Christian piety to lighten the unremitting gloom.

12mo, 18 pp (paginated 21-38) + one engraving (facing p.24). Good, on lightly-aged paper, with the engraving somewhat foxed; in good modern grey card wraps, marbled endpapers, and printed label on front. First appearance in printed form. On nine leaves disbound from 'The Keepsake for MDCCCXXXII', edited by Frederic Mansel Reynolds. Mary Shelley's story is on the seventeen pages 22-38, with the drophead title 'THE DREAM. | BY THE AUTHOR OF FRANKENSTEIN. | Chi dice mal d'amore | Dice una falsità. | ITALIAN SONG.' The engraving, by Charles Heath from Miss L. Sharpe, is titled 'Constance'.

All 54 are printed on paper 12 x 9 cm. Each is captioned and numbered in roman numerals, with the first as III and the last as XCVII. Carter published his 'Views of Ancient Buildings in England' between 1786 and 1793, and the six volumes contained a total of 120 views. Those LACKING from this collection, in arabic numerals, are 1, 2, 6-10, 15, 16, 18, 19, 21, 26, 36-38, 43, 48, 53, 57-59, 63-66, 69-71, 73, 75, 76, 78, 81-84, 90-94, 96, and 97-120.

4to, 134 pp. In original loose grey wraps, with 'Moral Tales | Vol III' in manuscript on front. Texts clear and complete, with numerous manuscript emendations. Fair, on aged paper, with slight creasing to corners of a few leaves. Wraps worn. Comprising 34 bifoliums (watermarked 'RW | KENT'), with a single leaf (watermarked 'TW | 1804') carrying the title 'Moral Tales. | from | the Original German of Augustus Lafontaine | translated | by | J Powell | Vol III | Contents of Vol III | The noblest Man. | The Intrigue | The Power of Conscience'.

12mo, 2 pp. With mourning border. 42 lines. Text clear and complete. On aged and worn paper, with slight chipping to extremities. Herbert has not yet received Wyatt's 'promised letter', but wants 'to say one word [...] about the lighting of the Wilton Chapel. The Gap must be brought to the centre of the Ceiling before the works are completed, as Mr. Olivier wishes to give Eveng. Lectures to the Servants on different occasions & I thought a Corona in the centre would light the whole [...] I can quite trust to yr. Taste to choose one.

Both items very good, each printed on one side only of a piece of thin shiny card, dimensions 11 x 15 cm. The arrangement of the text is the same in both cases, but one is printed in blue and green, and the other in blue and gold. An attractive piece of Victorian typography, laid out in a variety of decorative fonts and point sizes, with a strong hint of Gothic revival about it. Reads 'HANNAH WALLIS, | Plain & Ornamental Printer, | IN LETTER-PRESS, LITHOGRAPHY, & COPPERPLATE, | ACCOUNT-BOOK MAKER, | Stationer and Bookseller. | ARTISTS' MATERIALS OF THE BEST QUALITY.

Dimensions of all four items 18 x 14 cm. Two landscape and two portrait. The margins of the plates have been cut away, so that each illustration covers the whole piece of paper. All four items are in good condition, although one has a small patch of the top-left hand corner damaged from removal from mount, and another has a 1 cm closed tear to an edge. Attractive colouring. All four are night scenes with a full moon depicted, holding up to the light intensifying the effects.

English author (died 1918), and authority on church architecture. Three pages, on two 16mo cards (both embossed). Docketed and bearing the Society's stamp. 'May I offer a lecture of architectural character for next session? I have lectured to the R.I.B.A. on "Cathedral Chronology" and on "Continental Romanesque" and to the Architectural Association the London Institution &c If you will refer to the Secretary of the last or of the other institutions, you would obtain information as to the reception of my lectures.

4to. In good condition, in original stamped patterned cloth and with attractive red leather label (somewhat worn) stamped with gilt on front board. Boards with bevelled edges worn and frayed at corners. Marbled endpapers, with front hinge cracked. Contains ten leaves comprising: frontispiece ('PLATE II. | TINTERN ABBEY. | EXTERIOR VIEW OF THE EAST END.'); title-leaf (title-page in red and black, with vignette and ruled with red lines); leaf with 'TABLE OF CONTENTS'; first two leaves of 'PREFACE' (pp.i-iv); and five leaves of text (pp.103-112).