SHAW

Printed in black on 4 x 7.5cm piece of card. Lightly aged and stained, with one indentation. Evidence on reverse of removal from a grey paper mount. Restrained in design, and reading 'G. BERNARD SHAW, | 29, FITZROY SQUARE, | W.' The 'G' and 'S' in Shaw's name with flourishes at head trailing to the right. Shaw lived at this address from 1887 to his marriage in 1898. Virginia Woolf lived there from 1907 to 1911. From a collection of material relating to Walter Crane, who was a member of the Fabian Society with Shaw, and possibly designed by him.

8pp., 8vo. Unpaginated. Stapled and unbound. In fair condition, aged and worn. Foreword on 'The Raymond Mander and Joe Mitchenson Theatre Collection', and 'Introduction to the Exhibition by Raymond Mander & Joe Mitchenson'. The body of the pamphlet is taken up by a list (52 items) of 'The Plays of George Bernard Shaw in order of writing'. The final page lists the five films of plays by Shaw, with a photograph of Mander and Michenson. In manuscript at head of front cover: 'With Compliments | Raymond Mander & Joe Michenson'.

12pp., 8vo. In fair condition, aged and worn, no wraps, disbound, with pencil annotations to title-page. Copies listed on COPAC etc

The full title reads: 'Speeches of The Right Hon. Russell Gurney, M.P., George Jessel, Esq., M.P., G. Shaw Lefevre, Esq., M.P., Sir Francis Goldsmid, Bart., M.P., and the Solicitor-General, in the Debate on the Second Reading of the Married Women's Property Bill, in the House of Commons, Wednesday, April 14th, 1869. Printed, by permission, for the Committee in support of the Married Women's Property Bill.' 24pp., 8vo. In good condition, lightly-aged, no wraps, disbound. Three copies on COPAC.

22pp., 8vo. Disbound, and with title-leaf loose, otherwise in good condition, lightly-aged. J. G. Shaw Lefevre, as well as Gregory, Lopez, O. Morgan, Staveley Hill, W. Fowler, W. S. J. Wheelhouse, P. H. Muntz, H. C. Raikes, and the Attorney General. Three copies on COPAC, and three on OCLC WorldCat. No copy currently on the market.

1p., 12mo. Cheaply printed in small print. A frail survival: aged and worn. In the 1885 General Election Brown was soundly defeated in the North Down constituency by the Conservative candidate Thomas Waring. The present item is headed 'The Burial of the Radical Cause in the Glassmoss. (By Robert Todd, Comber.)' The poem is 32 lines long, divided into eight four-line stanzas.

4pp., 12mo. Bifolium. In fair condition, lightly aged and worn. 72 lines of text. For more about Palmer, see his entry in the Australian Dictionary of Biography. The start of the letter indicates its tone: 'Dear old man, | I was exceedingly glad to get your interesting newsy letter last week - more glad than I can say. The "New Age" did not turn up, for which I was sorry as I was looking forward to seeing the good old paper again, but this writing of Bernard Shaw for the "Pall Mall Gazette" delighted me. What a splendid dialectician he is!

Printed in black on one side of piece of 33 x 20 cm thick paper [full page containg image, 20 x 13cm]. Dimensions of print 23 x 13.5 cm [largest image in book, 15 x 9.5cm] . In good condition, on lightly aged and creased paper, with slight foxing.

Simpson was a native of Carlisle in Cumbria, and came to London in the early years of the twentieth century, where he was encouraged by Frank Brangwyn to take up etching. In 1918 he was made official artist with the new Royal Air Force. The National Portrait Gallery has eight of Simpson's works, but none of the present six, which are all in the style of the artist's portrait ('ink, irregular') of the Earl of Halsbury, present in the Gallery's collection.Each of the six caricatures is printed in black within a 17 x 12 cm border.

3pp., 8vo. Bifolium. On laid paper with 'Silverburn' watermark. In good condition, lightly aged, with short closed tears along fold lines. The petition, in Darwin's hand, reads: 'To the Manager of the Great Northern Railway Company | We the undersigned residents at Cambridge have often occasion to pass the day in London, and frequently make use of the admirable train service provided by your Company. | The afternoon is the time usually devoted to our business, and we are often pressed for time or compelled to stay over in London, because there is no train leaving London after 5 p.m.

[10] + 288pp., 4to. In original quarter-binding, with blue paper boards and cream buckram spine with gilt lettering. A handsome book, profusely illustrated, with 49 plates (some with guards) and the two signed 'Extra Plates', and numerous illustrations in text. Announcement on reverse of first page: 'THIS edition, with an original etching and an original lithograph by Frank Brangwyn, is limited to 65 copies, of which this is No. 41'. The etching, facing p.1, is titled 'A Back Street, Tours', and the lithograph, facing page 180, is titled 'Newcastle'. Both are signed by Brangwyn in pencil.

The Campden Hill Club was founded in 1907, 'in affectionate memory of Byam Shaw, and as a tribute to his teaching', and comprised, according to the Studio magazine in 1922, 'mainly of past and present students of the Byam Shaw and Vicat Cole School of Art, with which it keeps closely and stimulatingly in touch'. The three items are in good condition, on lightly-aged paper, in worn bindings. ONE (Visitors Book, 1958-1976): 190pp., 4to. Ruled notebook bound in red cloth, with 'Visitors' stamped in gilt on the front cover.

First edition, 8vo. Laurence A216a. Original red cloth, speckled, lettered in gilt on spine, hinges cracked, in damaged dustwrapper. below). Inscribed on the half-title: "to Yvette Pienne, player and writer, | G. Bernard Shaw | Malvern | 23/8/36." WITH: unpublished photograph, 19 x 14.5, of Bernard Shaw with a bevy of youngish ladies including Yvette Pienne according to a note (NOT in Shaw's hand, prob. Pienne's) on the reverse, "Malvern Festival 1938 || G. Bernard Shaw | [?] Lewis | Yvette Pienne|".

2pp., 12mo. Good, on lightly-aged paper. A pencil footnote states that the poem referred to is 'In Praise of Puns' (subtitled on that occasion 'Paronomasiarum Laudatio'), published in the magazine 'Mirth', edited by H. J. Byron, 1878, p.115. Archer has no objection to the poem being reprinted, 'on one or other of two conditions: that you either omit my name (and any description pointing to me), or give the date of their original publication, and the name of the magazine (Mirth was it not?) in which they appeared. In either case, please omit the Latin sub-title.'

The bookplate is 3.5 x 2.5 cm, and shows a troubadour with a lute, with the initials 'M S' at the foot. It is affixed to a piece of 14 x 9 cm card. Bookplate in good condition, on aged card with one creased corner. The card carries the message in pencil by Shaw: 'Mrs. & Mr. Dryhurst.

1p., 4to. Fair, on aged, worn and creased paper. Seventeen lines in phonetic spelling, with printed key at foot, headed: 'NOTE - Members of the Phonetic League are pledged to use this Alphabet and spelling in correspondence.' Disregarding the use of the diaersis, the letter begins: 'Mi der Bryn, | Zis is only a not ov enqwiri tu asertan wezer yu ar stil aliv.

Two pages, 8vo, edges sunned mainly good condition. She says, "My fee for reading is highg, 50 guineas for an evening. 40 guineas if [?] for 3 or more evenings. | I don't really care about if it interferes with other work & I have not yet settled my autumn plans".

Measuring 9 x 6 cm. With 'Mrs.. Byam Shaw' in larger type in centre, with '62, Addison Road, W.' in bottom left-hand corner, and '2nd. Wednesday &| 2nd. Thursday' diagonally in top left-hand corner. On aged paper, with the address '21 Wilton Street | S. W. 1 | Wednesday' in ink at head, and '88 Brook Green' in pencil on the reverse. A pencil name and telephone number ('Vic. 3583') have been erased.

Unbound, 4-16pp, 8vo and 4to, minor damage to two, mainly good condition. Articles, reviews, programmes, information, advertisements. In the first number, for example, there is an introductory, anticipations of Gorki's "Lower Depths", a Brieuz, and Shaw's "Caesar and Cleopatra", "New Members Elected" (inc. Mrs Pethwick-Lawrence), events, former productions, "Managing Committee", "Rules for 1903-1904", "Bye_law (e.g. removal of hats by Ladies), and advertisements.

Monty Shaw's 'Banks and Miles: Thirty Years of Design Evolution' was supposedly published by Lund Humphries (London) in February 1993 but no copy can be found on the internet (one listed on WorldCat appears to be a ghost).. This collection, in a buff card folder, contains material relating to Shaw's monograph, grouped as follows: ONE.

An interesting assemblage of twenty-six items relating to a leading figure in twentieth-century British typography and design. David Kindersley's best-known work (in conjunction with his third wife Lida) is the iconic gates to the British Library at Euston. The collection is in very good condition. Among the items are three booklets, four keepsakes, one brochure, and ten letters and cards. ONE. Copy of David Kindersley's book 'Eric Gill, Further Thoughts by an Apprentice (London: The Wynkyn de Worde Society, 1982). 12mo, xii + [iv] + 24. Finely printed in green printed wraps. Very good.

Fair, on lightly-aged paper. The publicity photograph of Mrs Patrick Campbell, : Roughly 10.5 x 13 cm. Printed in green. Depicts her leaning forwards, with neck and forearms exposed. Across the foot she has written: 'Beatrice Stella Cornwallis West. | (Mrs. Patrick Campbell)'. Laid down on a leaf from an autograph album, on the reverse of which is Kubelik's signature: 'jan Kubelik | 25.XI.1921'.

The collection is in very good condition, containing four items of autograph correspondence from Ruszkowski to Shaw, all signed 'Zdzis'. One: Autograph Letter Signed. Undated. 8vo, 3 pp. Expressing his extreme disappointment with 'the proposed arrangement of the double-page and the suggested treatment of the illustrations. 'Nearly one third of the drawing [sic] is left out and alters the sense of the theme. Each illustration is composed to stress the situation and can't be mutilated at the will to suit the arrangement at the page.

8vo, 68 + [i] pp. In original grey printed boards. Page of advertisements at rear. On aged paper, in worn binding with staining from tape along spine. Last signature and rear board detached. Ownership inscription of 'T A Pope' on front board, and stamp and shelfmark of the Hawkesyard Priory Library on front free endpaper. Scarce in original boards.

Dimensions 29 x 12 cm. Pasteboard mount, 31 x 14.5 cm. In blue, black and white. In good condition on lightly-aged paper. In front of a background of ricketty railings, a jolly bespectacled penguin [with Tschichold's sprightly eyes], with a Penguin book under his left arm, and preceded by a letter P and followed by an n, drags a bespectacled, bearded man (looking a little like a young Michael Bentine) towards the right of the drawing.

The text area is about 13.5 x 30 cm, on the top half of a slip of paper around twice as long. Text clear and complete. Good, on lightly-aged paper. The lower half of the slip is blank apart from the pagination 196. Headed 'EPILOGUE | COWKEEPER'S TUNE', and beginning 'Unless your window is fitted with very strong iron bars and, just to make sure, your window locks, | Do not attempt to keep a Dexter cow in your window box.' Signed in type at end 'M.

Typescript of 'The Balloon': landscape 8vo, 24 pp. Text clear and complete. On aged paper. With pencil emendations (including the deletion of a number of passages) on practically every page. Described by Cross as a 'radio composition' and a 'fantasy for broadcasting', 'The Balloon' presents an absurd take on T. S. Eliot's verse plays. It was transmitted on the Scottish Home Service of the BBC in 1946, with music by Cedric Thorpe Davie (1913-1983). There is no record of it having been published. The five typed letters total seven 4to pages. The autograph letter is landscape 12mo, 1 p.

Folio, [ii] + 16 pp. Text clear and complete. Fair, on aged and spotted paper. First page headed in pencil 'Mr. John Keir Cross' and with the following, also in pencil, at foot: 'Transmission: Sat. 29th January, 1949. | 7.45-8.25 p.m. Third Prog.' First two pages give details of the production, including the names of the producer Noel Iliff and of the seven 'Speakers': Alan Wheatley, Laidman Browne, Valentine Dyall, Patricia Jessel, Anthony Jacob, Robert Marsden and Raf de la Torre. Second page includes instructions regarding the characters of the 'Voices' and a 'Production Suggestion'.

Reproduction of black and white drawing in Blake's inimitable style. 4to (34 x 29.5 cm). Good, with a little light creasing. Reproduction of black and white drawing in Blake's inimitable style. Depicts anthropomorphic bear, pig, chicken, squirrel and hedgehog in a line from largest to smallest, all with party hats, smiles on their faces and forepaws and other front limbs aloft. Blake's address, as part of printed piece, written upwards along left-hand margin.

8vo, 17 + [i] pp. Stapled. In original grey wraps. Aged and worn copy of a scarce item.