CRAFTS

Austin (1895-1973) was a British etcher, engraver and watercolourist. R.A. Walker (born 1886), whose bookplate is on the front pastedown, was a connoisseur and Aubrey Beardsley scholar. Quarto, twenty-six leaves. Internally tight, clean and sound, in worn and stained half-leather binding, with 'ROBERT AUSTIN' in gilt on spine. The item contains a total of forty-seven reproductions of Austin's works, many gleaned from magazines, etc, and tipped in throughout.

The fourteen items are laid down on three pages, on two leaves of grey paper, removed from an album, on the reverse of one leaf are two coloured coaching scenes by Randolph Caldecott, one featuring a highwayman. The overall condition is fair, with creasing and signs of age. The Autograph Letter Signed is from Crane to 'My dear Stanley Little'. 1p., landscape 8vo. With letterhead of Beaumont Lodge, Shepherd's Bush, featuring an illustration by Crane of a shepherd and sheep. 20 September 1892.

Printed in black on 4 x 7.5cm piece of card. Lightly aged and stained, with one indentation. Evidence on reverse of removal from a grey paper mount. Restrained in design, and reading 'G. BERNARD SHAW, | 29, FITZROY SQUARE, | W.' The 'G' and 'S' in Shaw's name with flourishes at head trailing to the right. Shaw lived at this address from 1887 to his marriage in 1898. Virginia Woolf lived there from 1907 to 1911. From a collection of material relating to Walter Crane, who was a member of the Fabian Society with Shaw, and possibly designed by him.

8vo. 310pp. Red cloth, gilt extra, with ornate design to front board and spine. First edition with King's illustrations. A good copy of an extremely attractive book, in binding with light fading in parts, but gilt still bright, and with the merest wear at head of spine. Bookplate by Isabel Bonus for Annie C. Dolamore. Collated and complete. All of King's ninety-five illustrations are present, with twenty-four of them, including the frontispiece, on shiny art paper. A sumptuous item, produced at the high point of King's Art Nouveau period.

34pp., 12mo. Drophead title, with subtitle: 'A Paper read before the Society of Arts, January 29th, 1873. Thos. Webster, Q.C., F.R.S., in the chair. For details of the discussion, &c., see Journal of the Society, No. 1054, Vol. xxi.' Disbound and without covers. In good condition, on lightly-aged paper. Inscription at head of first page reads: 'With kind regards to Mr Cooper, | from | John Yeats'. The only copy on COPAC at Oxford University, and now excessively scarce.

Totalling 10pp., 12mo. In good condition, on lightly aged paper. ONE: 14 September 1899. 4pp., 12mo. He was pleased to receive Hodson's letter from Southwold, and reports on the 'Abraham sale', and 'talk of a tram line being made to Mochras' ('all fudge & nonsense').

On 6.75 x 10.25 cm card. In good condition, lightly aged and worn. Crane's illustration is printed in gold, blue, red, pink and brown, with the caption at foot, encased in a characteristic decorative border reading 'MAY NEW YEAR BRING FROM LOVERS TRUE | LOTS OF VALENTINES FOR YOU!' A winged Cupid in doorway to the right, dressed in blue cap and suit with knickerbockers and red stockings, delivers letters to three girls and a baby in a bath chair. Outside the border, at foot: 'ENT STA HALL MARCUS WARD & CO.' Printed in lilac on reverse is the poem by 'W. J.

19pp., 12mo. Stapled. In grey printed wraps. Internally in good condition, on lightly-aged paper; in wraps with stamp and label of the Education Department Library. Marginal headings include: 'Motives for following an Artistic Career', 'Primal Important of Facility of Hand', 'Triumph of Commercialism', 'The Worship of the Ugly', 'Art: Pictorial, Creative, Pot-boiling' and 'Decorum in Decoration'. Uncommon: only four copies recorded on OCLC WorldCat.

Letter: 2pp., 12mo. Bifolium. Closely-written with 40 lines of text. In very good condition, lightly-aged, and attached to the book by a thin strip of gummed paper. Mathews writes that it gave him great pleasure to receive Hodson's letter 'a month or two ago', and that he has only delayed replying because it has 'taken some time to get into touch with Rd. Aldington'. He gives a quotation of 24 lines from a letter he has received from Aldington after passing on Hodson's 'kind appreciation'.

2pp., 12mo. Bifolium. In good condition, on lightly-aged paper. For further information about Williamson and his publications, see his entry in 'Who Was Who'; see also Marillier's entry in the Oxford Dictionary of National Biography.

36pp., 12mo. In grey printed wraps. In good condition, on lightly-aged paper, with rusted staples. Shelfmarks, stamp and label of the Board of Education Reference Library, London. Includes six pages of advertisements at front, and eight pages at rear. Scarce: no copies on COPAC or OCLC WorldCat.

12pp., 12mo. In cream wraps printed in brown. In good condition, on lightly-aged paper, with rusted staples and shelfmarks, stamp and label of the Board of Education Reference Library. Foreword (pp.1-2) by Bell, and text (pp.3-12) by Pettit. Scarce: no copy on COPAC.

3pp., 12mo. Bifolium. In good condition. In envelope addressed to 'Laurence W. Hodson | Compton Hall | near Wolverhampton'. The letter begins: 'I beg that when you are in London you will let me see you. I have a little story to tell you about the beautiful little unfinished ('Psyche') picture of Sir Edwards [i.e. Burne-Jones] that you possess. Perhaps when you have heard it you will think more kindly of my wish to buy it from you - Please let me call on you - I will use no wiles!

1p., 12mo. Good, on aged paper. At the head of the page is the elegant signature of 'T. J. Cobden-Sanderson | 27 November 1907', followed by 'Anne Cobden-Sanderson' and 'Stella Cobden-Sanderson'. The fourth signature, dated March 1908, is illegible. It is followed by 'J Paul Clairmont | Clarence A. Mc.Williams | Ralph Waldo Lobenstine'. Lobenstine (1874-1931) was a Yale-educated physician.

The three items are in good condition, on lightly-aged paper. The letter is 6pp., 4to, with emendations and deletions, and marked by Hodson 'Copy' at the head of the first page. In envelope annotated by Hodson: 'Copy of a letter to Lt. Col. P. Lyttleton Gell, J.P. | The Catholic Revival. In order to make his point of view clear, he begins by stating: 'I may say that I was born in London & my mother took me to such churches as S. Alban's Holborn, S. Michael's Shoreditch, All Saints, Margaret St.

Both items in good condition, on lightly-aged paper. ONE. Autograph note. 1p., 12mo. In envelope with stamp and postmark, addressed by Campbell to 'Lawrence W. Hodson Esq | Compton Hall. | near Wolverhampton'. The note reads: 'Dear Mr. Hodson. | I shall be very happy to see you on Thursday at 4 o'c. I consider it most kind of you to consider the matter at all. | Yours very truly | B S Campbell'. TWO. Secretarial letter or copy. 2pp., 12mo. Bifolium. In a neat close hand, with what purports to be the signature of 'Beatrice Stella Campbell', but is not.

The three items on 12mo bifoliums, and totalling 9pp., 12mo. All three in good condition, on lightly aged paper. The first and last letters in envelopes, with stamps and postmarks, addressed to Hodson at Compton Hall, with the third forwarded to North Wales. ONE (1 August 1898): 2 pp., 12mo. The college authorities have instructed Faning to thank Hodson for his 'kind offer to lend them the "Chapel piece" of your Tapestry and to say that they will be glad to avail themselves of it in October.

4pp., 12mo. Bifolium. Good, on lightly-aged paper. Solon has been informed by their common friend 'Mr Bailey' that the recipient has 'been kind enough to gather the parcel of circulars issued at various time [sic] by your firm, and which reaches me this morning.' He is sending 'a small pamphlet of mine [...] as an inadequate acknowledgement of the trouble I have caused you'. He continues: 'Mr Bailey must have told you that all printed matter having reference to ceramics has a special interest to me.

An interesting collection of typographical ephemera. ONE: Landscape 8vo wood engraving, captioned 'This illustration, entitled "Psyche in Charon's Boat," was engraved on wood by William Morris from a design by Edward Burne-Jones and forms one of a series in illustration of the story of Cupid and Psyche in "The Earthly Paradise." It is proposed to issue one or two of these designs, which have never been published, though one of them formed the frontispiece to the "Note on the Kelmscott Press" by Mr. S. C. Cockerell.' In good condition, on lightly-aged paper.

Whaite was first cousin twice removed of his more famous namesake. He was himself an excellent artist and teacher, and there is a large collection of his work at the Whitworth Gallery in Manchester. 2pp., 12mo. Fair, on aged, creased paper with slight rust spotting. Mawson begins: 'Mr. H. Clarence Whaite first came under my notice a few years ago when attending my lecture on Decoration & Ornamental Design at the Slade School - and from the first I was much struck with his understanding and grasp of the principles[.] This enabled him to carry out work of exceptional merit.

Whaite was first cousin twice removed of his more famous namesake. He was himself an excellent artist and teacher, and there is a large collection of his work at the Whitworth Gallery in Manchester. 1p., 4to. In fair condition, on aged and dusty paper. 'Mr. H. C. Whaite, after attending at the Slade School, joined this School as an evening student in September 1925, since which time he has studied Pottery, Design and Decoration.

[ii] + 21pp., 4to. With a further eight pages of plates on shiny art paper. Internally in fair condition on aged pages, in discoloured and damaged wraps. With a few light pencil notes. Stitched with thick red thread into binding designed to look like a large envelope, complete with flap with fake red seal. A luxurious production, with fine photographic views of the building, which still stands, and is counted one of the finest in Wales.

4pp., 12mo. Printed in brown on cream laid paper. Fair, on lightly-aged paper. 58 lines in 13 stanzas. Headpiece attributed to Crane in pencil at head of first page, and clearly his (central figure of Diana, with reapers on either side). The first stanza reads: 'I'll rede ye a lay of a goodly band | That gathered from near and far | To a broad fair Strath of Bonnie Scotland | 'Mid the woods and waters rare.' Second stanza: 'O!

2pp., 12mo. 18 lines of text. Good, on lightly-aged paper. He thanks Reid for his 'explanation': 'Of course that's what it must be. It never occurred to me I'm afraid!' It was 'extremely kind' of Reid 'to write and to add such very nice things as a foot note'. If Reid is ever 'this way' Fowler will be 'delighted to show you this minute 1750-ish "Eye Catcher".'

Both items good, on aged paper. Written in Image's distinctive calligraphic hand. Letter One (12 August 1908): 1 p, 12mo. The 'Galatheas' arrived the previous evening 'quite safe'. 'Fancy your being at The Warren as well as at Deal! The Warren [Folkestone] is famous for being stocked with good things. You are indeed in the very heart of the richest entomological country in England.' Letter Two (17 August 1908): 2 pp, 12mo. He is delighted with 'these beautiful ochroleuca, which arrived this afternoon quite safely'.

In excellent condition. Pinned to grey printed backing label, headed with engravings of a row of 'the highest prize medals & diplomas' awarded to Stevens, and of the 'Stevengraph Works' in Coventry, and Stevens' trade mark. Folded horizontally three times. The bookmark is headed 'A BLESSING' and carries a picture of Jesus with arms outstretched, ascending over Holy Land rooftops. A scriptural passage follows (Matt. 28.5-6), with 'IHS' within a decorative pattern at the foot, which carries a yellow tassel. In rich colours: purple, lilac, green, blue and yellow.

One page, folio, fold marks, good condition. With RSA stamp. He's received a circular asking if I would like my name to be added to the list of the supporters of the Society. | In reply I beg to state that I am perfectly aware of the long and useful services rendered to the public by the Society but as I am not now a resident in London, and therefore should have but little opportunity of taking part in the transactions of the Society, I would rather not at present time, consider the question of Membership.

12mo, 3 pp (with printer's device on fourth page). Bifolium. Crisply printed in small type. Fair, on lightly-aged paper. 'All for the Cause!' ('Words by William Morris. Music by Belfort Bax, also Austrian Hymn, and Chants of L., No. 55') is thirty-two lines long, on the first page. It begins 'Hear a word, a word in season, for the day is drawing nigh, | When the Cause shall call upon us, some to live, and some to die!' 'No Master' ('Words by William Morris. Tune - The Hardy Norseman (Chants of L., No.

Goodyer has long been recognised as a significant figure in the arts and crafts movement (see Adburgham's 'Shops and Shopping' and Aslin's 'Aesthetic Movement, Prelude to Art Nouveau'), but surprisingly little is known about him. A former partner in the firm of Liberty's, he founded his Aesthetic Gallery at 55 Bond Street in 1889. It specialized in 'English silks, cashmeres, velveteens, fans, cushions, handkerchiefs, table covers, and other dainty manufactures', and numbered Voysey among its suppliers.

12mo, 3 pp, on separate loose leaves. Forty lines. Text clear and complete. Good, on browned paper. Laid out for printing, and with the page numbering 21 to 23 (from 12 to 14). Loosely inserted in a folder with 'Original Manuscript of Elbert Hubbard' printed on the front, which also carries two accession marks.