THEATRE

Seven pages, octavo. Disbound, and with the four leaves detached from one another and neatly laid down on a paper mount. Very good. From (according to the title-page) the edition in 'LONDON. Printed for EDW. NICKSON. Januar. 24. 1643.' Republished as a supplement to the 'British Stage'. Only two copies on COPAC, at Bristol and in the British Library.

One page, quarto. Good, on piece of watermarked laid paper, with small closed tear at foot of right-hand margin. He is 'once more' returning the play, 'having made the further omissions which you propose. | With many thanks for your kindness, in the ready attention you give to a matter of infinite moment to me'.

Three pages, 12mo. Good, on lightly spotted and aged paper. Traces of glue and previous mount adhering to blank verso of second leaf of bifolium. Concerns a 'concert on June 16yh in aid of the <?> L G[uild] at Mrs. Beudel's house'. 'It grieves me more than I can express to find that I shall be unable to attend, or give my services on that occasion, unfortunately my arrangements will not permit of my being in London then'.

One page, on piece of grey card roughly three and a half inches by four and a half wide. Very good. Twelve lines and one-line postscript in Sutro's tiny and difficult hand. Sends his 'sincerest congratulations on the best volume of memoirs I have read this many a day' (Hicks published his autobiography in 1910). 'There isn't a dull line in it from start to finish; I could dine out for a week on the stories'. Reference to Irving and other actors. Ends 'A damned good book, Seymour! Tous mes compliments!' Postscript reads 'This does NOT require an answer!'

One page. On piece of paper roughly seven inches by three and a half wide. Bottom part of letter cut away. Reads 'Dr Sir | In compiance with your wish | I subscribe myself | truly yours | [signed] J. M. Weston | To/ | Jas. Reese Esq'. Docketed by Rees 'The above autograph is that of my friend J M Weston, Stage Manager of the St Charles Theatre - he is the Author of Several popular pieces, among which is the beautiful drama of Lucretia Borgia'. Dated in another hand on reverse. Not much appears to be known about Weston, whose translation of Victor Hugo's play was first published in 1850.

One page, quarto. Very good, though slightly aged and creased, and with minor damp staining at foot, affecting bottom three lines including signature. Wilkinson has written to say that he 'has not the space' Smith has 'named'. '[Y]ou express an opinion that Circus business would pay, & I, from my personal knowledge of Brighton & experience therein, feel sure a really good Circus would prove an immense attraction & a paying one, & would stand some time by introducing fresh novelties'.

Letter, docketed 'Mrs Honey', addressed to ' Esqre | York - Leeds - or Hull | Theatre Royal'. Three pages, quarto. Good, though aged and creased, and with small section cut away on breaking seal. Text clear and complete. Small strip of mount adhering to one edge. Interesting and intriguing letter addressed to 'Dearest Papa' and beginning 'Barnett has never been near me nor do I know where to find him - write by return and tell me where I commence and what you would like me to '. Ends by saying she is 'very busy indeed just now'. Signed 'Laura'.

One page, 12mo. Very good. 'I shall sing il "Soave e bel contento" [aria by Pacini] and will be happy to take a part in the quintetto[,] you must procure the parts of my song'. May possibly refer to the J. N. Hummel Benefit Concert in London on 29 April 1830, where Pacini's aria was played.

Pamphlet, bifoliate, sm. folio, [4pp.], sl. chipped and marked, NO sign of extraction from a book. The author reminds the reader of the attacks on Charles Kean in "Punch" and "Lloyd's Weekly Newspaper" "in which "rational criticism is entirely superseded by personal hostility". He asks what gave rise to such "pertinaceous malevolence", finding the answer in the correspondence between Jerrold and Kean (26 April to 14 Oct.

Two pages, 8vo, minor defects, mainly good. He apologises for not using (or knowing) her full married name and tries to persuade her to give a part to his son whose career he summarises (Athos in "The Three Musketeers", juvenile lead in the "Absent-Minded Beggar"). In a postscript he suggests he would make "an ideal Rochester".

English impressario (1872-1951), nicknamed "Cocky", closely associated with Noel Coward, knighted in 1948. All one page, five with the letterhead Charles B. Cochran, 49 Old Bond Street (three 8vo and two 4to), and one, 12mo, with the letterhead of the Midland Hotel, Manchester. One in stamped addressed envelope. All thanking Bass (of 22 Delta Street, Lightbourne, Moston, Manchester) for his letters praising the Manchester performances of Cochran's revue.

One page, 12mo. She has just returned from the theatre at 11 o'clock and is "delighted to have been able to obtain a ticket". Signed "May". Stuck to the foot of the page is a newspaper cutting describing Sarah Bernhardt's performance in Emile Moreau's play on Queen Elizabeth. This ends, "A word is fairly due to the work of M. Lou Teilegen and Madame May Agathe, and to the excellence of the stage management." Creased and with traces of mount on reverse.

American-born actress (1842-1917). Both 2 pp, on 12mo mourning paper. The first, 19 January 1898, with the letterhead 48 Wetherby Mansions, Earl's Court Square. She apologises for not writing sooner. "I am rather frightened at yr. proposal - for I have never addressed a meeting in my life - & have shrunk from so responsible a position - & fear I shd. do the work very badly - tho' I feel with all my heart for your good cause. / I have neither the time, nor the ability to prepare a paper - & make them give. / May I go to you - to ask you just what wd. be expected of me?

English actress (1867-1942). A portrait photograph, 5¾ inches by 4 inches, from the studio of Ellis & Walery, 54a Baker Street. Inscribed "To Mr Sarker - / with every good wish / Violet Vanbrugh". She looks slightly to the left, apparently in costume, with short hair, earings, pearls, and an open necked shirt with lace sailor collar. The reverse of the mount carries the photographers' printed details with a reference number in pencil.

Lessee of the Adelphi Theatre. English actress (1799-1860), wife of the actor Frederick Henry Yates (1795-1842). 2 pp, 12mo. An interesting letter to "Mrs. Yates" shedding light on the theatre mores of the period. "Mr. Beckett & Mr.

American-born actress (1842-1917). One page, 12mo. "In answer to yr. note I first appeared in Manchester in the year 1864 in the character of "Leah". / Yrs: respectfully / K. J. Bateman Crowe". With traces of glue and paper to reverse of blank second leaf.

Actress and teacher of elocution (c.1866-1945). One page, 8vo. "I am so sorry that your letter came too late for me to send you any tickets for our concert. Perhaps you will help us another year? - Truly yours / Kate Rorke-Gardiner". [Her first husband was Edward Gardiner (died 1899). Loss to one corner, and traces of previous mounting on blank verso.

American actress (1874-1950), sister of Maxine Elliott. One page, 12mo, mounted on a piece of card. "Dear Madam / Pray accept my hearty thanks for so kindly subscribing to the Actors Benevolent Fund."

Anglo-Australian actress (1890-1975), connected with the Kendalls, Beerbohm-Tree, Bernard Shaw and a host of other figures from the London stage. Two pages, 12mo. Veryy good. Difficult hand. She has asked 'Mr. de Lion' about Gifford's play: 'he said he will try to make enquiries & let me know but I dont expect he will'. The rest appears to refer to relate to travel plans. Ends 'I beg you to forgive me.' Signed 'Marie Löhr'.

English actress (1839-1895), for a time manageress of the Olympic Theatre. 2 pp, 12mo. "I enclose you the Stalls with much pleasure - and I hope you will enjoy the performance. Please place the enclosed cheque for £25 - to my account and oblige / Yours sincerely / Ada Cavendish". Traces of glue and paper from previous mounting at foot of second page.

Two pages, 8vo, minor defedcts, text clear and complete, if somewhat illegible. He begins: "J'ignorais personellement monsieur, la Combinaison [locative?] dont vous avex ete vistime et je comprends fort bien que vous la trouvez mediocrement ingenieuse, vous nous avez habituee aux plus galant precedes, mais . . . " He goes on to say that they won't offer compensation, understanding that they are changing their "loge" and will collect what belongs to them, etc.

English actress (1806-80), wife of Charles John Kean (1811-68). One page, 12mo. "Sir/ / Under the sofa in our sitting room you will find a long narrow deal Box. [at least we left it there] it contains a roll of Pictures - will you oblige me by sending it properly directed to Mr. Kean 8 Torrington Square London and sent immediately / Ellen Kean". Cropped, with traces of previous mount on reverse.

English actress (1839-1895), for a time manageress of the Olympic Theatre. One page, 12mo. "Sir / I have much pleasure in forwarding you my autograph / Yours truly / Ada Cavendish". One of the edges unevenly cropped, and slight traces of previous mounting on the reverse.

English actress (1806-80), wife of Charles John Kean (1811-68). "Dear Mr. Shaw / I have not forgotten the little girl and I want more books / I hope you are well through this weather / yours very sincerely / Ellen Kean". Negligible evidence of previous mounting.

English actress (1888-1971), made a Dame of the British Empire in 1967. Signature on card, 1½ inches by 3 inches. Mounted on piece of paper, 12mo, docketed "Gladys Cooper (Lady Pearson) Popular Actress".

English actress (1866-1942). One page, 8vo, with green border and letterhead 55 Avenue Road, Regent's Park. A formal letter written in the third person, presumably on the death of her husband W. Graham Browne (1870-1937). "Miss Marie Tempest is deeply moved by your expression of sympathy. The letters and telegrams she has received have helped her more than she is able to say. There have been so many that she is unable to reply to them personally, but she hopes that you will realise all that your sympathy has meant in her great sorrow."

English actress (1839-1895), for a time manageress of the Olympic Theatre. One page, 12mo. Written in a bold hand, clearly in reply to a request for an autograph. " "Tell me thy reason / Why thou wilt marry " / "All's well that ends well" / Ada Cavendish". In reasonable condition, despite a tear almost halfway down a crease running vertically down the centre of the paper, and traces of glue and paper from previous mounting on the reverse.

Classical actress and theatre manager (1872-1957), later Lady Simson. The signature is 2½ inches long, on a piece of grey paper, with one crease but otherwise in good condition. The paper is mounted on a piece of card which is neatly docketed, 'Lena Ashwell | now | Lady Simson 1925 | Actress | famous in | [...] | Appointed Office of the Order of the British Empire for valuable work in providing concerts at the front and at Home during the Great War'.

Actress (1936-) and minor politico. One page, 4to. "Thank you very much for your letter. I'm so glad to know that you have enjoyed my work and have pleasure in enclosing a photograph [not present] for you to add to your collection." Not in the best of condition: heavily creased, slightly torn and slightly discoloured.

Irish-born American actress (1860-1916). 3 pp, 12mo. "I fear a matinée will prevent my coming on July 4th. Some benefit I have promised to play for - but if I come off early enough - & am not too tired I will certainly <?> in & see you / I hope that you and all your delightful family are well". Creased, but otherwise in reasonable condition.