THEATRE

English actress (1866-1942). One page, 8vo, with green border and letterhead 55 Avenue Road, Regent's Park. A formal letter written in the third person, presumably on the death of her husband W. Graham Browne (1870-1937). "Miss Marie Tempest is deeply moved by your expression of sympathy. The letters and telegrams she has received have helped her more than she is able to say. There have been so many that she is unable to reply to them personally, but she hopes that you will realise all that your sympathy has meant in her great sorrow."

English actress (1839-1895), for a time manageress of the Olympic Theatre. One page, 12mo. "Sir / I have much pleasure in forwarding you my autograph / Yours truly / Ada Cavendish". One of the edges unevenly cropped, and slight traces of previous mounting on the reverse.

Classical actress and theatre manager (1872-1957), later Lady Simson. The signature is 2½ inches long, on a piece of grey paper, with one crease but otherwise in good condition. The paper is mounted on a piece of card which is neatly docketed, 'Lena Ashwell | now | Lady Simson 1925 | Actress | famous in | [...] | Appointed Office of the Order of the British Empire for valuable work in providing concerts at the front and at Home during the Great War'.

Actress (1936-) and minor politico. One page, 4to. "Thank you very much for your letter. I'm so glad to know that you have enjoyed my work and have pleasure in enclosing a photograph [not present] for you to add to your collection." Not in the best of condition: heavily creased, slightly torn and slightly discoloured.

English actress (1839-1895), for a time manageress of the Olympic Theatre. One page, 12mo. Written in a bold hand, clearly in reply to a request for an autograph. " "Tell me thy reason / Why thou wilt marry " / "All's well that ends well" / Ada Cavendish". In reasonable condition, despite a tear almost halfway down a crease running vertically down the centre of the paper, and traces of glue and paper from previous mounting on the reverse.

One page, 12mo. Very good, if a tad grubby. Thanks Draper for his 'amiable but unconvincing' note. 'Do you not know that I was irritated into bad language by being accused of "d - d impertinence? This, too, before I said a discourteous word. - Goodman [the writer Edward John Goodman], of course, rules the Committee [of the Savage Club] and even you have listened to the voice of that Israelitish charmer.' Concludes 'Mais n'importe. Either this evening or tomorrow I send in my resignation. I will neither apologize, nor renew the matter in cold blood.' Signed 'Henry S. Leigh'.

One page, 12mo. Good, though aged and foxed. 'My best thanks & gratitude for your noble notice | Were you ever in low spirits If so sympathise with me I feel as if I would never wish to be acted again . . Chastelard the first night my god almighty ! ! ! - | Your sincere friend | W G Wills'. Chastelard is a character in Wills's play 'Marie Stuart' (1874).

One page, small octavo. Very good, though with a little offsetting of ink from folding of letter, and a small closed tear at head. A reply to a request for an autograph - in a close, neat, hand - reading 'Dear Sir | With much pleasure as I assure you that I am | Sincerely yours | Alfred Sutro'.

British stage designer (died 1971), painter, writer and lecturer. Both items one page, octavo, and very good, though lightly creased. Both signed 'Maxwell Armfield'. LETTER ONE (docketed and bearing R.S.A. stamp): He has read the lecture by 'Mr. Davis', 'with great interest [...] our opinions on the subject seem to be identical! I should like to meet him some time if he is an accessible sort of person. [...] a series of such lectures issued as pamphlets with attractive titles would do a great deal towards a better understanding of the problem'.

Northern Irish Author and drama critic, see DNB. Three substantial and characteristic letters, total 8pp., 4to. She has submitted some of her plays for his critical appraisal and he has been plain-spoken. In the first letter, he comments on "The Long Duel" that he appreciates its literary rather than its dramatic qualities, but likes it. He finds two "grave faults" "one of which is common to dramatists who are primarily novelists.

The Dictionary of National Biography states that T. J. Dibdin (1771-1841, closely associated with Sadler's Wells, Drury Lane and the Surrey Theatre) wrote 'nearly two thousand songs and about two hundred operas and plays'. This list, which covers the whole of his life from his earliest known work in 1789 to his death in 1841, is compiled with considerable care on the rectos and some of the versos of 79 bound and numbered leaves (most being the letterhead of the North-East Coast Exhibition, of which E. Rimbault Dibdin was the Director).

Edward Stirling (Boase), dramatist and theatre manager, mainly discussing the dramatisation and prospective performance of Hewlett's Peter Priggins - as a farce. Originally from a larger archive, the residue of which is described in #3157 (Hewlett's papers), this and other items appear in my ABE inventory in book id#s 3124-3156.

Playwright (1855-1934), knighted in 1909. One page, 8vo. "19th May, 1900. / Dear Mr Burton, / Many thanks. / Yours very truly / Arthur W. Pinero". In bad condition, with tear through signature and paper and glue from mount stuck to reverse.

English art critic and dramatist (1849-1916). One page, octavo. Very good. On grey Truslove, Hanson & Comba paper. Entitled 'Sailor's Chorus', the piece consists of two stanzas of eight lines each. It begins 'Above the mast one single star, | Still loiters in the dawn!' and ends 'Ere the swallows keel shall touch the shore | Yeo Ho! Hearts Ho! Yeo Ho! Haul away!' Signed 'J. Comyns Carr' in bottom left-hand corner.

"Ancien auteur dramatique". One page, c.7 x 12", good condition. He requests charity from them again, being ill and unable to work, about to lose his "domicile", debts, etc. In the substantial margin [?] Taylor (poss. I-J-S- Taylor, patron of literature[?]) has supported Rozet's application (3 December 1847) in a note to the Commission.

Theatrical manager (1796?-1860) and poet, manager of Drury Lane and Covent Garden theatres, 1833-48. One page, quarto. Good, but somewhat grubby on lightly-creased, discoloured paper. Reads 'My dear Sir | I do not remember at this moment any point, beyond those we discussed yesterday, that requires adjustment, except the return of £63-4-8 overpaid on the rent account up to July 5th. and the four weeks salaries to your watchmen & firemen from that day up to last Saturday, amounting to £27 - | The balance of the "Warwick Box" is still unpaid.' Signed 'A Bunn'.

Actor and theatre manager (DNB). One page, some damage marginally affecting the text. He thanks him for his gift of the poem "The Charge of the Light Brigade".

English comedian (1848-1907), grandson of the actor Charles Kemble. Two pages, 12mo. On grubby, spotted and stained paper. 'I was so sorry to have been prevented coming to you on Sunday last, and also that my absence from town has precluded the possibility of my leaving Cards. I hope I may be more fortunate another time.'

American born illustrator and writer of burlesques. One page, 8vo, soiled, chipped and creased but text legible and complete. He is upset at his correspondent's circumstances but has to meet "an enormous doctor's bill and am really unable to do what I would be proud to do." He asks him to "share with me what klitle we can spare and we will see what the morrow will bring forth." He anticipates a meeting and hopes for better luck for his correspondent.

English dramatist (1784-1862). One page, octavo. Ruckled, and with several closed tears. Reply to request for autograph. Reads 'Dear Sir, | Here it is. | Yours truly, | James Sheridan Knowles.'

British actress (born c. 1836). In the 1881 census Johnstone features as a visitor in the house of the actor-manager John Laurence Toole (1830-1906). Three pages, 12mo. Good, though grubby and with a few stains. In envelope with penny red stamp and black wax seal, addressed to Croker at 9 Pelham Place, Brompton. 'I return your book my father having complied with your request | I can not tell you the great pleasure I received in looking over your lovely collection. It is so good it makes one almost envious.' Signed 'Eliza Johnstone'.

[William Macready (DNB)], actor-manager, declining a manuscript play. Originally from a larger archive, the residue of which is described in #3157 (Hewlett's papers), this and other items appear in my ABE inventory in book id#s 3124-3156.

Frederick Yates (DNB), actor-manager, making a suggestion to make something (a play) of his "sketch" (perhaps an episode later used in Peter Priggins?). Originally from a larger archive, the residue of which is described in #3157 (Hewlett's papers), this and other items appear in my ABE inventory in book id#s 3124-3156.

British architect (1883-1952) who worked on 'the Bath Improvement Scheme, Saint Catherine's Church, Hammersmith, W., The Regent Theatre, Brighton, The Picture House, Edinburgh, Gresham Hotel, Dublin, and many private and other works' (Who's Who). One page, quarto. Very good. Docketed and bearing R.S.A. stamp. Headed 're Architectural Decoration Committee'. He assumes that 'the Agenda of a meeting of your Committee on the 30th November at 4 p.m.' has been sent to him in error, as he has written a letter declining the invitation to serve on it.

English playwright and poet (died 1912). One page, 12mo. In good condition on discoloured paper. 'I'll look up Brandon - but I wished that you had read it to him. - It ritualizes a play so much. Properly cast the price should be a "money matter." But it must be properly cast. Can we meet? Because I want to know how I might progress. [& diverse possibilities]' Signed 'Alfred C. Calmour'.

Son of the English polititian, Sir Thomas Tyrwhitt Jones (1765-1811). One page, quarto. On mourning paper. Folded three times. Several closed tears and small creases, and with one stub hole at centre (not affecting text). 'Sir. | You will most particularly oblige me by sending me a Box for either Theatre this Evening as my Brother in Law Mr. Tollemache & myself are most anxious to be there. We shd. prefer Covent Garden.

English novelist and playwright (1861-1955). One page, 4to. Folded twice. In good condition, although with slight fraying to corners. Reads 'Dear Madam: -- | You can certainly quote the passage you mention in Quinneys', but I think you ought to get permission to do so from my publisher. It will be granted I make no doubt. This is his style and address: | Major, Sir John Murray, D.S.O. | 50, Albemarle Street, | LONDON, W.1. | With all good wishes, | Faithfully yours, | Horace Annesley Vachell.'

French actor and dramatist (1885-1957). Dimensions roughly 7 inches by 9 inches. In good condition though somewhat grubby, with 'SACHA GUITRY in 1939' in manuscript written in white ink on Guitry's collar. A striking head and shoulders portrait, shot from below out of doors, of Guitry staring intently ahead and to the left. He wears a white panama hat with black band, a patterned tie, dark shirt and grey jacket with specks. Gum marks from previous mounting around edges of reverse.

English writer on the theatre. The Globe was a London newspaper, founded in 1803. 1 page, 8vo. In good condition: neatly folded and with one small hole to the first leaf of the bifoliate, affecting one letter of one word of text.

English actor (1843-96) under the name 'Arthur Cecil'. 1 page, dimensions 3 1/2 inches by 4 1/2 inches. In good condition though dusty. He thanks him for his kind note, and says that if he 'may keep my little contribution in reserve for a bit' he 'will certainly bear it in mind & shall hope to turn you out something before very long'. Signed 'Arthur C Blunt'.