THEATRE

One page, c.10 x 13cm, creased and dulled but text clear and complete. "Mon cher ami/ Voila tout ce wue j'ai et prenez garde d'egarer ce scenario du second acte - je n'en ai pas d'autre copie et s'il la perdait, je ne pourrai jamais me rappeler un seul mot du contiens.- / Mille [?] tendres amitiés et remerciements de votre aimable billet -"

On one side of the recto of the first leaf of a bifolium. Dimensions of leaf roughly 30 x 21 cm. 14 lines of text. Good, on aged and creased paper. Top right-hand corner clipped. Headed 'Ferme régie des Jeux | Direction des parties | Hôtel d'Ogny | rue grange batelière No 6'. He considers it his duty to not leave unchallenged 'la plainte' that 'Le Sr. Boursault' has 'portée contre moi par suite du moyen dont je me suis servi pour me faire délivrer une partie des bénéfices que mes deux associés me retenaient injustement depuis 20 mois'.

12mo, 2 pp. 22 lines of text. Very good on aged paper. Text clear and entire. Replying on behalf of 'Mlle Lia Duport, ma fille' (who accepts the 'offre flatteuse') and 'Mr. Alizard' (who has not yet returned from Brussells, where he is 'engagé au théâtre de la Monnaie'). If Alizard is available his fee will be the same as Duport's daughter's. States the reduced fee for which his daughter will sing alone, 'Dans le cas où Mr.

4to. 24 pages. In original brown printed wraps. In poor condition: paper frayed, worn and discoloured, front and back wrap separately detached. Number 97 of 350 copies. Pollock (1887-1964) was a novelist, poet and one of the founders of the Gate Theatre.

Pp.38 [2], 8vo, original illustrated pink wraps, yapp edges chipped, contents good. INSCRIBED BY AUTHOR to Sylvia Lynd, poet and reviewer: "Sylvia Lynd/ from Lennox/ Feb 1924." Original cast list on verso of last two pages.

Pp.109.[2], 8vo, original illustrated pink wraps, yapp edges chipped, contents good. Ownership inscription "Sylvia Lynd", poet and reviewer. Original cast list on verso of last leaf

Letter: 12mo, 1 p. Grubby and stained. He 'did not mention the Planché-affair' in his letter of the day before. Asks for his name to be put down 'for a copy of the book' [French's edition of Planché's 'Extravaganzas']. The subscription form (12mo, 1 p), heavily worn and with loss to the extremities, is laid down on the reverse of the letter. On it Merivale gives his address as 'Barton Lodge, Kingston on Thames'.

12mo, 1 p. Text clear and entire, on lightly creased blue paper, with a thin docketed strip neatly cut away at the foot of the letter. Traces of cream paper mount adhering to the blank reverse. Presumably refers to the play 'Alone in London', which debuted at the Olympic Theatre in 1885. Buchanan trusts that Fenn 'will be present in production of my new play & Miss Jay's debut on Wednesday next'. He asks whether to send the stalls, 'or do you get them from the Office? It will be indeed disappointing if you do not come, this time.'

12mo: 2 pp. Very good. 'The Association for establishing depots of cheap food for the poor' has been formed, 'under the auspices of Lord Brougham, the Earl of Shrewsbury, Sir John Villiers Shelley, and others,' and Jerrold asks whether Raikes would 'permit us to add your name to the list of patrons', a position which 'entails no pecuniary responsibility whatsoever.'

12mo: 1 p. Text clear and entire on creased and slightly grubby paper. Asks Hyde Clark to 'make the preliminary report you suggest, & speak with Mr Crompton'. He feels that 'the thing is to be accomplished; & that there will be honour & profit to all who may concern themselves in the undertaking'. Asks to hear from Hyde Clarke 'in a few days'. The subject of the letter is unclear.

Celebrated connoisseur (1758-1833), whose picture-gallery, one of the finest in Europe, was at Bridgewater House in London. One page, 12mo. Formal letter in the third person. "The Marquis of Stafford sends his Compliments to Sir Egerton & requests that his name may be continued as Vice President for the Theatrical fund of Covent Garden Theatre, though he regrets that his health will not permit him to attend." Negligible traces of previous mounting on reverse.

4to, 1 p, 21 lines. On creased and lightly-foxed paper, with a couple of closed tears (not affecting text, which is clear and entire). May refer to the 1928 revival of van Druten's play 'Young Woodley' (previously banned by the censor), or (which is more likely) to his 'After All' (1929).

8vo (16.5 x 21 cm), 1 p. On lightly aged paper with a little chipping to one edge. Text clear and entire. Addressed to 'Dear France'. He apologises for 'a typewritten letter'. 'I fancy I have seen the house you mention. I believe my wife and I went and looked over it two years ago, and didn't think it would suit us.' He will nevertheless 'take an opportunity of going over it again soon'. Thanks France for letting him know about it. 'Hope you are having a nice tour.'

On a piece of wove paper roughly 4.5 x 9 cm. Good, clear signature on lightly aged paper. Reads 'my dear Sir, | Yrs always truly | [signed] P. Hoare'. Reverse reads '<...> am at a loss how to answe<...> | <...>ing the progress of the Anna<...> | <...>- opportunity of asking "Ho<...> | <...>t of the Elgin Marbels, whic<...>'.

12mo, 1 p, 11 lines. Very good. He begins by giving R. J. Smith's Brompton address. He was 'delighted to hear of Lord Powis' and hopes 'there is no mistake about it'. 'Remember in printing his Title he is a Knight of the Garter. - On the back of our 2nd. No. I see Lord Southampton printed as "the Earl of Southampton"!' Asks the recipient's view of the previous day's 'Times': 'And look at the Morning Post to day.'

12mo, 2 pp. Written crosswise on paper with the embossed letterhead of Croxteth Hall. Good, though lightly spotted and with small central spike hole. Folded twice, and a little worn along crease lines. She 'will not trouble him to send any more nos. of "Martin Chuzzlewit" as it has been sent her'. Asks for 'all the numbers which are out of "Combe Abbey" [to be] put by for her, & continued' She is from home where she wishes to have them sent -'. Combe Abbey was a seat of the Earls of Craven, but there is no record of an item on it published around the time of 'Martin Chuzzlewit'.

One page, creased and marked, text in pencil but legible. An explanatory docket in another hand: "Epigram by Moncrieff - a blind man's writing". The Epigram reflects this situation, text "translated" below in another hand: "Oer me, you've this advantage, great indeed | What I may write at pleasure you may read | But still I've one advantage in Fate's spite - | You cannot make me read the stuff I write!"

One page, roughly four and a half inches by seven wide. Grubby, and with one inch closed tear at foot, caused by removal from mount, traces of which, and of another autograph adhere to reverse. Reads ' "How good it is to live, even at the worst" | "Christ in Hades" by Stephen Phillips | [signed] Charles Warner | 1902'. Small neat green circle containing number in bottom right-hand corner.

Octavo, one page. Good, with stains from paperclip at head. Large bold signature on top half of leaf, and body of note, with signature on bottom half. 'I have pleasure in sending my signature. Yes I am the author of "Deirdre Wedded" & "New Poems" (including Apollo & the Seaman) which Methuen published.'

The letter: one page, 12mo. Good, but with removal from mount having thinned the paper in places, and with traces of brown paper mount still adhering. He is sending the autographs of 'Henry Seton Merriman (Hugh Scott); Gertrude Atherton; Miss Fowler; and Douglas Sladen. Also a photo from Ted (not a good one, but the only one I have left).' He enjoyed himself 'so much' at Langford. 'It was a week of real enjoyment to me.' The fragment: one page, four inches by four and a half wide.

Octavo, one page. Good, on lightly aged and creased paper, with the merest hint of a damp stain. English translation in contemporary hand on separate piece of 12mo paper, with slight loss at head (not affecting text). She has received no acknowledgement from him for 'the autograph which I sent you and a little book of verse sold for the benefit of the soldier who wrote them. The little book ought to be sold for at least 75 cents.

On a leaf of cream paper, 8.5 x 12 cm, part of a bifolium taken from an autograph album. Very good.

On a leaf of cream paper, 8.5 x 12 cm, part of a bifolium taken from an autograph album. Very good. All three signatures are bold and clear. The signatures of Lawrence and St Helier are on one side of the leaf, and that of Carey is on the other. Lawrence's signature is in ink, and the other two in pencil. Three signatures,

On piece of cream paper, roughly 8.5 x 12 cm, removed from an autograph album. Good, on paper with a few light marks. Bold, firm signatures in pencil, one on each side of the leaf. Two signatures,

On leaf of light blue paper, 8.5 x 12 cm, removed from an autograph album. Very good.

4to: 1 p. With mourning border. Good, with slight wear to edges. 'Nearly every publisher in London has been at me with a proposal that I should write a book of reminiscences'. The answer to Watson's 'friend's friend' is that Pinero is 'not inclined for the task'. 'Perhaps at some future time I may feel differently disposed, but at present my mind is bent on other work.' Asks Watson to accept 'hearty thanks' for his 'kind interest'.

Octavo: 18 pp. Unbound: stabbed and unstitched. First leaf and leaves with pp. 15/16 and 17/18 loose. Leaves with pp.3/4 and 15/16 half-separated. Paper discoloured and chipping at edges. Extends to 918 lots. The odd number of leaves implies the loss of a final leaf, possibly bearing text. Stamp of the Public Library Ford Collection. Docketing in pencil notes a duplicate at the New York Public Library. No other copy traced.

Total 4pp., 8vo, two laid down on a page, with minor defects and texts complete, tending towards the illegible, the other with bottom of page torn off with some textual loss, again tending towards the illegible. In one he asks his correspondent to take up a bill (of exchange) that day "which I miscalculated for Monday" next - it will materially serve me without injuring you". In the next letter ([1835]), hard to read but he appeqars to be talking money with someone in need, money he would supply before his Benefit and institute a transaction involving "Mr Peake".

Three pages, 12mo. Good, on lightly aged and ruckled paper, with a little glue adhering to the reverse of the second leaf of the bifolium. She has received the two packets containing the small photographs. Apart from wanting the hair to appear lighter and clearer, she is satisfied with the large photograph, and would like several copies before her departure on 2 August. If this is not possible copies are to be sent to her at the theatre du Gymnase in Paris.

Four pages, 4to, good condition. "Mr. Dowton, The Father of the British Stage, is about to bid farewell to that profession which he has adorned for upwards of FIFTY YEARS. The following Noblemen and Gentlemen . . . have formed themselves into a Committee, for the two-fold purpose - first of Receiving Subscriptions, and secondly of conducting A BENEFIT . . .