BERNARD

1p., 12mo. In good condition, on lightly-aged paper. He is enclosing an invitation (and puts the word in inverted commas) for the New English Art Club, and gives the date of the 'sending in day'. The New English Art Club was founded in London in 1885 as an alternate venue to the Royal Academy by young English artists returning from Paris.

Printed in black on 4 x 7.5cm piece of card. Lightly aged and stained, with one indentation. Evidence on reverse of removal from a grey paper mount. Restrained in design, and reading 'G. BERNARD SHAW, | 29, FITZROY SQUARE, | W.' The 'G' and 'S' in Shaw's name with flourishes at head trailing to the right. Shaw lived at this address from 1887 to his marriage in 1898. Virginia Woolf lived there from 1907 to 1911. From a collection of material relating to Walter Crane, who was a member of the Fabian Society with Shaw, and possibly designed by him.

1p., 12mo. In good condition. In stamped envelope addressed by Dicksee to 'Shirley Slocombe Esq. | 27 Warwick Gardens | Kensington | W.14'. He apologises for his late reply to Slocombe's 'kind congratulations', explaining that he is 'faced by over 500 letters all needing answers'. Dicksee was knighted the following year.

8pp., 8vo. Unpaginated. Stapled and unbound. In fair condition, aged and worn. Foreword on 'The Raymond Mander and Joe Mitchenson Theatre Collection', and 'Introduction to the Exhibition by Raymond Mander & Joe Mitchenson'. The body of the pamphlet is taken up by a list (52 items) of 'The Plays of George Bernard Shaw in order of writing'. The final page lists the five films of plays by Shaw, with a photograph of Mander and Michenson. In manuscript at head of front cover: 'With Compliments | Raymond Mander & Joe Michenson'.

2pp., 12mo. In good condition, lightly aged. In 1857 O'Neill married Emma Stuart Callcott, granddaughter of the artist Sir Augustus Wall Callcott, from whose house the present letter is addressed. He informs Cooke that he has 'asked Mr. Callcott [probably O'Neill's father-in-law William Hutchins Callcott (1807-1882)] to come & take a "friendly cup" with me on Thursday Evg. & we shall be glad of your company if you can favour us'. In a postscript O'Neill states that Callcott has promised to let him have 'the sketches I spoke to you of, in case you should come'.

4pp., 12mo. Bifolium. In fair condition, lightly aged and worn. 72 lines of text. For more about Palmer, see his entry in the Australian Dictionary of Biography. The start of the letter indicates its tone: 'Dear old man, | I was exceedingly glad to get your interesting newsy letter last week - more glad than I can say. The "New Age" did not turn up, for which I was sorry as I was looking forward to seeing the good old paper again, but this writing of Bernard Shaw for the "Pall Mall Gazette" delighted me. What a splendid dialectician he is!

Printed in black on one side of piece of 33 x 20 cm thick paper [full page containg image, 20 x 13cm]. Dimensions of print 23 x 13.5 cm [largest image in book, 15 x 9.5cm] . In good condition, on lightly aged and creased paper, with slight foxing.

3pp., 8vo. Bifolium. On aged card, with wear to extremities. The text, attributed to Wallis by the British Library catalogue, is on the verso of the first leaf; and facing this, behind a tissue guard, is the print. Wallis discusses the 'feeble' nature of the 'various engaged portraits of Shelley', and explains Peacock's reservations in endorsing Lasinio's engraving of Leisman's painting. Uncommon: five copies on COPAC, the British Library entry attributing the publication to Henry Wallis.

24pp., 8vo, paginated 161-184. In fair condition, on lightly aged and worn paper. Roberts contributes 'The Cult of Sherlock'; Frank Swinnerton, 'Holmes - World Figure'; Darwin, 'The Great Holmes Joke'; Howlett and Pointer, 'Holmes on Stage and Screen'; Paget, 'He made Holmes real' ('In this article Winifred Paget writes of her father, Sidney Paget, whose drawings, says Frank Swinnerton on another page, made Holmes "the most universally familiar imaginary figure in two hemispheres'.

57 + [1]pp., 12mo. In green quarter-binding, with cloth spine and paper boards, with title printed on front board. In good condition, lightly-aged, with shelfmark, stamps and label of the Board of Education Reference Library, London. The only copy of this second edition on COPAC or OCLC WorldCat at the British Library.

Simpson was a native of Carlisle in Cumbria, and came to London in the early years of the twentieth century, where he was encouraged by Frank Brangwyn to take up etching. In 1918 he was made official artist with the new Royal Air Force. The National Portrait Gallery has eight of Simpson's works, but none of the present six, which are all in the style of the artist's portrait ('ink, irregular') of the Earl of Halsbury, present in the Gallery's collection.Each of the six caricatures is printed in black within a 17 x 12 cm border.

15pp., 8vo. On twelve leaves torn from an album. With minor emendations, and an essay in another hand on some reverses. Unpublished. The piece begins: 'My collection of catalogues has grown much in the same way as other collections of books. At times I have got rid of many I missed later on and it was only by long experience I found that some things are desirable. First it is better to have each sale bound by itself and this I have carried out except where some association in an existing bound volume would have been destroyed.

3pp., 12mo. Bifolium. In good condition, on lightly-aged paper. He begins: 'You would see that we found room for an extract from the Camden Society report in last week's Chronicle'. He asks Nichol to 'find space for the enclosed letter in the Gentleman's Magazine'. He is 'acquainted with the pedigree in question', but does not think that 'Sir Bernard Burke's statements are in all cases to bee relied upon'. The letter continues: 'I do not know whether you are in Mr Potter's secrets.

All four items in good condition, on lightly-aged paper. ONE (8 October 1908): 'Although I am only asking what I am offered elsewhere I am willing to meet you, & to accept Twenty five Guineas for the second serial use of the two stories, - on the understanding that the transaction is for prompt cash.' TWO (16 February 1909): His terms are fifteen guineas, cash.

Magazine: [8] + 80pp. In blue printed illustrated wraps. Internally in good condition, on aged paper, with unopened signatures, in worn and chipped wraps. Stamped in red at head of front cover: 'SPECIMEN COPY.' Announcement at foot of front cover: 'This magazine is not to be introduced into England or its colonies nor into the United States of America.' The first eight pages carry advertisments, as do both sides of the back wrap.

The three items in good condition, on aged paper. The second letter is addressed to 'Messrs Sonnenschein & Co', and from the context the other two are clearly to the same recipients.ONE: 2pp., 12mo. He states that he would be 'willing to edit Perez's work provided that the translation is well done & that only a general revision of it is necessary', and that he 'could not undertake to correct a faulty piece of work'. He asks the publishers to send him the manuscript, 'so that I may judge, together with a copy of the original', and asks for their terms.

The six items are in excellent condition, on lightly-aged paper. None of the forms have been filled in. From the Board of Education Reference Library, but with no indications of the fact. ONE: An 'enlarged copy of the front of the Occupier's Schedule' (so described in Item Five below), headed 'CENSUS OF ENGLAND AND WALES, 1911.' Printed in March 1911 by Eyre & Spottiswoode ('3/11. E. & S.'), on one side of a piece of 68 x 86 cm. paper.

First edition, 8vo. Laurence A216a. Original red cloth, speckled, lettered in gilt on spine, hinges cracked, in damaged dustwrapper. below). Inscribed on the half-title: "to Yvette Pienne, player and writer, | G. Bernard Shaw | Malvern | 23/8/36." WITH: unpublished photograph, 19 x 14.5, of Bernard Shaw with a bevy of youngish ladies including Yvette Pienne according to a note (NOT in Shaw's hand, prob. Pienne's) on the reverse, "Malvern Festival 1938 || G. Bernard Shaw | [?] Lewis | Yvette Pienne|".

Both items in fair condition, on lightly aged and creased paper. The second letter addressed by the secretary on the reverse, with four torn stamps and postmarks, to 'Mr. Lawrence Hodson | Bradbourne Hall | Ashbourne | Derbyshire'. The 'set of stations' referred to in the first letter is likely to have been based on those executed by Gill in stone in Westminster Cathedral, and completed in 1918. Letter One (3 November 1920): 1p., 12mo.

Both issues 8pp., folio. Both in fair condition, on lightly-aged newspaper, with minor creasing and wear to edges. No. 2 has an on the cover a 'Photograph by John Deakin' of a black man, illustrating a symposium on apartheid titled 'The Man Beside You'; also the short story 'Wine' by Doris Lessing, and 'a short except from "Who Cares"' by Elizabeth Smart. No. 3 has a still from Fellini's 'Nights of Cabiria' on the cover, and features a symposium on the Wolfenden Report by the editors, titled 'Tis Pity She's A Whore', with 'Comment by Victor Musgrave'.

2pp., 12mo. On bifolium. Very good, on lightly-aged paper. Addressed to 'J. B. Burke' and signed 'H. Appleton' (a member of the Boston firm of publishers?). The letter reads: 'My dear Sir | I find that the 2d. part of your work "The visitation of Great Britain" has been published some time but I have not received mine. Will you be good enough to put one under cover with my name & an outer cover to address of the Hon Abbott Laurence Boston [businessman and philanthropist], and send it to John Miller Esq. No: 24 Henrietta St.

2pp., 12mo. Good, on lightly-aged paper. A pencil footnote states that the poem referred to is 'In Praise of Puns' (subtitled on that occasion 'Paronomasiarum Laudatio'), published in the magazine 'Mirth', edited by H. J. Byron, 1878, p.115. Archer has no objection to the poem being reprinted, 'on one or other of two conditions: that you either omit my name (and any description pointing to me), or give the date of their original publication, and the name of the magazine (Mirth was it not?) in which they appeared. In either case, please omit the Latin sub-title.'

Both items printed on pink paper, with similar cover designs by Arnold Riches. Both in fair condition, aged and worn. The song sheet is a bifolium, 4pp, 4to, It dates from before 1939, when, following Ridgeway's death, the Player's Theatre moved to the Arts Theatre from King Street. The front page advertises performances 'Every Night (Except Sundays)', with 'THE ARTISTES' listed over twelve lines, and including 'Alec (Laneworthy-Figg) Clunes', Peter Ustinov, Bernard Miles and 'Leonard Sachs (Chairman)'.

On one side of an 8 x 10 cm piece of paper, cut from the bottom of a letter. In good condition, on lightly-aged paper. Reads: '[...] being that very many things demand my attention that have already waited too long. | Yrs. sincerely | Frank Dicksee'.

3pp., 12mo. Good, on lightly-aged paper, on two leaves pinned together. He begins: 'I am sending herewith living specimens from Eagle Pond, Epping Forest, of a species of Volvox without protoplasmic connections between the cells. If you have not had it before you will no doubt be interested. If you have, I should be glad if you could tell me what you think it ought to be called. It is evidently close, if not identical, with V. Monona Gilb. Smith recorded by Pearsall as British from the Lake Dist. But it may also be V. tertius Meyer (cf.

On one side of a 4.5 x 13 cm strip of paper, cut from the bottom of a letter. In good condition, on lightly-aged paper. All in Partridge's hand. Reads: '[...]ment of time occupied. | With many regrets, | I am truly yours, | Bernard Partridge.'

1p., 4to. 30 typed lines, with the last two lines in autograph. In good condition, on lightly-aged and creased paper. Brett-James is addressed as 'Head of Department, War Studies & International Affairs, Royal Military Academy, Sandhurst'.

1p., 16mo. In good condition, on aged paper, neatly laid down on a paper mount. Written in a bold hand with an attractive signature. The note reads: 'Woodbridge | 2/6/1847 | My dear Sir | I scribble this to accompany the two copies of the Memorial referr'd to in my other note of this date. | Thine in haste | [signed] B Barton'.

1p., 4to. Fair, on aged, worn and creased paper. Seventeen lines in phonetic spelling, with printed key at foot, headed: 'NOTE - Members of the Phonetic League are pledged to use this Alphabet and spelling in correspondence.' Disregarding the use of the diaersis, the letter begins: 'Mi der Bryn, | Zis is only a not ov enqwiri tu asertan wezer yu ar stil aliv.

1p., 12mo. 22 lines. Good, on lightly-aged paper. Burlend begins his letter: 'Many thanks for your paper on Periodicity in Classification: it is very interesting but in many respects beyond me. | I don't understand why the Polyzoa should be included in the group "True limbs present" as they have nothing suggesting limbs'. | Otherwise the classification for the Animal Kingdom seems more balanced than it is in most text-books.' The second part of the letter discusses specific examples: platypus, aves and mammals.