Art and Architecture

Director of the Tate Gallery (1869-1936). 1 page, 8vo, grubby and creased, with otherwise-blank verso docketed and attached to piece of card. 'Both our funds and our space are extremely limited and Mr Warne Browne's 'Catch of Pilchards', though a pleasant subject picture, is scarcely of national importance and my Board would not consider purchasing it. | It might possibly be of interest for a local Museum such as the Truro Gallery or the Passmore Edwards Art Gallery, Newlyn. I am returning the reproduction | Yours very truly | Charles Aitken | Director'.

Victorian cartoonist and illustrator (DNB), connected with the magazine Punch. The fragment is around two inches by four, creased and discoloured. It reads 'With compliments | very truly yours. | Linley Sambourne' The signature is underlined. The reverse, one edge of which is attached to a piece of card, carries part of a list of various numbers of the magazine 'Types of British Army' in Sambourne's possession.

Publisher, philanthropist and author (1798-1886). Two pages, 8vo, bifoliate, good condition. "Dear Mr. Tupper,/ I hope to send you a proof tomorrow./ I am afraid we shall have to throw Foley over altogether, as we shall probably begin a new series next year in place of the "English Artists"./ I almost think we are full for the next three numbers, but if there should be space for the short articles you mention [page 2] I will let you know . . ."

Journalist and miniature painter (1776-1842).

Print dealer (1751-1833).

Ecclesiastical architect. Signed 'Giles Gilbert Scott' beneath typewritten 'Yours sincerely,'. Neatly stuck beneath this is 'Sir Giles Gilbert Scott, R.A.' printed in copperplate (from the letterhead?). The fragment is about one inch by two and a half inches. Docketed in pencil 1935.

English painter and President of the Royal Academy. 'It was kind of you to feel indignant that some young modern went out of his way to be critical of my work. I do not think that it is very important; he doesn't like my pictures and probably I shouldn't like his! | I think it is awkward for the Hertford Art Society, who have gone out of their way to invite certain people to exhibit on the grounds that [this] would increase the number of people who would visit the exhibition. I don't think they can have it both ways. | I will not mention your name to anybody.'

Long and unusually entertaining account 'Re Varnish', addressed to an American correspondent. A fascinating insight into the nature of Victorian entrepreneurship. 'It has long been an idea of mine that of all the Trades the most profitable one is Varnish [...] the Germans, clever as they are, can't make Varnish at all [...] nor for that matter can the Americans'.

Director and Principal Librarian of the British Museum (DNB). The first on dusty discoloured paper with closed tears to edges. Thanks Slocombe for having 'thought of me' and apologises for writing in pencil. Has been 'knocked over by a rather severe attack from which I am only slowly recovering'. The second and third letters are both replies to the Slocombes for seasonal expressions of goodwill and both are docketed in pencil by Slocombe. Three items,

She 'cannot apologise enough for having left his letter of May 29th so long unanswered'. It was supposed to be answered 'on her return from Italy' but was mislaid. She hopes Slocombe will 'forgive the unintentional rudeness'.

Sister of the M.P. Francis Bingham Mildmay. 'I am afraid we shall not be able to avail ourselves of your most kind invitation to view your portraits as we leave town for good on Friday. I shall hope to see your Portrait of Lady Milton, later on.' In a letter of 9 January 1898 F. B. Mildmay refers to Slocombe's 'most kind invitation to view your portraits'.

English politician. 'Are not the editors of the Sporting & Dramatic News going to make any use of your drawings? & if not, would there be any possibility of your being able to let my sister have the pencil sketch you made of her? She would value it very much. | We have been hard at work acting here, & all went off very well.'

Poet and auctioneer (d.1844). Four pages, 4to, with many changes in his hand, especially on first page (draft?), good condition. He argues that the poem he is sending Lough, "Social Day" [which he published in 1823] contains no rhymes about Lough's sculptures because he couldn't do them justice. He adds more (and more!) compliment, referring to specific works (Samson, David,Mazeppa, etc.), waxing poetical. He wishes him health "to pursue [his] exertions" and remain an ornament to his country.

On two letterheads of the West African Writers and Artists Club, 129 Camberwell Rd. Major Shepheard has suggested that correspondent might supply contacts for the Club. Describes the Club's activities and lists the names of thirteen Gold Coast students from a recent British Council exhibition, whose addresses she asks for, along with the names of others from Nigeria. Two items,

Potter. Good condition, text as follows: "Dear Roger Thornton, / I hope the enclosed will suffice. Thank you for all the nice things you say in your letter. I will try to go on a little longer making pots as well as I know how if they really give pleasure."

Antiquary (1805-1874). 2pp. ea., 8vo, damp-staining and other marksbut text still legible. He is returning some “cuts” lent by the Sussex Society and enclosing “eight blocks for the Catalogue of the Chichester Museum”. He wants his correspondent to follow up on a “cut”. In another letter, he makes suggestions for the improvement of a “proof of the Ark” and requests a book. In the other letter, he says that he is sending “the continuation ofChichester Catalogue” and someone else will send “the greater part of thewoodcut blocks”. He asks for a “cut” to be sent to the printer. 3 items,

2 pp, 12mo. "Dear Fairholt / I could not get down to you last evening, tho' I tried very much - / I will correct any circulars you may be good enough to write for Hone and get it printed and sent out can you furnish a list of archaeological assns. members & institute & the address of the F.S.A.'s - I am without the present lists of either [...] Hone is dreadfully hard up and every day is of much value to him in this affair - / Faithfully yours / Josh Durham" A strip has been torn along one of the margins very close to the text, causing negligible loss to it.

Theatre historian, wood engraver, etc. four pages, 8vo, (250 copies, numbered in pencil)with a poem by John Gawsworth and a device including Block's name on the front cover by "Edward Carrick" (pseud. for Edward Anthony Craig). Three copies, EACH,

Artist (1770-1844). 2pp., 8vo, good. “Clifford Holroyd” has asked him to put his case “before the Directors of The Artists G.B.[General Benevolent] Fund” at Cooper’s instigation. He requests information about Holroyd, and concludes by saying how useful this example proves the Fund.

Painter. 4 ALSs, 2-3pp., 8vo, good. He asks for payment for a picture so that he can pay rent arrears, reports of his progress with his pictures, “the two Dartmoor streams”. He later talks of other pictures in which Roberrts has an interest (“Mermaid”, “Kennack Bay”, “Cadgwith [Cove]” and others) and his constant need for money. 4 items,

Architect (1814-1895). 1 and 2pp., 8vo, good, discussing Murray’s specifications for the St Bride’s Foundation which, initially, he has to study. He eventually decides that, subject to minor changes, he will be able to recommend them. Christian was the architect for the National Portrait Gallery and architectto the Ecclesiastical Commission.2 items,

Collector (1760-1830). One page, 8vo, good, giving himpermission to view his pictures.

Painter. He accepts an invitation to lunch.

Painter (1842-1921). 2 ANSs, 8vo, good. In the first letter, he says that he has rested and feels able to continue with the sittings. In the second, he asks if he can exhibit her portrait at the “Grosvenor”. 2 items,

British Museum ceramics expert. One page, 8vo, good. He passes comment on a blue and a yellow pot, dating them, and giving the countries of origin of the yellow pot.

Art Critic and author. Two pages, 8vo, partly laid downm fold mark, good condition. He says he can do nothing "about the pictures" of which O'Donnell had sent a list. "They are not of sufficient interest and, I fear, of little value. Anyway they would not do for the man for whom I am forming a collection." He anticipates lunch.

Illustrator of "Alice", etc. A bold signature and subscription in purple ink ("Believe me to be / Sincerely yours / John Tenniel", on piece of paper c.2.5 x 1", good condition.

Cartoonist. Four pages, 8vo, good condition. He is enthusiastic about the idea of a "Press visit to Devon" but thinks that the sort of journalist he calls the "boozy bounder" should not go. He names people who would help, including aristocrats and literary figures.

Two pages, 4to, good condition. Ref. "Stourport", Powell is sending the "sketch" of a window (enclosed), giving subjects and making suggestions ("I thought the Ark would come well"). He has worked less bcecause of the light on this than on the "war memorial". He discusses the list of "angel subjects for your side aisle windows" (present as a third typed page), apart from themes which should have a window ti themselves. He favours fewer subjects, confirms that the Old Testament goes on the North aisle, New of the South.

Austrian portrait, genre and landscape photographer and photographic inventor. Among other things he invented photogalvanography. Two pages, 8vo, good condition. "I have brought the proof of the plate which you have done lately, with two other proofs of plates from photographs taken by the same person to the gentleman by whom I have received the originals". He goes on to talk of the latter's connection with "people of high standing" and his expectation of orders "for impressions from him". He awaits word and anticipates meeting with his correspondent.