Art and Architecture

Son (1811-93) of the essayist (1778-1830), and editor of his works. Three pages, 12mo. Stained and grubby. Docketed, with date on blank reverse of second leaf of bifoliate. He will be pleased to see the portrait which his correspondent describes. 'I very well remember that there was a chalk portrait by Bewick which would seem to be that you mention and there was an engraving of it in the life of my Father which I wrote some short time after his death & I do not remember whence that impression was derived.

British architect (1798-1877), brother of Sir Robert Smirke (1781-1867) and builder of the British Museum Reading Room. One page, 12mo. Folded twice. In good condition but with small hole in top right-hand corner. Reads 'The Print you have seen of the Brit: Museum must be [^a] surreptitious one; certainly not published by authority and probably very incorrect: I have not seen it.'

English illustrator (1876-1953), best-known for his work in 'Punch'. One page, 12mo. Very good. Folded once, and with one closed tear in crease. 'Many thanks for the good wishes and the horse shoe'. Signed 'Frank Reynolds'. Docketed in ink on reverse.

British artist (1840-1916). One page, 12mo. Folded twice. Very good, on somewhat discoloured paper with crease to one corner. Reads 'I return you the cards signed. I regret I cannot do a sketch as it has rained requests of a similar nature this Xmas & I am now obliged to refuse with many thanks for all your good wishes'. Signed 'James Linton'.

English engraver (1789-1843). Two pages, 12mo. Edges trimmed (with some loss to text), lightly creased and with some damage to head. Asks if the recipient has in his collection a print of Horace Walpole. 'If you have will you let me see it for , with price marked, will either return it or send the Money, Business preventing my <?> out <?> [...] Impressions of the Vandicke, should you have any grand Heads after that Master I should listen to see soon'. Signed 'W. F. Fry'. Docketed at head 'Mr Fry Engraver'.?>

Architect and engraver (1839-1922). One page, 12mo. With mourning border. In good condition, but with evidence of previous mounting on brown paper on reverse. Addressed to 'Dear Doctor'. He thanks him for his 'kind care of us' ('your crippled patient gave you much trouble') and asks him to accept a copy of his 'Belgium' ('Etchings in Belgium. With descriptive letterpress', 1878), which he is sending through the '' and 'will probably arrive someday'. Signed 'Ernest George'. Docketed in ink on reverse.

Irish aristocrat (1787-1856). One page, 12mo. In good condition, but with slight staining at head and traces of grey-paper mount on reverse. 'Lord Carew has this day received Mr Collins letter - | Mr. Holmes shall have every facility of engraving from Lord & Lady Carews Portraits, on his calling here.'

Very good in dustjacket. INSCRIBED by author "Diana Holman-Hunt". She has also added the words "especially you" to her printed expression of gratitude to anyone who helped.

Burnet (1784-1868), Corbould (1787-1844), Hills (1769-1844), Phillips (1770-1845) and Smirke (1752-1845) were artists. Colnaghi (1790-1879) was a print seller. Paper dimensions roughly four inches square. Paper grubby and creased. Reads 'T. Phillips - | R. Hills | D Colnaghi | Henry Corbould | Rob Smirke - | Jno: Burnet.' Reverse reads, tantalisingly, '<...> that his Eldest Son | <...>ilder of Liverpool Road | <...>ledged to call his Creditors | <...>t.

Collins (1788-1847) and Ward (1769-1859) were all artists. Finden (1791-1857) was an engraver. Paper dimensions roughly five inches by four and a half inches. Folded once and with slight discoloration, but in good condition overall. Reads 'James Ward RA. | Edwd. F. Finden | William Collins. | Geo Hyde | Upper Norton St | Philip Hill | 6. Greek Street'.

Scottish painter (1796-1864).Good Signature of Roberts and others (Calder Marshall and Witherington and one illegible).clipped from an appeal to the Artists' Benevolent Fund.

Konody (1872-1933) was a well known art critic, and Art Director of the Canadian War Memorials from 1916 to 1919. He was also connected with the British Pavillon at the Venice Biennale. One page, 12mo, on grey paper. In good condition. Verso of blank second leaf of bifoliate attached to piece of paper. Now that he knows he will be in town the following weekend he can accept her invitation to lunch at the Whitefriars Club at 1.45. Signed 'P. G. Konody'.

Behnes (died 1864) was a sculptor of high renown. Ross (1794-1860) was a miniature painter whose work includes portraits of Queen Victoria and Prince Albert. Paper dimensions roughly 4 1/2 inches by 2 inches. In good condition. Reads 'William Behnes | W. C. Ross'. On verso 'my Apartments, should <...> | to the utmost of my hop <...> | be inadequate to extricat <...>'.

Beechey (1753-1839) was a member of the Royal Academy, and portrait painter to Queen Charlotte. Young (1755-1825) was a mezzotint engraver. Paper dimensions roughly four inches square. Folded twice. In good condition on paper somewhat grubby at edges. Good clear signatures: 'W. Beechey R. A. - | Jno. Young.' Beechey was knighted and elected to the Royal Academy in 1798.

Architect, teacher and antiquary (1872-1955). One page, 4to, folded twice, in very good condition. He thanks him for sending 'the drawing of your commercial buildings'. He is working from it, and will return it shortly. Those at the school appear 'satisfied with the new gymnasium'. 'Good progress is being made with the main building.'

English sculptor (1775-1856). Dimensions of paper roughly 4 1/2 inches by 1 1/2 inches. In good condition. Reads '<...> I am Gentlemen | Your obt. & humble St. | Richd Westmacott'.

English sculptor (1775-1856). Dimensions of paper roughly 5 inches by 1 inch. In good condition. Reads '<...> | Recommended /on unexceptionable testimonials/ by | Richd Westmacott: | Nov 26/1844.'

English sculptor (1791-1864). Dimensions of paper roughly 4 inches by 1 inch. In very good condition. Large, slightly smudged signature on one side in blue ink. Reverse, in different ink and apparently in another hand, reads '<...> may I presume to solicit your favour fo<...> | as increasing Age naturally brings on in<...>'.

Artist. Portion of letter, c. 3 x 1", stained from laying down especially verso, saying: "am my dear John / Faithfully yours/ WP Frith".

Cartoonist. One page, 8vo, in blue crayon [?] smudged and slightly soiled. Text as follows: Punch Table // Dr. Sir/ I have had the opinion of the Punch staff & without hesitation all agree there is nothing whatever of Leech in it, neother the design, drawing or writing. There is not a touch of Leech in it . . ." [Several words underlined for emphasis.]

Dimensions roughly 5 1/2 inches by 4 inches. Must predate 1887, when the prefix 'Royal' was added. Amusing modern-looking cartoon-style illustration by 'F C' of furious pipe-smoking pianist jumping up to hammer the keys, with his hair forming into the 'S' of 'Society', with moustachioed cigar-smoking tweedy individual in front of piano being hit in face by whisky tumbler.

The firm, apparently antique dealers (although it also bought and sold false teeth), was established in 1833. All items are addressed to Slocombe, with whom the family (to whom he was perhaps related by marriage?) were clearly on intimate terms. Grubby, dusty, creased, dogeared and with several closed tears. The first six letters are from J. B. Fraser, the first four being on the letterhead of 'R. D. & J. B. FRASER, LIMITED.' ('ESTABLISHED IN THE REIGN OF WILLIAM IV.') Letter 1 (Ipswich, 4 Jan 1899, 4 pages, 8vo), from J. B. Fraser, concerns 'Edith', who is recovering from illness.

4to. [vi] + 131 pages. In original yellow binding, grubby and stained, gilt on spine faded. Handsome production on fine paper. Frontispiece, 18 illustrations and pedigree. PRESENTATION COPY from the editor (the subject's son) to his mother-in-law, with accompanying letter (1 page, 16mo, 29 December 1939, on letterhead 'NEASHAM HALL, NR. DARLINGTON.').

Bookplate, in very good condition, inside front cover of "Disraeli" by the Earl of Cromer (London, 1912), sl. hinge strain, ow. good condition, former owner's inscription and bookseller's label, From the Library of N[ehemiah] Asherson.

Bookplate, in good condition, inside front cover of "Selected Writings of Sir William Osler" (OUP, 1951), mainly good condition in soiledand sl. chipped dj, with one small tear. From the Library of N[ehemiah] Asherson.

Bookplate, in very good condition, inside front cover of "Rats Lice and History" by Hans Zinsser (London, 1935), covers marked but mainly good condition, no dj. From the Library of N[ehemiah] Asherson.

Bookplate, in very good condition, inside front cover of "Lives of the Fellows of the Royal College of Surgeons of England" by D'Arcy Power and W.R. Le Fanu (London, 1953), mainly good condition, no dj. From the Library of N[ehemiah] Asherson.

Bookplate, in very good condition, inside front cover of "The Physical Background of Perception" by E.D. Adrian (Oxford, 1947), good condition in frayed dj. From the Library of N[ehemiah] Asherson.

Bookplate, in very good condition, inside front cover of "The Medical Works of Hippocrates" trans. John Chadwick and W.N. Mann (Oxford, 1950), in good condition in chipped and torn dj, label of bookseller at base of inside front cover. From the Library of N[ehemiah] Asherson.

Bookplate, in good condition, inside front cover of "The Fatal Illness of Frederick the Noble" by Sir Morell Mackenzie (London, 1988), good condition, previous owner's initials on front ep, enclosing note from the firnd who gave Asherson the book (Graydon Hume) and another in Asherson's hand describing this gift. From the Library of N[ehemiah] Asherson.